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Jimmy Heath|The Thumper

The Thumper

Jimmy Heath

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Jimmy Heath at age 33 made his recording debut as a leader on this Riverside session which has been reissued on CD in the OJC series. The hard bop tenor-saxophonist is in superior form, contributing five originals (of which "For Minors Only" is best known), jamming with an all-star sextet (including cornetist Nat Adderley, trombonist Curtis Fuller, pianist Wynton Kelly, bassist Paul Chambers and drummer Albert "Tootie" Heath) and taking two standards as ballad features. The excellent session of late '50s straightahead jazz is uplifted above the normal level by Heath's writing.

© Scott Yanow /TiVo

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The Thumper

Jimmy Heath

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1
For Minors Only
00:04:58

Jimmy Heath, MainArtist

(C) 2010 Orange Leisure (P) 2010 Orange Leisure

2
Who Needs It
00:05:43

Jimmy Heath, MainArtist

(C) 2010 Orange Leisure (P) 2010 Orange Leisure

3
Don't You Know I Care
00:05:06

Jimmy Heath, MainArtist

(C) 2010 Orange Leisure (P) 2010 Orange Leisure

4
Two Tees
00:04:21

Jimmy Heath, MainArtist

(C) 2010 Orange Leisure (P) 2010 Orange Leisure

5
The Tumper
00:04:07

Jimmy Heath, MainArtist

(C) 2010 Orange Leisure (P) 2010 Orange Leisure

6
New Keep
00:04:16

Jimmy Heath, MainArtist

(C) 2010 Orange Leisure (P) 2010 Orange Leisure

7
For All We Know
00:04:41

Jimmy Heath, MainArtist

(C) 2010 Orange Leisure (P) 2010 Orange Leisure

8
I Can Make You Love Me
00:03:35

Jimmy Heath, MainArtist

(C) 2010 Orange Leisure (P) 2010 Orange Leisure

9
Nice People
00:03:54

Jimmy Heath, MainArtist

(C) 2010 Orange Leisure (P) 2010 Orange Leisure

Album review

Jimmy Heath at age 33 made his recording debut as a leader on this Riverside session which has been reissued on CD in the OJC series. The hard bop tenor-saxophonist is in superior form, contributing five originals (of which "For Minors Only" is best known), jamming with an all-star sextet (including cornetist Nat Adderley, trombonist Curtis Fuller, pianist Wynton Kelly, bassist Paul Chambers and drummer Albert "Tootie" Heath) and taking two standards as ballad features. The excellent session of late '50s straightahead jazz is uplifted above the normal level by Heath's writing.

© Scott Yanow /TiVo

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