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Picking up the thread left hanging from 2014's eponymous album -- in retrospect, his 2015 cover of Taylor Swift's 1989 seems even more of a detour -- Ryan Adams winds up diving ever deeper into early-'80s sounds and sensibilities on Prisoner. Such supple sounds are carefully constructed with producer Don Was, a professional who helps Adams articulate the AOR ideals he initially essayed in 2014. Prisoner sounds warm, open, and inviting, its welcoming vibes contradicting how it's an album born out of pain, a record written in the aftermath of Adams' divorce from Mandy Moore. Sadness haunts the corners of Prisoner -- it's there in the very song titles, beginning with the opener "Do You Still Love Me" and running through its aching closer, "We Disappear" -- but it's not a sorrowful record, not with its smooth edges and warm center. All of this is an outgrowth of the aesthetic Adams pioneered in 2014, one that he lent to Jenny Lewis' The Voyager, and the reconstituted soft rock suits him well: it’s a salute to the past and Adams always respected tradition. If the songs on Prisoner follow a conventional path of heartbreak -- a man sorting through the remnants of a broken romance -- the sound helps give the album an identity. Adams largely relies on cinematic classic rock tricks, a move underscored by how "Outbound Train" seems like an answer to Bruce Springsteen's "Downbound Train" -- toward the end of the record he starts to thread in a few spare acoustic confessionals, songs that play like subdued nods to his Americana past -- and that's the charm of Prisoner: it's not a record that wallows in hurt, it's an album that functions as balm for bad times.
© Stephen Thomas Erlewine /TiVo
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Charlie Stavish, Mixer, Engineer, StudioPersonnel - Ryan Adams, Producer, Mixer, Guitar, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist, Bass (Vocal) - Daniel Clarke, ComposerLyricist - Johnny T. Yerington, Drums, Percussion, AssociatedPerformer
℗ 2016 PaxAmericana Recording Company
Mike Viola, ComposerLyricist - Beatriz Artola, Mixer, Engineer, StudioPersonnel - Charlie Stavish, Engineer, StudioPersonnel - Ryan Adams, Producer, Mixer, Guitar, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist, Bass (Vocal) - Johnny T. Yerington, Drums, Percussion, AssociatedPerformer
℗ 2017 PaxAmericana Recording Company
Don Was, Asst. Recording Engineer, StudioPersonnel - Beatriz Artola, Engineer, StudioPersonnel - Charlie Stavish, Mixer, StudioPersonnel - Ryan Adams, Producer, Mixer, Guitar, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist, Bass (Vocal) - Rachel Jones, Asst. Recording Engineer, StudioPersonnel - Lee Foster, Asst. Recording Engineer, StudioPersonnel - Johnny T. Yerington, Drums, Percussion, AssociatedPerformer
℗ 2017 PaxAmericana Recording Company
Don Was, Asst. Recording Engineer, StudioPersonnel - Beatriz Artola, Mixer, Engineer, StudioPersonnel - Charlie Stavish, Mixer, StudioPersonnel - Ryan Adams, Producer, Mixer, Guitar, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist, Bass (Vocal) - Rachel Jones, Asst. Recording Engineer, StudioPersonnel - Lee Foster, Asst. Recording Engineer, StudioPersonnel - Johnny T. Yerington, Drums, Percussion, AssociatedPerformer
℗ 2017 PaxAmericana Recording Company
Don Was, Asst. Recording Engineer, StudioPersonnel - Beatriz Artola, Mixer, Engineer, StudioPersonnel - Ryan Adams, Producer, Mixer, Guitar, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist, Bass (Vocal) - Rachel Jones, Asst. Recording Engineer, StudioPersonnel - Lee Foster, Asst. Recording Engineer, StudioPersonnel - Johnny T. Yerington, Drums, Percussion, AssociatedPerformer
℗ 2017 PaxAmericana Recording Company
Don Was, Asst. Recording Engineer, StudioPersonnel - Beatriz Artola, Engineer, StudioPersonnel - Charlie Stavish, Mixer, StudioPersonnel - Ryan Adams, Producer, Mixer, Guitar, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist, Bass (Vocal) - Rachel Jones, Asst. Recording Engineer, StudioPersonnel - Lee Foster, Asst. Recording Engineer, StudioPersonnel - Johnny T. Yerington, Drums, Percussion, AssociatedPerformer
℗ 2016 PaxAmericana Recording Company
