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Charles Brown|These Blues (Album Version)

These Blues (Album Version)

Charles Brown

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Brown was enjoying the peak of an astounding career resurgence when he recorded THESE BLUES in 1994. Amazingly, his powers were in no way diminished. It has been said before that Brown sounds here almost exactly like he did on his breakthough hits of the late '40s, when his urbane brand of post-Nat King Cole blues provided a blueprint for such artists as Ray Charles and Chuck Berry.

Backed by an excellent small combo, Brown tears into a set of blues and bluesy pop songs. He even goes solo on Duke Ellington's "I Got it Bad (And that ain't Good"). While his vocals are as insinuating as ever, it's Brown's piano playing that astonishes-an amazing mix of traditional blues licks, Erroll Garner-ish block chords, and quicksilver octave passages that seem to appear out of nowhere.

© TiVo

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These Blues (Album Version)

Charles Brown

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1
These Blues (Album Version)
00:06:33

Charles Brown, Interprète Instrumental, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Decca Records France

2
Honey (Album Version)
00:03:47

Seymour B. Simons, ComposerLyricist - Haven Gillespie, ComposerLyricist - Charles Brown, Interprète Instrumental, MainArtist, AssociatedPerformer - Richard A. Whiting, ComposerLyricist

℗ 1994 Decca Records France

3
May I Never Love Again (Album Version)
00:05:07

Charles Brown, Interprète Instrumental, MainArtist, AssociatedPerformer - Jack Erickson, ComposerLyricist - Marco Sano, ComposerLyricist

℗ 1994 Decca Records France

4
I Got It Bad And That Ain't Good (Album Version)
00:05:26

Duke Ellington, Composer - Paul Francis Webster, ComposerLyricist - Charles Brown, Interprète Instrumental, MainArtist, AssociatedPerformer

℗ 1994 Decca Records France

5
Is You Is Or Is You Ain't My Baby (Album Version)
00:05:53

Charles Brown, Interprète Instrumental, MainArtist, AssociatedPerformer - Louis Jordan, ComposerLyricist - Billy Austin, ComposerLyricist

℗ 1994 Decca Records France

6
A Hundred Years From Today (Album Version)
00:05:24

Victor Young, ComposerLyricist - Ned Washington, ComposerLyricist - Charles Brown, Interprète Instrumental, MainArtist, AssociatedPerformer - Joseph Young, ComposerLyricist

℗ 1994 Decca Records France

7
Save Your Love For Me (Album Version)
00:05:26

Charles Brown, Interprète Instrumental, MainArtist, AssociatedPerformer - Buddy Johnson, ComposerLyricist

℗ 1994 Decca Records France

8
I Did My Best For You (Album Version)
00:07:23

Charles Brown, Interprète Instrumental, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Decca Records France

9
Sunday Kind Of Love (Album Version)
00:04:45

Barbara Belle, ComposerLyricist - Anita Leonard, ComposerLyricist - Stan Rhodes, ComposerLyricist - Charles Brown, Interprète Instrumental, MainArtist, AssociatedPerformer - Louis Prima, ComposerLyricist

℗ 1994 Decca Records France

10
Tomorrow (Album Version)
00:05:13

Charles Brown, Interprète Instrumental, MainArtist, AssociatedPerformer - Walter Hirsch, ComposerLyricist - Monte Wilhite, ComposerLyricist - Leopold Siptalmy, ComposerLyricist

℗ 1994 Decca Records France

11
Amazing Grace (Album Version)
00:04:15

Traditional, ComposerLyricist - Charles Brown, Arranger, Recording Arranger, Interprète Instrumental, Work Arranger, MainArtist, AssociatedPerformer

℗ 1994 Decca Records France

Album review

Brown was enjoying the peak of an astounding career resurgence when he recorded THESE BLUES in 1994. Amazingly, his powers were in no way diminished. It has been said before that Brown sounds here almost exactly like he did on his breakthough hits of the late '40s, when his urbane brand of post-Nat King Cole blues provided a blueprint for such artists as Ray Charles and Chuck Berry.

Backed by an excellent small combo, Brown tears into a set of blues and bluesy pop songs. He even goes solo on Duke Ellington's "I Got it Bad (And that ain't Good"). While his vocals are as insinuating as ever, it's Brown's piano playing that astonishes-an amazing mix of traditional blues licks, Erroll Garner-ish block chords, and quicksilver octave passages that seem to appear out of nowhere.

© TiVo

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