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Vocalist Katie Melua's 2010 album The House is an atmospheric, romantic, and sometimes eerie album of arty adult alternative pop. While longtime producer Mike Batt is on board here, journeyman electronic producer William Orbit takes the main production helm. The result is Melua's most mature album to date and one that will certainly draw well-earned comparisons to such art pop icons as Kate Bush and Tori Amos. And while immaculately produced tracks like "The Flood" and "Twisted" do evince Bush's literate and operatic sound, they also bring to mind the grand, retro-leaning approach of guitarist/singer-songwriter Richard Hawley. Which isn't to say that Melua hews closely to any kind of '60s pop; on the contrary, these are clearly contemporary songs with a modern point of view. But there is a bit of moody Nick Drake-style guitar work and the way the songs build and swoop, often with symphonic backing (the Royal Philharmonic Orchestra appears here), is very much in keeping with Hawley's particular Brill Building meets coastal British town grandeur. In that sense, the album is a bit of a grower and has an overall soft, reflective quality. As with most of The House, songs like the folk-inflected opener "I'd Love to Kill You," the Eastern-tinged "The Flood," and the yearning and pretty "Red Balloons," take time to build and grab you slowly with deft, biting lyrics and Melua's lilting, burnished vocals.
© Matt Collar /TiVo
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Adam Young, MainArtist - Katie Melua, MainArtist
2010 Dramatico Entertainment Limited. under exclusive S.E. Asia and Greater China license to Evolution Ltd. 2010 Dramatico Entertainment Limited. under exclusive S.E. Asia and Greater China license to Evolution Ltd.
Katie Melua, MainArtist
2010 Dramatico Entertainment Limited. under exclusive S.E. Asia and Greater China license to Evolution Ltd. 2010 Dramatico Entertainment Limited. under exclusive S.E. Asia and Greater China license to Evolution Ltd.
Katie Melua, MainArtist
2010 Dramatico Entertainment Limited. under exclusive S.E. Asia and Greater China license to Evolution Ltd. 2010 Dramatico Entertainment Limited. under exclusive S.E. Asia and Greater China license to Evolution Ltd.
Katie Melua, MainArtist
2010 Dramatico Entertainment Limited. under exclusive S.E. Asia and Greater China license to Evolution Ltd. 2010 Dramatico Entertainment Limited. under exclusive S.E. Asia and Greater China license to Evolution Ltd.
Katie Melua, MainArtist
2010 Dramatico Entertainment Limited. under exclusive S.E. Asia and Greater China license to Evolution Ltd. 2010 Dramatico Entertainment Limited. under exclusive S.E. Asia and Greater China license to Evolution Ltd.
Katie Melua, MainArtist
2010 Dramatico Entertainment Limited. under exclusive S.E. Asia and Greater China license to Evolution Ltd. 2010 Dramatico Entertainment Limited. under exclusive S.E. Asia and Greater China license to Evolution Ltd.
Katie Melua, MainArtist
2010 Dramatico Entertainment Limited. under exclusive S.E. Asia and Greater China license to Evolution Ltd. 2010 Dramatico Entertainment Limited. under exclusive S.E. Asia and Greater China license to Evolution Ltd.
Katie Melua, MainArtist
2010 Dramatico Entertainment Limited. under exclusive S.E. Asia and Greater China license to Evolution Ltd. 2010 Dramatico Entertainment Limited. under exclusive S.E. Asia and Greater China license to Evolution Ltd.
Katie Melua, MainArtist
2010 Dramatico Entertainment Limited. under exclusive S.E. Asia and Greater China license to Evolution Ltd. 2010 Dramatico Entertainment Limited. under exclusive S.E. Asia and Greater China license to Evolution Ltd.
Katie Melua, MainArtist
2010 Dramatico Entertainment Limited. under exclusive S.E. Asia and Greater China license to Evolution Ltd. 2010 Dramatico Entertainment Limited. under exclusive S.E. Asia and Greater China license to Evolution Ltd
Katie Melua, MainArtist
2010 Dramatico Entertainment Limited. under exclusive S.E. Asia and Greater China license to Evolution Ltd. 2010 Dramatico Entertainment Limited. under exclusive S.E. Asia and Greater China license to Evolution Ltd.
Katie Melua, MainArtist
2010 Dramatico Entertainment Limited. under exclusive S.E. Asia and Greater China license to Evolution Ltd. 2010 Dramatico Entertainment Limited. under exclusive S.E. Asia and Greater China license to Evolution Ltd.
Album review
Vocalist Katie Melua's 2010 album The House is an atmospheric, romantic, and sometimes eerie album of arty adult alternative pop. While longtime producer Mike Batt is on board here, journeyman electronic producer William Orbit takes the main production helm. The result is Melua's most mature album to date and one that will certainly draw well-earned comparisons to such art pop icons as Kate Bush and Tori Amos. And while immaculately produced tracks like "The Flood" and "Twisted" do evince Bush's literate and operatic sound, they also bring to mind the grand, retro-leaning approach of guitarist/singer-songwriter Richard Hawley. Which isn't to say that Melua hews closely to any kind of '60s pop; on the contrary, these are clearly contemporary songs with a modern point of view. But there is a bit of moody Nick Drake-style guitar work and the way the songs build and swoop, often with symphonic backing (the Royal Philharmonic Orchestra appears here), is very much in keeping with Hawley's particular Brill Building meets coastal British town grandeur. In that sense, the album is a bit of a grower and has an overall soft, reflective quality. As with most of The House, songs like the folk-inflected opener "I'd Love to Kill You," the Eastern-tinged "The Flood," and the yearning and pretty "Red Balloons," take time to build and grab you slowly with deft, biting lyrics and Melua's lilting, burnished vocals.
© Matt Collar /TiVo
About the album
- 1 disc(s) - 12 track(s)
- Total length: 00:45:39
- Main artists: Katie Melua
- Label: evosound
- Genre: Pop/Rock Pop
2010 Dramatico Entertainment Limited. under exclusive S.E. Asia and Greater China license to Evolution Ltd. 2010 Dramatico Entertainment Limited. under exclusive S.E. Asia and Greater China license to Evolution Ltd.
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