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Michael Hedges|Oracle

Oracle

Michael Hedges

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Over time, Michael Hedges' recording approach and guitar technique had morphed to include all sorts of gadgetry and inspired technical innovations. Each new disc introduced new musical and thematic elements to the guitarist's vast repertoire. This attention to innovative detail isn't as pronounced on Oracle, but it would be untrue to describe the disc as representing a creative stasis. On an album that is mostly instrumental and generally concerned more with melody than thematic cohesion and quirky technical breakthroughs, Hedges relies on his past offerings and simplest musical instincts for inspiration, and the results are splendid. After having the stolen homemade instrument he used to write and record his groundbreaking debut, Breakfast in the Field, returned to him in 1995, Hedges used the guitar as a guiding light, leading the way toward a return to a more musical and less technical musical style. Standouts include the simplified Zappa cover "Sofa No. 1" and the gentle guitar manifestoes "The 2nd Law" and "Oracle" but, as fans would expect, this offering is consistent in its quality, and rare in its musical commitment.

© Vincent Jeffries /TiVo

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Oracle

Michael Hedges

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1
The 2nd Law
Michael Hedges
00:03:07

Rob Griffin, Recording Engineer - Michael Hedges, Recording Engineer - Michael Hedges, Guitar - Michael Hedges, Producer - Michael Hedges, Composer

(P) 1996 BMG Music

2
Ignition
Michael Manring
00:03:28

Michael Manring, Fretless Bass - Michael Hedges, Producer - Michael Hedges, Writer - Michael Hedges, Guitar

(P) 1996 BMG Music

3
Baal T'shuvah
Michael Hedges
00:02:09

Rob Griffin, Recording Engineer - Michael Hedges, Recording Engineer - Michael Hedges, Producer - Michael Hedges, Composer - Michael Hedges, Guitar

(P) 1996 BMG Music

4
Dirge
Michael Hedges
00:03:29

Michael Manring, Fretless Bass - Michael Hedges, Writer - Michael Hedges, Producer - Michael Hedges, Guitar

(P) 1996 BMG Music

5
Jitterboogie
Michael Hedges
00:02:37

Rob Griffin, Recording Engineer - Michael Hedges, Recording Engineer - Michael Hedges, Composer - Michael Hedges, Producer - Michael Hedges, Guitar

(P) 1996 BMG Music

6
Oracle
Michael Hedges
00:04:07

Michael Hedges, Writer - Michael Hedges, Producer - Michael Hedges, Guitar

(P) 1996 BMG Music

7
Gospel
Michael Hedges
00:02:22

Michael Manring, Fretless Bass - Michael Hedges, Writer - Michael Hedges, Producer - Michael Hedges, Guitar

(P) 1996 BMG Music

8
Tomorrow Never Knows
Michael Hedges
00:04:00

Paul McCartney, Composer - Paul McCartney, Lyricist - Michael Manring, Fretless Bass - Michael Hedges, Producer - Michael Hedges, Guitar - John Lennon, Composer - John Lennon, Lyricist

(P) 1996 BMG Music

9
Theme From Hatari!
Michael Hedges
00:03:18

Henry Mancini, Writer - Michael Hedges, Producer - Michael Hedges, Guitar

(P) 1996 Windham Hill Records, a unit of the windham hill group

10
Aura Müünta
Michael Hedges
00:02:58

Michael Hedges, Writer - Michael Hedges, Producer - Michael Hedges, Guitar

(P) 1996 BMG Music

11
Jitterboogie (family version)
Michael Hedges
00:02:09

Michael Hedges, Writer - Michael Hedges, Producer - Michael Hedges, Guitar

(P) 1996 BMG Music

12
Sofa No. 1
Michael Hedges
00:02:41

Michael Hedges, Producer - Michael Hedges, Guitar - Frank Zappa, Writer

(P) 1996 BMG Music

13
When I Was 4
Michael Hedges
00:04:19

Michael Hedges, Writer - Michael Hedges, Producer - Michael Hedges, Guitar

(P) 1996 BMG Music

14
What Child Is This
Michael Hedges
00:03:08

Michael Hedges, Drums - Michael Hedges, Guitar - Michael Hedges, Harp - Michael Hedges, Producer - Michael Hedges, Arranger - Traditional, Composer

(P) 1999 Windham Hill Records

Album review

Over time, Michael Hedges' recording approach and guitar technique had morphed to include all sorts of gadgetry and inspired technical innovations. Each new disc introduced new musical and thematic elements to the guitarist's vast repertoire. This attention to innovative detail isn't as pronounced on Oracle, but it would be untrue to describe the disc as representing a creative stasis. On an album that is mostly instrumental and generally concerned more with melody than thematic cohesion and quirky technical breakthroughs, Hedges relies on his past offerings and simplest musical instincts for inspiration, and the results are splendid. After having the stolen homemade instrument he used to write and record his groundbreaking debut, Breakfast in the Field, returned to him in 1995, Hedges used the guitar as a guiding light, leading the way toward a return to a more musical and less technical musical style. Standouts include the simplified Zappa cover "Sofa No. 1" and the gentle guitar manifestoes "The 2nd Law" and "Oracle" but, as fans would expect, this offering is consistent in its quality, and rare in its musical commitment.

© Vincent Jeffries /TiVo

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