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Leonardo García Alarcón|La Finta Pazza

La Finta Pazza

Leonardo Garcia Alarcon

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Long considered a “ghost composer”, Francesco Sacrati (1605-1650) has been given a new lease of life following the discovery of his opera La Finta pazza in 1984 (discovered by musicologist Lorenzo Bianconi). Composed in 1641 in Venice by the greatest musicians of the time, it was the first opera to be performed at the French court (1645) before the young King Louis XIV. It may have even triggered his passion for dance.

This opera beautifully combines lyrics and music and is somewhat similar in style to Monteverdi and Cavall. It was performed at Versailles in 2019 as part of the Opéra Royal by Capella Mediterranea (conducted by founder Leonardo García Alarcón). The present recording, made two years later at the very same venue, reveals Sacrati to be a first class composer who, according to García Alarcón, also participated in the creation of Monteverdi’s enigmatic Incoronazione di Poppea.

The recovered score is almost complete, except for the instrumental prologue and a few ritornellos (the violin parts of which are not notated, as was common practice at the time). There are numerous comical moments throughout the work, as well as erotic passages typical of the time period. There are also hunting scenes, sleeping scenes and scenes that are quite gruesome in nature, as well as one of the first mad scenes in the history of opera. With a libretto that re-establishes women in leading roles, Finta pazza is still very much in tune with the modern day.

For this first recording, Sacrati’s colourful work benefits from an excellent cast of fifteen coherent singers. They’re supported by the stunning Capella Mediterranea Ensemble, comprised of lutes, archlutes, guitars, harps, harpsichords, organs, viols and lyres. La Finta pazza played a significant role in the export of Italian opera to France, and it’s wonderful to see it being played in the country once again after almost four centuries of absence. © François Hudry/Qobuz

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La Finta Pazza

Leonardo García Alarcón

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1
Sinfonia
00:02:36

Leonardo Garcia Alarcon, Conductor - Cappella Mediterranea, Orchestra - Francesco Sacrati, Composer

2022 Château de Versailles Spectacles 2021 Château de Versailles Spectacles

2
Prologo - « Loquace Diva »
00:04:14

Leonardo Garcia Alarcon, Conductor - Cappella Mediterranea, Orchestra - Norma Nahoun, Soloist - Francesco Sacrati, Composer - Julie Roset, Soloist

2022 Château de Versailles Spectacles 2021 Château de Versailles Spectacles

Atto I (Francesco Sacrati)

3
Scena 1 - « Il porto è qui di Sciro »
00:06:08

Leonardo Garcia Alarcon, Conductor - Cappella Mediterranea, Orchestra - Salvo Vitale, Soloist - Carlo Vistoli, Soloist - Valerio Contaldo, Soloist - Francesco Sacrati, Composer

2022 Château de Versailles Spectacles 2021 Château de Versailles Spectacles

4
Scena 2 - « Or che son giunti al destinato affare »
00:07:38

Leonardo Garcia Alarcon, Conductor - Cappella Mediterranea, Orchestra - Norma Nahoun, Soloist - Francesco Sacrati, Composer - Fiona McGown, Soloist - Julie Roset, Soloist

2022 Château de Versailles Spectacles 2021 Château de Versailles Spectacles

5
Scena 3 - « Ombra di timore »
00:11:08

Leonardo Garcia Alarcon, Conductor - Cappella Mediterranea, Orchestra - Mariana Flores, Soloist - Francesco Sacrati, Composer - Paul-Antoine Bénos-Djian, Soloist

2022 Château de Versailles Spectacles 2021 Château de Versailles Spectacles

6
Scena 4 - « Mi vedete già tutto »
00:05:20

Leonardo Garcia Alarcon, Conductor - Cappella Mediterranea, Orchestra - Alejandro Meerapfel, Soloist - Carlo Vistoli, Soloist - Valerio Contaldo, Soloist - Francesco Sacrati, Composer