Don Was, Asst. Recording Engineer, StudioPersonnel - Beatriz Artola, Mixer, Engineer, StudioPersonnel - Ryan Adams, Producer, Mixer, Guitar, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist, Bass (Vocal) - Rachel Jones, Asst. Recording Engineer, StudioPersonnel - Lee Foster, Asst. Recording Engineer, StudioPersonnel - Johnny T. Yerington, Drums, Percussion, AssociatedPerformer
℗ 2017 PaxAmericana Recording Company
Don Was, Asst. Recording Engineer, StudioPersonnel - Beatriz Artola, Mixer, Engineer, StudioPersonnel - Ryan Adams, Producer, Mixer, Guitar, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist, Bass (Vocal) - Rachel Jones, Asst. Recording Engineer, StudioPersonnel - Lee Foster, Asst. Recording Engineer, StudioPersonnel - Johnny T. Yerington, Drums, Percussion, AssociatedPerformer
℗ 2017 PaxAmericana Recording Company
Don Was, Asst. Recording Engineer, StudioPersonnel - Beatriz Artola, Mixer, Engineer, StudioPersonnel - Ryan Adams, Producer, Mixer, Guitar, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist, Bass (Vocal) - Rachel Jones, Asst. Recording Engineer, StudioPersonnel - Lee Foster, Asst. Recording Engineer, StudioPersonnel - Johnny T. Yerington, Drums, Percussion, AssociatedPerformer
℗ 2017 PaxAmericana Recording Company
Don Was, Asst. Recording Engineer, StudioPersonnel - Beatriz Artola, Mixer, Engineer, StudioPersonnel - Ryan Adams, Producer, Mixer, Guitar, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist, Bass (Vocal) - Rachel Jones, Asst. Recording Engineer, StudioPersonnel - Lee Foster, Asst. Recording Engineer, StudioPersonnel - Johnny T. Yerington, Drums, Percussion, AssociatedPerformer
℗ 2017 PaxAmericana Recording Company
Don Was, Asst. Recording Engineer, StudioPersonnel - Beatriz Artola, Engineer, StudioPersonnel - Charlie Stavish, Mixer, StudioPersonnel - Ryan Adams, Producer, Mixer, Guitar, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist, Bass (Vocal) - Rachel Jones, Asst. Recording Engineer, StudioPersonnel - Lee Foster, Asst. Recording Engineer, StudioPersonnel - Johnny T. Yerington, Drums, Percussion, AssociatedPerformer
℗ 2017 PaxAmericana Recording Company
Don Was, Asst. Recording Engineer, StudioPersonnel - Beatriz Artola, Mixer, Engineer, StudioPersonnel - Ryan Adams, Producer, Mixer, Guitar, MainArtist, AssociatedPerformer, StudioPersonnel, ComposerLyricist, Bass (Vocal) - Rachel Jones, Asst. Recording Engineer, StudioPersonnel - Lee Foster, Asst. Recording Engineer, StudioPersonnel - Johnny T. Yerington, Drums, Percussion, AssociatedPerformer
℗ 2017 PaxAmericana Recording Company
Album review
Picking up the thread left hanging from 2014's eponymous album -- in retrospect, his 2015 cover of Taylor Swift's 1989 seems even more of a detour -- Ryan Adams winds up diving ever deeper into early-'80s sounds and sensibilities on Prisoner. Such supple sounds are carefully constructed with producer Don Was, a professional who helps Adams articulate the AOR ideals he initially essayed in 2014. Prisoner sounds warm, open, and inviting, its welcoming vibes contradicting how it's an album born out of pain, a record written in the aftermath of Adams' divorce from Mandy Moore. Sadness haunts the corners of Prisoner -- it's there in the very song titles, beginning with the opener "Do You Still Love Me" and running through its aching closer, "We Disappear" -- but it's not a sorrowful record, not with its smooth edges and warm center. All of this is an outgrowth of the aesthetic Adams pioneered in 2014, one that he lent to Jenny Lewis' The Voyager, and the reconstituted soft rock suits him well: it’s a salute to the past and Adams always respected tradition. If the songs on Prisoner follow a conventional path of heartbreak -- a man sorting through the remnants of a broken romance -- the sound helps give the album an identity. Adams largely relies on cinematic classic rock tricks, a move underscored by how "Outbound Train" seems like an answer to Bruce Springsteen's "Downbound Train" -- toward the end of the record he starts to thread in a few spare acoustic confessionals, songs that play like subdued nods to his Americana past -- and that's the charm of Prisoner: it's not a record that wallows in hurt, it's an album that functions as balm for bad times.
© Stephen Thomas Erlewine /TiVo
About the album
- 1 disc(s) - 12 track(s)
- Total length: 00:42:57
- Main artists: Ryan Adams
- Composer: Various Composers
- Label: Blue Note Records
- Genre: Pop/Rock Rock
© 2016 PaxAmericana Recording Company ℗ 2017 PaxAmericana Recording Company
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