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Filippo Mineccia|Hasse: Arcadian Cantatas

Hasse: Arcadian Cantatas

Francesco Corti

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Back in the 18th century, many a German or Italian music lover would readily state that amongst the most famous musicians and librettists of his time would be, respectively, Johann Adolf Hasse and Pietro Metastasio. If the latter remains rather renowed even in our times, though, it is not through his numerous associations with his friend Hasse – the pair have produced over thirty operas together ! – but due to other composers’ usage of his verses, in particular Mozart, Gluck, Porpora, Caldara, even Schubert and Beethoven for some Lieder. The name Metastasio has remained highly visible, whereas that of Hasse did not pass the test ot times, or rather, needs be re-evaluated. Beyond the realm of opera, Hasse and Metastasio worked on another form, destined to more aristocratic and private circles: the chamber cantata, exquisitely crafted pieces of pure music catering to the virtuosity of performers of that time. The countertenor Filippo Mineccia, one of the up-and-coming new countertenors in the business, has selected four Hasse cantatas based on texts by Metastasio for this album. The stories hark back to Greek tragedy, namely the pastoral musical idiom known as Arcadian, featuring happy innocent shepherds, in the celebratory and slightly precious style that the aristocracy enjoyed so much. © SM/Qobuz

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Hasse: Arcadian Cantatas

Filippo Mineccia

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Scrivo in te l'amato nome (Johann Adolf Hasse)

1
Aria: Scrivo in te l'amato nome
Filippo Mineccia
00:07:12

Johann Adolf Hasse, Composer - Pietro Metastasio, Lyricist - Filippo Mineccia, Performer - Il gioco de' Matti, Ensemble

2017 Pan Classics 2017 Pan Classics

2
Recitative: O pianta avventurosa
Filippo Mineccia
00:01:08

Johann Adolf Hasse, Composer - Pietro Metastasio, Lyricist - Filippo Mineccia, Performer - Il gioco de' Matti, Ensemble

2017 Pan Classics 2017 Pan Classics

3
Aria: Per te di lieto aprile
Filippo Mineccia
00:05:17

Johann Adolf Hasse, Composer - Pietro Metastasio, Lyricist - Filippo Mineccia, Performer - Il gioco de' Matti, Ensemble

2017 Pan Classics 2017 Pan Classics

Oh Dio! Partir conviene (Johann Adolf Hasse)

4
Recitative: Oh Dio! partir conviene
Filippo Mineccia
00:01:38

Johann Adolf Hasse, Composer - Anonymous, Lyricist - Filippo Mineccia, Performer - Il gioco de' Matti, Ensemble

2017 Pan Classics 2017 Pan Classics

5
Aria: Oh Dio! dirti vorrei
Filippo Mineccia
00:04:25

Johann Adolf Hasse, Composer - Anonymous, Lyricist - Filippo Mineccia, Performer - Il gioco de' Matti, Ensemble

2017 Pan Classics 2017 Pan Classics

6
Recitative: In compagnia della mia pura fede
Filippo Mineccia
00:01:08

Johann Adolf Hasse, Composer - Anonymous, Lyricist - Filippo Mineccia, Performer - Il gioco de' Matti, Ensemble

2017 Pan Classics 2017 Pan Classics

7
Aria: Ah, se potessi almeno
Filippo Mineccia
00:04:43

Johann Adolf Hasse, Composer - Anonymous, Lyricist - Filippo Mineccia, Performer - Il gioco de' Matti, Ensemble

2017 Pan Classics 2017 Pan Classics

Harpsichord Sonata in D Minor, Op. 7 No. 5 (Johann Adolf Hasse)

8
I. Allegro
Francesco Corti
00:01:14

Johann Adolf Hasse, Composer - Francesco Corti, Performer

2017 Pan Classics 2017 Pan Classics

9
II. Adagio
Francesco Corti
00:02:20

Johann Adolf Hasse, Composer - Francesco Corti, Performer

2017 Pan Classics 2017 Pan Classics

10
III. Allegro
Francesco Corti
00:02:05

Johann Adolf Hasse, Composer - Francesco Corti, Performer

2017 Pan Classics 2017 Pan Classics

Passo di pena in pena (Johann Adolf Hasse)

