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Laure Favre-Kahn|Tchaïkovski : Piano concerto No. 1 - Chopin : Piano concerto No. 2

Tchaïkovski : Piano concerto No. 1 - Chopin : Piano concerto No. 2

Piotr Ilyitch Tchaïkovski - Frédéric Chopin

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A mood of high Romanticism permeates this 2011 release on Transart Live, because the Piano Concerto No. 1 in B flat minor of Pyotr Il'yich Tchaikovsky and the Piano Concerto No. 2 in F minor by Frédéric Chopin are among the most characteristic works of that period, and Laure Favre-Kahn delivers them with expressive fidelity. Accompanied Grzegorz Nowak and the Orchestre de Bretagne, she plays with tremendous energy and flair, and conveys the full emotional range of these works with a thorough understanding of the music and a sweeping command of her instrument. The Tchaikovsky is certainly a concerto on the grand scale, and she gives it a bigger-than-life interpretation that sorts well with its power and expansiveness. Chopin's concerto is more reflective of the early phase of Romanticism, and while it really shouldn't be played like a Mozart concerto, enough of the Classical influence comes through Favre-Kahn's poetic and tasteful playing. In both concertos, Nowak keeps the orchestra in a secondary role, though the playing in the Tchaikovsky is rather brilliant and quite exciting in the Allegros. However, Chopin's modest orchestral writing offers little room for the ensemble to stretch out, so that concerto is carried almost exclusively by Havre-Kahn. The live recordings from 2006 are well-focused and sonorous, and the audience is unobtrusive during the performances.
© TiVo

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Tchaïkovski : Piano concerto No. 1 - Chopin : Piano concerto No. 2

Laure Favre-Kahn

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1
Piano Concerto No. 1 in B-Flat Minor, Op. 23: I. Allegro non tropo e molto maestoso
Orchestre De Bretagne
00:19:29

Laure Favre-Kahn, interprète - Grzegorz Nowak, interprète - Orchestre de Bretagne, interprète - Piotr Ilyitch Tchaïkovski, compositeur

2007 C. DoutreTransart 2007 Transart

2
Piano Concerto No. 1 in B-Flat Minor, Op. 23: II. Andantino semplice
Orchestre De Bretagne
00:07:01

Laure Favre-Kahn, interprète - Grzegorz Nowak, interprète - Orchestre de Bretagne, interprète - Piotr Ilyitch Tchaïkovski, compositeur

2007 C. DoutreTransart 2007 Transart

3
Piano Concerto No. 1 in B-Flat Minor, Op. 23: III. Allegro con fuoco
Orchestre De Bretagne
00:07:01

Laure Favre-Kahn, interprète - Grzegorz Nowak, interprète - Orchestre de Bretagne, interprète - Piotr Ilyitch Tchaïkovski, compositeur

2007 C. DoutreTransart 2007 Transart

4
Piano Concerto No. 2 in F Minor, Op. 21: I. Maestoso
Orchestre De Bretagne
00:13:30

Laure Favre-Kahn, interprète - Grzegorz Nowak, interprète - Orchestre de Bretagne, interprète - Frédéric Chopin, compositeur

2007 C. DoutreTransart 2007 Transart

5
Piano Concerto No. 2 in F Minor, Op. 21: II. Larghetto
Orchestre De Bretagne
00:08:31

Laure Favre-Kahn, interprète - Grzegorz Nowak, interprète - Orchestre de Bretagne, interprète - Frédéric Chopin, compositeur

2007 C. DoutreTransart 2007 Transart

6
Piano Concerto No. 2 in F Minor, Op. 21: III. Allegro vivace
Orchestre De Bretagne
00:09:01

Laure Favre-Kahn, interprète - Grzegorz Nowak, interprète - Orchestre de Bretagne, interprète - Frédéric Chopin, compositeur

2007 C. DoutreTransart 2007 Transart

Album review

A mood of high Romanticism permeates this 2011 release on Transart Live, because the Piano Concerto No. 1 in B flat minor of Pyotr Il'yich Tchaikovsky and the Piano Concerto No. 2 in F minor by Frédéric Chopin are among the most characteristic works of that period, and Laure Favre-Kahn delivers them with expressive fidelity. Accompanied Grzegorz Nowak and the Orchestre de Bretagne, she plays with tremendous energy and flair, and conveys the full emotional range of these works with a thorough understanding of the music and a sweeping command of her instrument. The Tchaikovsky is certainly a concerto on the grand scale, and she gives it a bigger-than-life interpretation that sorts well with its power and expansiveness. Chopin's concerto is more reflective of the early phase of Romanticism, and while it really shouldn't be played like a Mozart concerto, enough of the Classical influence comes through Favre-Kahn's poetic and tasteful playing. In both concertos, Nowak keeps the orchestra in a secondary role, though the playing in the Tchaikovsky is rather brilliant and quite exciting in the Allegros. However, Chopin's modest orchestral writing offers little room for the ensemble to stretch out, so that concerto is carried almost exclusively by Havre-Kahn. The live recordings from 2006 are well-focused and sonorous, and the audience is unobtrusive during the performances.
© TiVo

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