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Omer Simeon|Omer Simeon 1926-1929 (Jazz Archives No. 55)

Omer Simeon 1926-1929 (Jazz Archives No. 55)

Omer Simeon

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Omer Victor Simeon (1902-1959) was a fine clarinetist who was strongly grounded in the grand musical traditions of his native New Orleans. In 1996, 19 examples of his early work were reissued in chronological formation by the EPM Musique Jazz Archives label. Simeon is mainly heard as sideman and featured soloist with Jelly Roll Morton's Red Hot Peppers, King Oliver's Dixie Syncopators, Jabbo Smith's Rhythm Aces, Reuben "River" Reeves & His River Boys, and an eight-piece band calling themselves the Dixie Rhythm Kings. "Smoke House Blues" and "Beau Koo Jack" are two of the very few titles ever issued under Simeon's name. A sequel volume (which seems never to have materialized) could have continued to trace his steps as he spent the 1930s working for Earl Hines and Horace Henderson; ran with Walter Fuller, Coleman Hawkins, James P. Johnson, Jimmie Lunceford, and Kid Ory in the ‘40s, and spent his last years gigging and recording in New York with trombonist Wilbur de Paris. What you get here is a practical introduction to an excellent clarinetist whose best work combined the fluency of Buster Bailey and the organic intensity of Edmond Hall. Hopefully this collection will eventually be supplemented by a more complete and thorough reexamination of Omer Simeon's recorded legacy.

© arwulf arwulf /TiVo

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Omer Simeon 1926-1929 (Jazz Archives No. 55)

Omer Simeon

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1
Black bottom stomp
00:03:11

Omer Simeon, interprète - Morton Jelly Roll, compositeur

EPM

2
Smoke house blues
00:03:26

Omer Simeon, interprète - Morton Jelly Roll, compositeur

EPM

3
The chant
00:03:19

Omer Simeon, interprète - Stitzel Mel, compositeur

EPM

4
Dead man blues
00:03:22

Omer Simeon, interprète - Morton Jelly Roll, compositeur

EPM

5
Original Jelly Roll Blues
00:03:06

Omer Simeon, interprète - Morton Jelly Roll, compositeur

EPM

6
Doctor jazz
00:03:23

Omer Simeon, interprète - Morton Jelly Roll, compositeur

EPM

7
Willie the weeper
00:02:55

Omer Simeon, interprète - Rymal Grant V., compositeur - Bloom Mary, compositeur

EPM

8
Shreveport stomp
00:03:15

Omer Simeon, interprète - Morton Jelly Roll, compositeur

EPM

9
Got everything
00:03:13

Omer Simeon, interprète - Palmer Jack, compositeur

EPM

10
Aunt Hagar's Blues
00:02:58

Omer Simeon, interprète - Handy William C, compositeur

EPM

11
Jazz battle
00:02:39

Omer Simeon, interprète - Smith Jabbo, compositeur

EPM

12
Little Willie Blues
00:03:25

Omer Simeon, interprète - Smith Jabbo, compositeur

EPM

13
Sweet and low down
00:03:17

Omer Simeon, interprète - Smith Jabbo, compositeur

EPM

14
Parson blues
00:02:31

Omer Simeon, interprète - PUB DOM, compositeur

EPM

15
Papa skag stomp
00:03:16

Omer Simeon, interprète - PUB DOM, compositeur

EPM

16
Smoke House Blues
00:02:37

Omer Simeon, interprète - Luke C, compositeur

EPM

17
Beau koo jack
00:02:46

Omer Simeon, interprète - Hill Ernest Bass, compositeur - Armstrong Louis, compositeur

EPM

18
The chant
00:03:26

Omer Simeon, interprète - Stitzel Mel, compositeur

EPM

19
Congo love song
00:03:20

Omer Simeon, interprète - Parham Tiny, compositeur - Parham Tiny, compositeur

EPM

Album review

Omer Victor Simeon (1902-1959) was a fine clarinetist who was strongly grounded in the grand musical traditions of his native New Orleans. In 1996, 19 examples of his early work were reissued in chronological formation by the EPM Musique Jazz Archives label. Simeon is mainly heard as sideman and featured soloist with Jelly Roll Morton's Red Hot Peppers, King Oliver's Dixie Syncopators, Jabbo Smith's Rhythm Aces, Reuben "River" Reeves & His River Boys, and an eight-piece band calling themselves the Dixie Rhythm Kings. "Smoke House Blues" and "Beau Koo Jack" are two of the very few titles ever issued under Simeon's name. A sequel volume (which seems never to have materialized) could have continued to trace his steps as he spent the 1930s working for Earl Hines and Horace Henderson; ran with Walter Fuller, Coleman Hawkins, James P. Johnson, Jimmie Lunceford, and Kid Ory in the ‘40s, and spent his last years gigging and recording in New York with trombonist Wilbur de Paris. What you get here is a practical introduction to an excellent clarinetist whose best work combined the fluency of Buster Bailey and the organic intensity of Edmond Hall. Hopefully this collection will eventually be supplemented by a more complete and thorough reexamination of Omer Simeon's recorded legacy.

© arwulf arwulf /TiVo

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