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Graham Coxon|The Golden D

The Golden D

Graham Coxon

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What with Blur frontman Damon Albarn stealing much of the attention for his loud-mouth antics, it seemed only natural that Graham Coxon, Blur's lead guitarist, would break out on his own for a side project. His debut solo release, 1998's The Sky Is Too High, was sort of like a collection of journal entries featuring acoustic melancholy, off-key guitar explosions and country crooning. Like The Sky, the second album reveals Coxon's appreciation for American indie rock. Whereas the first solo effort was somewhat lo-fi and reminiscent of Lou Barlow, Golden D, which is named after the musical chord, focuses on rock -- the hard and fast variety -- and suggests Sonic Youth and Sex Pistols. Standouts include "Jamie Thomas," a trashy punk thrasher that tributes his favorite skateboarder; atmospheric noodlings on "Lake"; the quirky horn-driven "Oochy Woochy"; and two Mission Of Burma covers ("Fame and Fortune" and "That's When I Reach for My Revolver."
Whereas Blur hired producer William Orbit (of Madonna fame) to bring out the band's delightfully sloppy side on its last album, 13, Coxon, who produced Golden D himself, masters messiness the au natural way -- by making the album sound almost exactly as it would live. This, in fact, leads to the most impressive element of Golden D -- that Coxon is solely responsible for everything you hear -- and see -- on the dozen-track album. He provided all the vocal and instrumental work (guitar and drums, mainly). He also released the album on his own label, Transcopic, and created the cover-art work -- a mess of colorful, cartoonish-looking albeit violent scribbles.

© Amy Schroeder /TiVo

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The Golden D

Graham Coxon

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1
Jamie Thomas
00:02:32

Ben Hillier, Arranger, Engineer, Programmer, Recorder - Bunt, Masterer, MasteringEngineer - Graham Coxon, Composer, Producer, Arranger, Featured Vocalist, Programmer, Performance, MainArtist - Ed Chadwick, Engineer - John Coles, Assistant

© 2000 Transcopic Records Ltd under exclusive licence to Parlophone Records Ltd ℗ 2000 Parlophone Records Ltd, a Warner Music Group Company

2
The Fear
00:03:02

Ben Hillier, Arranger, Engineer, Programmer, Recorder - Bunt, Masterer, MasteringEngineer - Graham Coxon, Composer, Producer, Arranger, Featured Vocalist, Programmer, Performance, MainArtist - Ed Chadwick, Engineer - John Coles, Assistant

© 2000 Transcopic Records Ltd under exclusive licence to Parlophone Records Ltd ℗ 2000 Parlophone Records Ltd, a Warner Music Group Company

3
Satan I Gatan
00:03:18

Ben Hillier, Arranger, Engineer, Programmer, Recorder - Bunt, Masterer, MasteringEngineer - Graham Coxon, Composer, Producer, Arranger, Featured Vocalist, Programmer, Performance, MainArtist - Ed Chadwick, Engineer - John Coles, Assistant

© 2000 Transcopic Records Ltd under exclusive licence to Parlophone Records Ltd ℗ 2000 Parlophone Records Ltd, a Warner Music Group Company

4
Fame and Fortune
00:03:35

Robert Miller, Composer - Ben Hillier, Arranger, Engineer, Programmer, Recorder - Bunt, Masterer, MasteringEngineer - Graham Coxon, Producer, Arranger, Featured Vocalist, Programmer, Performance, MainArtist - Ed Chadwick, Engineer - John Coles, Assistant

© 2000 Transcopic Records Ltd under exclusive licence to Parlophone Records Ltd ℗ 2000 Parlophone Records Ltd, a Warner Music Group Company

5
My Idea of Hell
00:02:14

Ben Hillier, Arranger, Engineer, Programmer, Recorder - Bunt, Masterer, MasteringEngineer - Graham Coxon, Composer, Producer, Arranger, Featured Vocalist, Programmer, Performance, MainArtist - Ed Chadwick, Engineer - John Coles, Assistant

© 2000 Transcopic Records Ltd under exclusive licence to Parlophone Records Ltd ℗ 2000 Parlophone Records Ltd, a Warner Music Group Company

6
Lake
00:07:34

Ben Hillier, Arranger, Engineer, Programmer, Recorder - Bunt, Masterer, MasteringEngineer - Graham Coxon, Composer, Producer, Arranger, Featured Vocalist, Programmer, Performance, MainArtist - Ed Chadwick, Engineer - John Coles, Assistant

© 2000 Transcopic Records Ltd under exclusive licence to Parlophone Records Ltd ℗ 2000 Parlophone Records Ltd, a Warner Music Group Company

