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Lynne Arriale|Solo

Solo

Lynne Arriale

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Since arriving on the jazz scene in the 1990s, pianist Lynne Arriale demonstrated growth as an interpreter and composer. This solo outing will likely become one of the landmark recordings of her career. Starting with her dramatic modal composition "La Noche," which draws the listener in quickly with it infectious theme, Arriale immediately follows it with her relaxing, pastoral ballad "The Dove." Her gorgeous "Arise" has a meditative air. The pianist's quirky, midtempo blues "Yada, Yada, Yada" is full of delightful twists, with its staccato chords and playful nature. She tackles two songs by Thelonious Monk, including an introspective rendition of "Evidence" with a sublime, understated conclusion. Her amusing, choppy take of "Bye-Ya" has a sassy flavor that catches the playfulness of its composer, something often overlooked by interpreters. Her lyricism is at its peak in her spacious treatment of the show tune "Wouldn't It Be Loverly." The old warhorse "What Is This Thing Called Love" is a mandatory part of every jazz musician's repertoire, yet Arriale still finds a fresh path in her driving post-bop setting of this standard. She has much to be proud of with Solo.

© Ken Dryden /TiVo

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Solo

Lynne Arriale

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1
La Noche
00:03:50

Lynne Arriale, Composer, Producer, MainArtist - Duke Marcos, MixingEngineer

2011 Motema 2011 Lynne Arriale Under License to Motema

2
The Dove
00:04:09

Lynne Arriale, Composer, Producer, MainArtist - Duke Marcos, MixingEngineer

2011 Motema 2011 Lynne Arriale Under License to Motema

3
Evidence
00:04:00

Thelonious Monk, Composer - Lynne Arriale, Producer, MainArtist - Duke Marcos, MixingEngineer

2011 Motema 2011 Lynne Arriale Under License to Motema

4
Wouldn't It Be Loverly
00:05:51

Frederick Loewe, Composer - Alan Jay Lerner, Composer - Lynne Arriale, Producer, MainArtist - Duke Marcos, MixingEngineer

2011 Motema 2011 Lynne Arriale Under License to Motema

5
Will o' the Wisp
00:04:42

Lynne Arriale, Composer, Producer, MainArtist - Duke Marcos, MixingEngineer

2011 Motema 2011 Lynne Arriale Under License to Motema

6
Yada, Yada, Yada
00:03:34

Lynne Arriale, Composer, Producer, MainArtist - Duke Marcos, MixingEngineer

2011 Motema 2011 Lynne Arriale Under License to Motema

7
Arise
00:05:07

Lynne Arriale, Composer, Producer, MainArtist - Duke Marcos, MixingEngineer

2011 Motema 2011 Lynne Arriale Under License to Motema

8
Dance
00:04:34

Lynne Arriale, Composer, Producer, MainArtist - Duke Marcos, MixingEngineer

2011 Motema 2011 Lynne Arriale Under License to Motema

9
What Is This Thing Called Love
00:03:14

Cole Porter, Composer - Lynne Arriale, Producer, MainArtist - Duke Marcos, MixingEngineer

2011 Motema 2011 Lynne Arriale Under License to Motema

10
Sea and Sand
00:03:58

Lynne Arriale, Composer, Producer, MainArtist - Duke Marcos, MixingEngineer

2011 Motema 2011 Lynne Arriale Under License to Motema

11
Bye-Ya
00:04:53

Thelonious Monk, Composer - Lynne Arriale, Producer, MainArtist - Duke Marcos, MixingEngineer

2011 Motema 2011 Lynne Arriale Under License to Motema

12
And So It Goes
00:04:25

BILLY JOEL, Composer - Lynne Arriale, Producer, MainArtist - Duke Marcos, MixingEngineer

2011 Motema 2011 Lynne Arriale Under License to Motema

Album review

Since arriving on the jazz scene in the 1990s, pianist Lynne Arriale demonstrated growth as an interpreter and composer. This solo outing will likely become one of the landmark recordings of her career. Starting with her dramatic modal composition "La Noche," which draws the listener in quickly with it infectious theme, Arriale immediately follows it with her relaxing, pastoral ballad "The Dove." Her gorgeous "Arise" has a meditative air. The pianist's quirky, midtempo blues "Yada, Yada, Yada" is full of delightful twists, with its staccato chords and playful nature. She tackles two songs by Thelonious Monk, including an introspective rendition of "Evidence" with a sublime, understated conclusion. Her amusing, choppy take of "Bye-Ya" has a sassy flavor that catches the playfulness of its composer, something often overlooked by interpreters. Her lyricism is at its peak in her spacious treatment of the show tune "Wouldn't It Be Loverly." The old warhorse "What Is This Thing Called Love" is a mandatory part of every jazz musician's repertoire, yet Arriale still finds a fresh path in her driving post-bop setting of this standard. She has much to be proud of with Solo.

© Ken Dryden /TiVo

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