Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
Here's a superior Shostakovich chamber music release by Italian pianist Bruno Canino and the multinational Amati Quartett. Part of the attraction is the presence of a genuine masterpiece that is done full justice here, yet has been neglected in the past: the Piano Quintet in G minor, Op. 57, of 1940. The Soviet bureaucracy, which always gave Shostakovich trouble, loved this work, and Prokofiev criticized it, which may have given it a bad reputation. But Canino and the Amati tune into its unique tone of withdrawal from the world. The quintet might be called neo-classical; it begins with a prelude and fugue, and finishes with three more short movements in classical forms. But it's not like any other neo-classical work ever written; in Canino's hands it comes off as an assertion of the value of the concert music tradition in the midst of the horrors to come and the horrors that had already occurred in Russia. The fugue is an extraordinary piece, extended to great length in a kind of defiance against despair. The String Quartet No. 12 is a more common work, often cited as one of Shostakovich's near approaches to the twelve-tone technique. In this context -- buttressed by a remarkable article unearthed by annotator Marco Frei in which the composer opined that dodecaphony was best suited to the expression of depression, complete exhaustion, or the fear of death -- the quartet emerges as another take on the emotion of fear that also underlies the Piano Quintet. The modern interpretation of Shostakovich as a composer who, perhaps more than any other, expresses the predicament of the creative artist trapped within awesome social forces beyond his or her control is given uniquely deep life here; the players are technically comfortable with the music, and they hit an emotional tone and sustain it. Strongly recommended.
© TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From £10.83/month
Piano Quintet In G Minor, Op. 57 (Dimitri Chostakovitch)
Dmitri Shostakovich, Composer - Bruno Canino, Artist, MainArtist - Amati Quartet, Ensemble, MainArtist
(C) 2011 Divox (P) 2011 Divox
Dmitri Shostakovich, Composer - Bruno Canino, Artist, MainArtist - Amati Quartet, Ensemble, MainArtist
(C) 2011 Divox (P) 2011 Divox
Dmitri Shostakovich, Composer - Bruno Canino, Artist, MainArtist - Amati Quartet, Ensemble, MainArtist
(C) 2011 Divox (P) 2011 Divox
Dmitri Shostakovich, Composer - Bruno Canino, Artist, MainArtist - Amati Quartet, Ensemble, MainArtist
(C) 2011 Divox (P) 2011 Divox
Dmitri Shostakovich, Composer - Bruno Canino, Artist, MainArtist - Amati Quartet, Ensemble, MainArtist
(C) 2011 Divox (P) 2011 Divox
String Quartet No. 12 in D-Flat Major, Op. 133 (Dimitri Chostakovitch)
Dmitri Shostakovich, Composer - Amati Quartet, Ensemble, MainArtist
(C) 2011 Divox (P) 2011 Divox
Dmitri Shostakovich, Composer - Amati Quartet, Ensemble, MainArtist
(C) 2011 Divox (P) 2011 Divox
Album review
Here's a superior Shostakovich chamber music release by Italian pianist Bruno Canino and the multinational Amati Quartett. Part of the attraction is the presence of a genuine masterpiece that is done full justice here, yet has been neglected in the past: the Piano Quintet in G minor, Op. 57, of 1940. The Soviet bureaucracy, which always gave Shostakovich trouble, loved this work, and Prokofiev criticized it, which may have given it a bad reputation. But Canino and the Amati tune into its unique tone of withdrawal from the world. The quintet might be called neo-classical; it begins with a prelude and fugue, and finishes with three more short movements in classical forms. But it's not like any other neo-classical work ever written; in Canino's hands it comes off as an assertion of the value of the concert music tradition in the midst of the horrors to come and the horrors that had already occurred in Russia. The fugue is an extraordinary piece, extended to great length in a kind of defiance against despair. The String Quartet No. 12 is a more common work, often cited as one of Shostakovich's near approaches to the twelve-tone technique. In this context -- buttressed by a remarkable article unearthed by annotator Marco Frei in which the composer opined that dodecaphony was best suited to the expression of depression, complete exhaustion, or the fear of death -- the quartet emerges as another take on the emotion of fear that also underlies the Piano Quintet. The modern interpretation of Shostakovich as a composer who, perhaps more than any other, expresses the predicament of the creative artist trapped within awesome social forces beyond his or her control is given uniquely deep life here; the players are technically comfortable with the music, and they hit an emotional tone and sustain it. Strongly recommended.
© TiVo
About the album
- 1 disc(s) - 7 track(s)
- Total length: 00:57:43
- Main artists: Bruno Canino Amati Quartet
- Composer: Dimitri Chostakovitch
- Label: Divox
- Genre: Classical Chamber Music
(C) 2011 Divox (P) 2011 Divox
Improve album informationWhy buy on Qobuz...
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.