7
Fags and Failure
00:01:54

Ben Hillier, Arranger, Engineer, Programmer, Recorder - Bunt, Masterer, MasteringEngineer - Graham Coxon, Composer, Producer, Arranger, Featured Vocalist, Programmer, Performance, MainArtist - Ed Chadwick, Engineer - John Coles, Assistant

© 2000 Transcopic Records Ltd under exclusive licence to Parlophone Records Ltd ℗ 2000 Parlophone Records Ltd, a Warner Music Group Company

8
Leave Me Alone
00:03:10

Ben Hillier, Arranger, Engineer, Programmer, Recorder - Bunt, Masterer, MasteringEngineer - Graham Coxon, Composer, Producer, Arranger, Featured Vocalist, Programmer, Performance, MainArtist - Ed Chadwick, Engineer - John Coles, Assistant

© 2000 Transcopic Records Ltd under exclusive licence to Parlophone Records Ltd ℗ 2000 Parlophone Records Ltd, a Warner Music Group Company

9
Keep Hope Alive
00:03:56

Ben Hillier, Arranger, Engineer, Programmer, Recorder - Bunt, Masterer, MasteringEngineer - Graham Coxon, Composer, Producer, Arranger, Featured Vocalist, Programmer, Performance, MainArtist - Ed Chadwick, Engineer - John Coles, Assistant

© 2000 Transcopic Records Ltd under exclusive licence to Parlophone Records Ltd ℗ 2000 Parlophone Records Ltd, a Warner Music Group Company

10
Oochy Woochy
00:04:24

Ben Hillier, Arranger, Engineer, Programmer, Recorder - Bunt, Masterer, MasteringEngineer - Graham Coxon, Composer, Producer, Arranger, Featured Vocalist, Programmer, Performance, MainArtist - Ed Chadwick, Engineer - John Coles, Assistant

© 2000 Transcopic Records Ltd under exclusive licence to Parlophone Records Ltd ℗ 2000 Parlophone Records Ltd, a Warner Music Group Company

11
That's When I Reach for My Revolver
00:03:58

Ben Hillier, Arranger, Engineer, Programmer, Recorder - Bunt, Masterer, MasteringEngineer - Graham Coxon, Producer, Arranger, Featured Vocalist, Programmer, Performance, MainArtist - Ed Chadwick, Engineer - John Coles, Assistant - C Conley, Composer

© 2000 Transcopic Records Ltd under exclusive licence to Parlophone Records Ltd ℗ 2000 Parlophone Records Ltd, a Warner Music Group Company

12
Don't Think About Always
00:04:43

Ben Hillier, Arranger, Engineer, Programmer, Recorder - Bunt, Masterer, MasteringEngineer - Graham Coxon, Composer, Producer, Arranger, Featured Vocalist, Programmer, Performance, MainArtist - Ed Chadwick, Engineer - John Coles, Assistant

© 2000 Transcopic Records Ltd under exclusive licence to Parlophone Records Ltd ℗ 2000 Parlophone Records Ltd, a Warner Music Group Company

Album review

What with Blur frontman Damon Albarn stealing much of the attention for his loud-mouth antics, it seemed only natural that Graham Coxon, Blur's lead guitarist, would break out on his own for a side project. His debut solo release, 1998's The Sky Is Too High, was sort of like a collection of journal entries featuring acoustic melancholy, off-key guitar explosions and country crooning. Like The Sky, the second album reveals Coxon's appreciation for American indie rock. Whereas the first solo effort was somewhat lo-fi and reminiscent of Lou Barlow, Golden D, which is named after the musical chord, focuses on rock -- the hard and fast variety -- and suggests Sonic Youth and Sex Pistols. Standouts include "Jamie Thomas," a trashy punk thrasher that tributes his favorite skateboarder; atmospheric noodlings on "Lake"; the quirky horn-driven "Oochy Woochy"; and two Mission Of Burma covers ("Fame and Fortune" and "That's When I Reach for My Revolver."
Whereas Blur hired producer William Orbit (of Madonna fame) to bring out the band's delightfully sloppy side on its last album, 13, Coxon, who produced Golden D himself, masters messiness the au natural way -- by making the album sound almost exactly as it would live. This, in fact, leads to the most impressive element of Golden D -- that Coxon is solely responsible for everything you hear -- and see -- on the dozen-track album. He provided all the vocal and instrumental work (guitar and drums, mainly). He also released the album on his own label, Transcopic, and created the cover-art work -- a mess of colorful, cartoonish-looking albeit violent scribbles.

© Amy Schroeder /TiVo

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