11
Aria: Passa di pena in pena
Filippo Mineccia
00:04:19

Johann Adolf Hasse, Composer - Anonymous, Lyricist - Filippo Mineccia, Performer - Il gioco de' Matti, Ensemble

2017 Pan Classics 2017 Pan Classics

12
Recitative: Dunque che far dovrai
Filippo Mineccia
00:00:39

Johann Adolf Hasse, Composer - Anonymous, Lyricist - Filippo Mineccia, Performer - Il gioco de' Matti, Ensemble

2017 Pan Classics 2017 Pan Classics

13
Aria: Sospiri del mio seno
Filippo Mineccia
00:04:18

Johann Adolf Hasse, Composer - Anonymous, Lyricist - Filippo Mineccia, Performer - Il gioco de' Matti, Ensemble

2017 Pan Classics 2017 Pan Classics

Flute Sonata in D Major, Op. 1 No. 1 (Johann Adolf Hasse)

14
I. Adagio
Giulia Barbini
00:01:44

Johann Adolf Hasse, Composer - Il gioco de' Matti, Ensemble - Giulia Barbini, Performer

2017 Pan Classics 2017 Pan Classics

15
II. Allegro
Giulia Barbini
00:03:08

Johann Adolf Hasse, Composer - Il gioco de' Matti, Ensemble - Giulia Barbini, Performer

2017 Pan Classics 2017 Pan Classics

16
III. Larghetto
Giulia Barbini
00:02:14

Johann Adolf Hasse, Composer - Il gioco de' Matti, Ensemble - Giulia Barbini, Performer

2017 Pan Classics 2017 Pan Classics

17
IV. Minuetto
Giulia Barbini
00:01:31

Johann Adolf Hasse, Composer - Il gioco de' Matti, Ensemble - Giulia Barbini, Performer

2017 Pan Classics 2017 Pan Classics

La fiamma che nel seno (Johann Adolf Hasse)

18
Recitative: La fiamma che nel seno
Filippo Mineccia
00:01:20

Johann Adolf Hasse, Composer - Anonymous, Lyricist - Filippo Mineccia, Performer - Il gioco de' Matti, Ensemble

2017 Pan Classics 2017 Pan Classics

19
Aria: Direi ma forse
Filippo Mineccia
00:06:01

Johann Adolf Hasse, Composer - Anonymous, Lyricist - Filippo Mineccia, Performer - Il gioco de' Matti, Ensemble

2017 Pan Classics 2017 Pan Classics

20
Recitative: E mille volte
Filippo Mineccia
00:01:26

Johann Adolf Hasse, Composer - Anonymous, Lyricist - Filippo Mineccia, Performer - Il gioco de' Matti, Ensemble

2017 Pan Classics 2017 Pan Classics

21
Aria: Ah potessi o pastorelle
Filippo Mineccia
00:03:41

Johann Adolf Hasse, Composer - Anonymous, Lyricist - Filippo Mineccia, Performer - Il gioco de' Matti, Ensemble

2017 Pan Classics 2017 Pan Classics

Album review

Back in the 18th century, many a German or Italian music lover would readily state that amongst the most famous musicians and librettists of his time would be, respectively, Johann Adolf Hasse and Pietro Metastasio. If the latter remains rather renowed even in our times, though, it is not through his numerous associations with his friend Hasse – the pair have produced over thirty operas together ! – but due to other composers’ usage of his verses, in particular Mozart, Gluck, Porpora, Caldara, even Schubert and Beethoven for some Lieder. The name Metastasio has remained highly visible, whereas that of Hasse did not pass the test ot times, or rather, needs be re-evaluated. Beyond the realm of opera, Hasse and Metastasio worked on another form, destined to more aristocratic and private circles: the chamber cantata, exquisitely crafted pieces of pure music catering to the virtuosity of performers of that time. The countertenor Filippo Mineccia, one of the up-and-coming new countertenors in the business, has selected four Hasse cantatas based on texts by Metastasio for this album. The stories hark back to Greek tragedy, namely the pastoral musical idiom known as Arcadian, featuring happy innocent shepherds, in the celebratory and slightly precious style that the aristocracy enjoyed so much. © SM/Qobuz

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