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Mandelring Quartett|Robert Schumann: Piano Quartet, Op. 47 & Piano Quintet, Op. 44

Robert Schumann: Piano Quartet, Op. 47 & Piano Quintet, Op. 44

Mandelring Quartett

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The Mandelring Quartet has made some fine recordings, but this disc of Schumann's Piano Quartet and Piano Quintet is merely mediocre. The Mandelring, a polished ensemble with a crisp tone, a real feel for rhythm, and a strong sense of form, plays well, but it sounds unusually uncommitted here, as if the music doesn't mean that much. The opening Allegro brilliante of the Piano Quintet, with pianist Claire-Marie le Guay, is fast but not at all brilliant and seems positively lackluster, particularly in its wayward development section. The following In modo d'una Marcia is even more disappointing, especially in the central In poco largamente, which is less deeply emotional than drippingly sentimental. Most disappointing is the closing Allegro ma non troppo, which is lacking in drive from start to finish but especially in its closing fugue. Audite's super audio sound is bright.

© TiVo

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Robert Schumann: Piano Quartet, Op. 47 & Piano Quintet, Op. 44

Mandelring Quartett

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1
Piano Quartet in E-Flat Major, Op. 47 for Piano, Violin, Viola and Violoncello: Sostenuto assai - Allegro ma non Troppo
00:09:11

Robert Schumann, Composer - Copyright Control, MusicPublisher - Claire-Marie Le Guay, Piano - Mandelring Quartett, Ensemble, MainArtist

2010 audite Musikproduktion 2010 audite Musikproduktion

2
Piano Quartet in E-Flat Major, Op. 47 for Piano, Violin, Viola and Violoncello: Scherzo. Molto Vivace
00:03:42

Robert Schumann, Composer - Copyright Control, MusicPublisher - Claire-Marie Le Guay, Piano - Mandelring Quartett, Ensemble, MainArtist

2010 audite Musikproduktion 2010 audite Musikproduktion

3
Piano Quartet in E-Flat Major, Op. 47 for Piano, Violin, Viola and Violoncello: III. Andante cantabile
00:06:11

Robert Schumann, Composer - Copyright Control, MusicPublisher - Claire-Marie Le Guay, Piano - Mandelring Quartett, Ensemble, MainArtist

2010 audite Musikproduktion 2010 audite Musikproduktion

4
Piano Quartet in E-Flat Major, Op. 47 for Piano, Violin, Viola and Violoncello: Finale. Vivace
00:07:31

Robert Schumann, Composer - Copyright Control, MusicPublisher - Claire-Marie Le Guay, Piano - Mandelring Quartett, Ensemble, MainArtist

2010 audite Musikproduktion 2010 audite Musikproduktion

5
Piano Quintet in E-Flat Major, Op. 44 for Piano, two Violins, Viola and Violoncello: Allegro Brillante
00:08:49

Robert Schumann, Composer - Copyright Control, MusicPublisher - Claire-Marie Le Guay, Piano - Mandelring Quartett, Ensemble, MainArtist

2010 audite Musikproduktion 2010 audite Musikproduktion

6
Piano Quintet in E-Flat Major, Op. 44 for Piano, two Violins, Viola and Violoncello: In modo d'una Marcia. Un poco largamente - Agitato - Tempo I
00:08:10

Robert Schumann, Composer - Copyright Control, MusicPublisher - Claire-Marie Le Guay, Piano - Mandelring Quartett, Ensemble, MainArtist

2010 audite Musikproduktion 2010 audite Musikproduktion

7
Piano Quintet in E-Flat Major, Op. 44 for Piano, two Violins, Viola and Violoncello: Scherzo. Molto Vivace
00:04:51

Robert Schumann, Composer - Copyright Control, MusicPublisher - Claire-Marie Le Guay, Piano - Mandelring Quartett, Ensemble, MainArtist

2010 audite Musikproduktion 2010 audite Musikproduktion

8
Piano Quintet in E-Flat Major, Op. 44 for Piano, two Violins, Viola and Violoncello: Allegro, ma non Troppo
00:07:29

Robert Schumann, Composer - Copyright Control, MusicPublisher - Claire-Marie Le Guay, Piano - Mandelring Quartett, Ensemble, MainArtist

2010 audite Musikproduktion 2010 audite Musikproduktion

Album review

The Mandelring Quartet has made some fine recordings, but this disc of Schumann's Piano Quartet and Piano Quintet is merely mediocre. The Mandelring, a polished ensemble with a crisp tone, a real feel for rhythm, and a strong sense of form, plays well, but it sounds unusually uncommitted here, as if the music doesn't mean that much. The opening Allegro brilliante of the Piano Quintet, with pianist Claire-Marie le Guay, is fast but not at all brilliant and seems positively lackluster, particularly in its wayward development section. The following In modo d'una Marcia is even more disappointing, especially in the central In poco largamente, which is less deeply emotional than drippingly sentimental. Most disappointing is the closing Allegro ma non troppo, which is lacking in drive from start to finish but especially in its closing fugue. Audite's super audio sound is bright.

© TiVo

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