2022 Château de Versailles Spectacles 2021 Château de Versailles Spectacles

7
Scena 5 - « O formano gli Dei »
00:15:27

Leonardo Garcia Alarcon, Conductor - Cappella Mediterranea, Orchestra - Alejandro Meerapfel, Soloist - Mariana Flores, Soloist - Carlo Vistoli, Soloist - Valerio Contaldo, Soloist - Francesco Sacrati, Composer - Anna Piroli, Soloist - Paul-Antoine Bénos-Djian, Soloist - Kacper Szelazek, Soloist - Aurélie Marjot, Soloist - Sarah Hauss, Soloist

2022 Château de Versailles Spectacles 2021 Château de Versailles Spectacles

Atto II (Francesco Sacrati)

8
Scena 1 - « L’amante modesto »
00:04:20

Leonardo Garcia Alarcon, Conductor - Cappella Mediterranea, Orchestra - Carlo Vistoli, Soloist - Valerio Contaldo, Soloist - Francesco Sacrati, Composer

2022 Château de Versailles Spectacles 2021 Château de Versailles Spectacles

9
Scena 2 - « Dolce cambio di natura »
00:05:19

Leonardo Garcia Alarcon, Conductor - Cappella Mediterranea, Orchestra - Carlo Vistoli, Soloist - Valerio Contaldo, Soloist - Francesco Sacrati, Composer - Paul-Antoine Bénos-Djian, Soloist

2022 Château de Versailles Spectacles 2021 Château de Versailles Spectacles

10
Scena 3 - « Ferma, o fatal guerriero ! »
00:02:44

Leonardo Garcia Alarcon, Conductor - Cappella Mediterranea, Orchestra - Francesco Sacrati, Composer - Paul-Antoine Bénos-Djian, Soloist - Alexander Miminoshvili , Soloist

2022 Château de Versailles Spectacles 2021 Château de Versailles Spectacles

11
Scena 4 - « È giustissimo il duolo »
00:10:11

Leonardo Garcia Alarcon, Conductor - Cappella Mediterranea, Orchestra - Marcel Beekman, Soloist - Mariana Flores, Soloist - Francesco Sacrati, Composer

2022 Château de Versailles Spectacles 2021 Château de Versailles Spectacles

12
Scena 5 - « Cedi, cedi, e omai confessa »
00:01:47

Leonardo Garcia Alarcon, Conductor - Cappella Mediterranea, Orchestra - Carlo Vistoli, Soloist - Valerio Contaldo, Soloist - Francesco Sacrati, Composer - Paul-Antoine Bénos-Djian, Soloist

2022 Château de Versailles Spectacles 2021 Château de Versailles Spectacles

13
Scena 6 - « Ardisci, animo, ardisci ! »
00:05:28

Leonardo Garcia Alarcon, Conductor - Cappella Mediterranea, Orchestra - Mariana Flores, Soloist - Francesco Sacrati, Composer

2022 Château de Versailles Spectacles 2021 Château de Versailles Spectacles

14
Scena 7 - « Ove comandi, o Padre »
00:03:19

Leonardo Garcia Alarcon, Conductor - Cappella Mediterranea, Orchestra - Francesco Sacrati, Composer - Fiona McGown, Soloist - Alexander Miminoshvili , Soloist

2022 Château de Versailles Spectacles 2021 Château de Versailles Spectacles

15
Scena 8 - « Spalancatevi abissi »
00:04:22

Leonardo Garcia Alarcon, Conductor - Cappella Mediterranea, Orchestra - Salvo Vitale, Soloist - Francesco Sacrati, Composer

2022 Château de Versailles Spectacles 2021 Château de Versailles Spectacles

16
Scena 9 - « Oh Dio, che sento ? »
00:05:01

Leonardo Garcia Alarcon, Conductor - Cappella Mediterranea, Orchestra - Valerio Contaldo, Soloist - Francesco Sacrati, Composer - Kacper Szelazek, Soloist

2022 Château de Versailles Spectacles 2021 Château de Versailles Spectacles

17
Scena 10 - « Guerrieri, all’armi »
00:13:44

Leonardo Garcia Alarcon, Conductor - Cappella Mediterranea, Orchestra - Mariana Flores, Soloist - Salvo Vitale, Soloist - Valerio Contaldo, Soloist - Francesco Sacrati, Composer - Kacper Szelazek, Soloist

