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Blondie|No Exit

No Exit

Blondie

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Once you've cherished Blondie you never really go back, even if for half of your life you must cherish them out of forgiveness, or just plain heartfelt concern. Debbie Harry loves to make curious decisions about her music, and it's always important to listen to her work carefully and several times (while trying to keep her performance in John Waters' Hairspray either firmly in, or out, of your mind as you do). In the old days, Harry and her guys covered terrific old blues and trippy, backwater pieces, popped up and pretty, punkified, otherwise unremarkable rock tunes, and flat out treated us to a show, whether live or Memorex. No Exit is a gritty downtown incarnation that almost sounds like a cutting room castaway, filled with raw and abject moments and digressions that suggest an improvised, irrelevant feel. The talkative "Screaming Skin" is a lyrically confused, stream of consciousness piece that sounds as if it was written on a paper bag on the subway -- and some people really like this stuff. But some of the instrumental tracks have the veneer of an afterthought, particularly in the percussion department. Miss Debbie is always at her rockin' finest when futzing with the blues (and country, really), which she does on most of the latter half of the disc like the consummate, crazy pro that she is. If nothing else, No Exit is a testament to authentic rock and roll durability, and, well, the abiding "wow" that is Debbie Harry.

© Becky Byrkit /TiVo

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No Exit

Blondie

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1
Screaming Skin
00:05:35

Blondie, Vocals, MainArtist

© 1999 Phasm 8 LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2007 Eleven Seven Music

2
Forgive and Forget (Pull Down the Night)
00:04:31

Blondie, Vocals, MainArtist

© 1999 Phasm 8 LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2007 Eleven Seven Music

3
Maria
00:04:51

Blondie, Vocals, MainArtist - Jimmy Destri, Composer

© 1999 Phasm 8 LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2007 Eleven Seven Music

4
No Exit (feat. Coolio & The Loud Allstars)
00:04:19

Blondie, Vocals, MainArtist - Coolio, FeaturedArtist - The Loud Allstars, FeaturedArtist

© 1999 Phasm 8 LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2007 Eleven Seven Music

5
Double Take (feat. Candy Dulfer)
00:04:12

Blondie, Vocals, MainArtist - Candy Dulfer, FeaturedArtist

© 1999 Phasm 8 LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2007 Eleven Seven Music

6
Nothing Is Real But The Girl
00:03:13

Blondie, Vocals, MainArtist

© 1999 Phasm 8 LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2007 Eleven Seven Music

7
Boom Boom In The Zoom Zoom Room
00:04:08

Blondie, Vocals, MainArtist

© 1999 Phasm 8 LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2007 Eleven Seven Music

8
Night Wind Sent
00:04:40

Blondie, Vocals, MainArtist

© 1999 Phasm 8 LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2007 Eleven Seven Music

9
Under The Gun (For Jeffrey Lee Pierce)
00:04:09

Blondie, Vocals, MainArtist

© 1999 Phasm 8 LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2007 Eleven Seven Music

10
Out In The Streets
00:03:03

Craig Leon, Producer, Engineer - Jeff Barry, Composer - Ellie Greenwich, Composer - Blondie, Vocals, MainArtist

© 1999 Phasm 8 LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2007 Eleven Seven Music

11
Happy Dog (For Caggy)
00:03:24

Blondie, Vocals, MainArtist

© 1999 Phasm 8 LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2007 Eleven Seven Music

12
The Dream's Lost On Me
00:03:19

Romy Ashby, Composer - Blondie, Vocals, MainArtist - Debbie Harry, Composer

© 1999 Phasm 8 LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2007 Eleven Seven Music

13
Divine
00:04:14

Blondie, Vocals, MainArtist

© 1999 Phasm 8 LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2007 Eleven Seven Music

14
Dig Up the Conjo
00:04:55

Blondie, Vocals, MainArtist

© 1999 Phasm 8 LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2007 Eleven Seven Music

Album review

Once you've cherished Blondie you never really go back, even if for half of your life you must cherish them out of forgiveness, or just plain heartfelt concern. Debbie Harry loves to make curious decisions about her music, and it's always important to listen to her work carefully and several times (while trying to keep her performance in John Waters' Hairspray either firmly in, or out, of your mind as you do). In the old days, Harry and her guys covered terrific old blues and trippy, backwater pieces, popped up and pretty, punkified, otherwise unremarkable rock tunes, and flat out treated us to a show, whether live or Memorex. No Exit is a gritty downtown incarnation that almost sounds like a cutting room castaway, filled with raw and abject moments and digressions that suggest an improvised, irrelevant feel. The talkative "Screaming Skin" is a lyrically confused, stream of consciousness piece that sounds as if it was written on a paper bag on the subway -- and some people really like this stuff. But some of the instrumental tracks have the veneer of an afterthought, particularly in the percussion department. Miss Debbie is always at her rockin' finest when futzing with the blues (and country, really), which she does on most of the latter half of the disc like the consummate, crazy pro that she is. If nothing else, No Exit is a testament to authentic rock and roll durability, and, well, the abiding "wow" that is Debbie Harry.

© Becky Byrkit /TiVo

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