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Rachel Podger|Mozart: Sinfonia concertante - Haydn: Violin Concertos Nos. 1 & 4

Mozart: Sinfonia concertante - Haydn: Violin Concertos Nos. 1 & 4

Rachel Podger, Pavlo Beznosiuk and Orchestra of the Age of Enlightenment

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It was a joy and an honour to record Mozart's Sinfonia Concertante – such a beautifully crafted masterpiece with those memorable, elegant and distinctive themes in the first movement and both soloists weaving in and out of symphonic textures, the remarkable poignancy of the second movement with its dramatic dialogue which is then dispersed by sheer delight and comic playfulness in the Presto.Delving into these moods was personally enriching and helped me gain a little bit more insight into Mozart's genius and being. Pavlo and I had the extreme good fortune to play a Strad each! Generously loaned to us by the Royal Academy of Music for this project, we savoured every minute of having these esteemed and valuable instruments in our hands! 'Mine' is a proud instrument which demands careful negotiation and warming before it will expose it's beautiful colours. An amazing experience in itself to play an instrument like this, it was even more of an event when the two Strads met and 'spoke' to each other with a feeling of being acquainted, perhaps not for the first time...

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Mozart: Sinfonia concertante - Haydn: Violin Concertos Nos. 1 & 4

Rachel Podger

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Violin Concerto in G major, Hob. VIIa:4 (Joseph Haydn)

1
I. Allegro moderato
00:08:24

Franz Joseph Haydn, Composer - Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Copyright Control, MusicPublisher - Rachel Podger, MainArtist

2009 Channel Classics 2009 Channel Classics

2
II. Adagio
00:06:42

Franz Joseph Haydn, Composer - Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Copyright Control, MusicPublisher - Rachel Podger, MainArtist

2009 Channel Classics 2009 Channel Classics

3
III. Allegro
00:03:49

Franz Joseph Haydn, Composer - Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Copyright Control, MusicPublisher - Rachel Podger, MainArtist

2009 Channel Classics 2009 Channel Classics

Sinfonia Concertante in E-Flat Major, K. 364/320d (Wolfgang Amadeus Mozart)

4
I. Allegro maestoso
00:13:24

Wolfgang Amadeus Mozart, Composer - Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Copyright Control, MusicPublisher - Rachel Podger, MainArtist - Pavlo Beznosiuk, Conductor, MainArtist

2009 Channel Classics 2009 Channel Classics

5
II. Andante
00:09:58

Wolfgang Amadeus Mozart, Composer - Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Copyright Control, MusicPublisher - Rachel Podger, MainArtist - Pavlo Beznosiuk, Conductor, MainArtist

2009 Channel Classics 2009 Channel Classics

6
III. Presto
00:06:19

Wolfgang Amadeus Mozart, Composer - Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Copyright Control, MusicPublisher - Rachel Podger, MainArtist - Pavlo Beznosiuk, Conductor, MainArtist

2009 Channel Classics 2009 Channel Classics

Violin Concerto in C major, Hob. VIIa:1 (Joseph Haydn)

7
I. Allegro moderato
00:09:59

Franz Joseph Haydn, Composer - Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Copyright Control, MusicPublisher - Rachel Podger, MainArtist

2009 Channel Classics 2009 Channel Classics

8
II. Adagio
00:05:19

Franz Joseph Haydn, Composer - Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Copyright Control, MusicPublisher - Rachel Podger, MainArtist

2009 Channel Classics 2009 Channel Classics

9
III. Finale. Presto
00:04:05

Franz Joseph Haydn, Composer - Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Copyright Control, MusicPublisher - Rachel Podger, MainArtist

2009 Channel Classics 2009 Channel Classics

Album review

It was a joy and an honour to record Mozart's Sinfonia Concertante – such a beautifully crafted masterpiece with those memorable, elegant and distinctive themes in the first movement and both soloists weaving in and out of symphonic textures, the remarkable poignancy of the second movement with its dramatic dialogue which is then dispersed by sheer delight and comic playfulness in the Presto.Delving into these moods was personally enriching and helped me gain a little bit more insight into Mozart's genius and being. Pavlo and I had the extreme good fortune to play a Strad each! Generously loaned to us by the Royal Academy of Music for this project, we savoured every minute of having these esteemed and valuable instruments in our hands! 'Mine' is a proud instrument which demands careful negotiation and warming before it will expose it's beautiful colours. An amazing experience in itself to play an instrument like this, it was even more of an event when the two Strads met and 'spoke' to each other with a feeling of being acquainted, perhaps not for the first time...

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