2022 Château de Versailles Spectacles 2021 Château de Versailles Spectacles

Atto III (Francesco Sacrati)

18
Scena 1 - « Quand’ebbi d’oro il crin »
00:04:50

Leonardo Garcia Alarcon, Conductor - Cappella Mediterranea, Orchestra - Marcel Beekman, Soloist - Francesco Sacrati, Composer - Kacper Szelazek, Soloist

2022 Château de Versailles Spectacles 2021 Château de Versailles Spectacles

19
Scena 2 - « Non paventate »
00:08:14

Leonardo Garcia Alarcon, Conductor - Cappella Mediterranea, Orchestra - Marcel Beekman, Soloist - Alejandro Meerapfel, Soloist - Mariana Flores, Soloist - Francesco Sacrati, Composer

2022 Château de Versailles Spectacles 2021 Château de Versailles Spectacles

20
Scena 3 - « Per ritardar l’imbarco »
00:03:28

Leonardo Garcia Alarcon, Conductor - Cappella Mediterranea, Orchestra - Carlo Vistoli, Soloist - Francesco Sacrati, Composer - Kacper Szelazek, Soloist

2022 Château de Versailles Spectacles 2021 Château de Versailles Spectacles

21
Scena 4 - « Come riveda Achille »
00:13:59

Leonardo Garcia Alarcon, Conductor - Cappella Mediterranea, Orchestra - Mariana Flores, Soloist - Salvo Vitale, Soloist - Valerio Contaldo, Soloist - Francesco Sacrati, Composer - Paul-Antoine Bénos-Djian, Soloist

2022 Château de Versailles Spectacles 2021 Château de Versailles Spectacles

22
Scena 5 - « Se ad un altro si sposa »
00:02:08

Leonardo Garcia Alarcon, Conductor - Cappella Mediterranea, Orchestra - Valerio Contaldo, Soloist - Francesco Sacrati, Composer

2022 Château de Versailles Spectacles 2021 Château de Versailles Spectacles

23
Scena Ultima - « La soverchia allegrezza »
00:06:42

Leonardo Garcia Alarcon, Conductor - Cappella Mediterranea, Orchestra - Marcel Beekman, Soloist - Alejandro Meerapfel, Soloist - Mariana Flores, Soloist - Salvo Vitale, Soloist - Carlo Vistoli, Soloist - Francesco Sacrati, Composer

2022 Château de Versailles Spectacles 2021 Château de Versailles Spectacles

Album review

Long considered a “ghost composer”, Francesco Sacrati (1605-1650) has been given a new lease of life following the discovery of his opera La Finta pazza in 1984 (discovered by musicologist Lorenzo Bianconi). Composed in 1641 in Venice by the greatest musicians of the time, it was the first opera to be performed at the French court (1645) before the young King Louis XIV. It may have even triggered his passion for dance.

This opera beautifully combines lyrics and music and is somewhat similar in style to Monteverdi and Cavall. It was performed at Versailles in 2019 as part of the Opéra Royal by Capella Mediterranea (conducted by founder Leonardo García Alarcón). The present recording, made two years later at the very same venue, reveals Sacrati to be a first class composer who, according to García Alarcón, also participated in the creation of Monteverdi’s enigmatic Incoronazione di Poppea.

The recovered score is almost complete, except for the instrumental prologue and a few ritornellos (the violin parts of which are not notated, as was common practice at the time). There are numerous comical moments throughout the work, as well as erotic passages typical of the time period. There are also hunting scenes, sleeping scenes and scenes that are quite gruesome in nature, as well as one of the first mad scenes in the history of opera. With a libretto that re-establishes women in leading roles, Finta pazza is still very much in tune with the modern day.

For this first recording, Sacrati’s colourful work benefits from an excellent cast of fifteen coherent singers. They’re supported by the stunning Capella Mediterranea Ensemble, comprised of lutes, archlutes, guitars, harps, harpsichords, organs, viols and lyres. La Finta pazza played a significant role in the export of Italian opera to France, and it’s wonderful to see it being played in the country once again after almost four centuries of absence. © François Hudry/Qobuz

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