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Victor Wooten|Live in America

Live in America

Victor Wooten

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Victor Wooten's fourth solo record is a double-disc package documenting four years on the road with brothers Reggie Wooten (guitar and vocals) and Joseph Wooten (keyboards and vocals), as well as JD Blair (drums and vocals). The Wooten band serves up full-throttle funk, R&B, and pop power ballads, as well as feel-good fusion, often with a dash of hip-hop courtesy of rapper (and guest bassist) MC Divinity. The leader's widely celebrated bass virtuosity is on display throughout, but most explicitly during "Hey Girl," "Tappin' and Thumpin'," "Sacred Silence/The Jam Man," "Me and My Bass Guitar," and "Pretty Little Lady." Disc one begins with a studio-recorded introduction from P-Funk bass legend Bootsy Collins, disc two with a bass duel featuring fusion veteran Marcus Miller. Tributes to other musical heroes (Sly Stone, James Brown, and Jaco Pastorius) crop up during the course of the album's 118 combined minutes. While there's much to be said for their tightness and musicianship, Wooten and company can get bogged down in overly long jams, and some of their live schtick doesn't translate so well on record.
© David R. Adler /TiVo

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Live in America

Victor Wooten

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1
Are You Ready, Baby?
00:02:24

Victor Wooten, MainArtist

2001 Compass Records 2001 Compass Records

2
What Did He Say?
00:06:53

Victor Wooten, MainArtist

2001 Compass Records 2001 Compass Records

3
Hormones In The Headphones
00:06:46

Victor Wooten, MainArtist

2001 Compass Records 2001 Compass Records

4
Nobody Knows My Name
00:04:50

Victor Wooten, MainArtist

2001 Compass Records 2001 Compass Records

5
Hero
00:05:06

Victor Wooten, MainArtist

2001 Compass Records 2001 Compass Records

6
Yinin' and Yangin' / Hey Girl
00:12:36

Victor Wooten, MainArtist

2001 Compass Records 2001 Compass Records

7
Sacred Silence / The Jam Man
00:05:46

Victor Wooten, MainArtist

2001 Compass Records 2001 Compass Records

8
Tappin' and Thumpin' / Born In The Dark / I Can't Make You Love Me
00:05:31

Victor Wooten, MainArtist

2001 Compass Records 2001 Compass Records

9
James Brown! / Iron Man
00:07:46

Victor Wooten, MainArtist

2001 Compass Records 2001 Compass Records

10
Miller Time
00:10:41

Victor Wooten, MainArtist

2001 Compass Records 2001 Compass Records

11
Good People
00:07:52

Victor Wooten, MainArtist

2001 Compass Records 2001 Compass Records

12
Imagine This
00:08:39

Victor Wooten, MainArtist

2001 Compass Records 2001 Compass Records

13
I Dream In Color
00:04:17

Victor Wooten, MainArtist

2001 Compass Records 2001 Compass Records

14
My Life
00:04:48

Victor Wooten, MainArtist

2001 Compass Records 2001 Compass Records

15
U Can't Hold No Groove…
00:05:24

Victor Wooten, MainArtist

2001 Compass Records 2001 Compass Records

16
Me And My Bass Guitar
00:04:40

Victor Wooten, MainArtist

2001 Compass Records 2001 Compass Records

17
Pretty Little Lady
00:04:37

Victor Wooten, MainArtist

2001 Compass Records 2001 Compass Records

18
If You Want Me To Stay / Thank You (Fallentin Me Be Mice Elf Agin)
00:09:47

Victor Wooten, MainArtist

2001 Compass Records 2001 Compass Records

Album review

Victor Wooten's fourth solo record is a double-disc package documenting four years on the road with brothers Reggie Wooten (guitar and vocals) and Joseph Wooten (keyboards and vocals), as well as JD Blair (drums and vocals). The Wooten band serves up full-throttle funk, R&B, and pop power ballads, as well as feel-good fusion, often with a dash of hip-hop courtesy of rapper (and guest bassist) MC Divinity. The leader's widely celebrated bass virtuosity is on display throughout, but most explicitly during "Hey Girl," "Tappin' and Thumpin'," "Sacred Silence/The Jam Man," "Me and My Bass Guitar," and "Pretty Little Lady." Disc one begins with a studio-recorded introduction from P-Funk bass legend Bootsy Collins, disc two with a bass duel featuring fusion veteran Marcus Miller. Tributes to other musical heroes (Sly Stone, James Brown, and Jaco Pastorius) crop up during the course of the album's 118 combined minutes. While there's much to be said for their tightness and musicianship, Wooten and company can get bogged down in overly long jams, and some of their live schtick doesn't translate so well on record.
© David R. Adler /TiVo

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