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Houston Person|Goodness! (Remastered 1995)

Goodness! (Remastered 1995)

Houston Person

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Tenor saxophonist Houston Person was still a relatively new name at the time he recorded this set, his sixth session for Prestige. The funky music (which includes the hit title song) emphasizes boogaloos, danceable rhythms and repetitious vamps set down by the rhythm section (organist Sonny Phillips, guitarist Billy Butler, electric bassist Bob Bushnell, drummer Frankie Jones and Buddy Caldwell on congas), but it is primarily Person's passionate tenor solos that will come the closest to holding on to the attention of jazz listeners. The music is generally quite commercial and is certainly not recommended to bebop purists, although it has some strong moments. But overall these performances succeed more as background music than as creative jazz.

© Scott Yanow /TiVo

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Goodness! (Remastered 1995)

Houston Person

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1
Hey Driver (Remastered 1995)
00:05:26

Billy Butler, Guitar, AssociatedPerformer - Bob Bushnell, Electric Bass, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Bob Porter, Recording Supervisor, StudioPersonnel - Frankie Jones, Drums, AssociatedPerformer - Sonny Phillips, Organ, AssociatedPerformer - Gloria Coleman, ComposerLyricist - Houston Person, Tenor Saxophone, MainArtist, AssociatedPerformer - Buddy Caldwell, Conga, AssociatedPerformer

℗ 1969 Prestige Records, a division of Concord Music Group, Inc.

2
Goodness (Remastered 1995)
00:09:26

Houston Person, Composer, MainArtist

℗ 1969 Original Jazz Classics

3
Brother H. (Remastered 1995)
00:04:34

Billy Butler, Guitar, AssociatedPerformer - Bob Bushnell, Electric Bass, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Bob Porter, Recording Supervisor, StudioPersonnel - Frankie Jones, Drums, AssociatedPerformer - Sonny Phillips, Organ, AssociatedPerformer - Houston Person, Tenor Saxophone, MainArtist, AssociatedPerformer, ComposerLyricist - Buddy Caldwell, Conga, AssociatedPerformer

℗ 1969 Original Jazz Classics

4
Hard Times (Remastered 1995)
00:06:15

Paul Mitchell, ComposerLyricist - Billy Butler, Guitar, AssociatedPerformer - Bob Bushnell, Electric Bass, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Bob Porter, Recording Supervisor, StudioPersonnel - Frankie Jones, Drums, AssociatedPerformer - Sonny Phillips, Organ, AssociatedPerformer - Houston Person, Tenor Saxophone, MainArtist, AssociatedPerformer - Buddy Caldwell, Conga, AssociatedPerformer

℗ 1969 Original Jazz Classics

5
Jamilah (Remastered 1995)
00:05:31

Billy Butler, Guitar, AssociatedPerformer - Bob Bushnell, Electric Bass, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Bob Porter, Recording Supervisor, StudioPersonnel - Frankie Jones, Drums, AssociatedPerformer - Sonny Phillips, Organ, AssociatedPerformer, ComposerLyricist - Houston Person, Tenor Saxophone, MainArtist, AssociatedPerformer - Buddy Caldwell, Conga, AssociatedPerformer - Phil De Lancie, Mastering Engineer, StudioPersonnel

℗ 1969 Original Jazz Classics

6
Close Your Eyes (Remastered 1995)
00:06:30

Billy Butler, Guitar, AssociatedPerformer - Chuck Willis, ComposerLyricist - Bob Bushnell, Electric Bass, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Bob Porter, Recording Supervisor, StudioPersonnel - Frankie Jones, Drums, AssociatedPerformer - Sonny Phillips, Organ, AssociatedPerformer - Houston Person, Tenor Saxophone, MainArtist, AssociatedPerformer - Buddy Caldwell, Conga, AssociatedPerformer

℗ 1969 Original Jazz Classics

Album review

Tenor saxophonist Houston Person was still a relatively new name at the time he recorded this set, his sixth session for Prestige. The funky music (which includes the hit title song) emphasizes boogaloos, danceable rhythms and repetitious vamps set down by the rhythm section (organist Sonny Phillips, guitarist Billy Butler, electric bassist Bob Bushnell, drummer Frankie Jones and Buddy Caldwell on congas), but it is primarily Person's passionate tenor solos that will come the closest to holding on to the attention of jazz listeners. The music is generally quite commercial and is certainly not recommended to bebop purists, although it has some strong moments. But overall these performances succeed more as background music than as creative jazz.

© Scott Yanow /TiVo

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