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Flo Morrissey|Gentlewoman, Ruby Man

Gentlewoman, Ruby Man

Flo Morrissey & Matthew E. White

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Neo-soulman Matthew E. White first played with neo-Laurel Canyon songstress Flo Morrissey at a Lee Hazlewood tribute concert, where they performed "Some Velvet Morning" together. Pleased with their chemistry, they embarked on recording a collection of covers, hunkering down with White's Spacebomb collective to cover ten songs from the past and present. White and Morrissey curated a diverse selection of tunes, choosing familiar numbers from the Velvet Underground ("Sunday Morning"), Leonard Cohen ("Suzanne"), and Frankie Valli ("Grease"), a deep cut from George Harrison ("Govindam"), a number from jazzman Roy Ayers ("Everybody Loves the Sunshine"), and compositions from European eccentrics Nino Ferrer ("Looking for You") and Charlotte Gainsbourg ("Heaven Can Wait"). Balancing these deep catalog tunes are selections from White and Morrissey's own contemporaries Little Wings ("Look at What the Light Did Now"), James Blake ("The Colour in Anything"), and Frank Ocean ("Thinking Bout You"). That's a lot of ground to cover but ace producer White ties it together with the lush, sultry evocation of '70s soul, funk, and pop that's become his stock-in-trade. It's such a groovy sound that it disguises how these songs are not so much interpreted as arranged. Part of the problem lies in the wispiness of both White and Morrissey. Neither vocalist is a strong presence, so their voices wind up not as the focal point on the record but as an element in the tapestry. That may be enough to make Gentlewoman, Ruby Man an alluring listen -- it offers a supple, soulful shimmer, one that's hard for anybody steeped in '70s vinyl to resist -- but it's not enough to make it compelling.

© Stephen Thomas Erlewine /TiVo

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Gentlewoman, Ruby Man

Flo Morrissey

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1
Look At What the Light Did Now
00:03:21

Matthew E. White, MainArtist - Flo Morrissey, MainArtist - Kyle David Field, Composer - DOMINO PUB COMPANY OF AMER OBO DOMINO PUB CO. LTD., MusicPublisher

(C) 2017 Glassnote Entertainment Group LLC, distributed by AWAL (P) 2016 Glassnote Entertainment Group LLC, distributed by AWAL

2
Thinking Bout You
00:03:44

Shea Taylor, Composer - Christopher Breaux, Composer - Matthew E. White, MainArtist - Downtown Music Publishing Llc, MusicPublisher - Flo Morrissey, MainArtist - BMG BUMBLEBEE OBO HEAVEN'S RESEARCH, MusicPublisher

(C) 2017 Glassnote Entertainment Group LLC, distributed by AWAL (P) 2017 Glassnote Entertainment Group LLC, distributed by AWAL

3
Looking for You
00:04:40

Nino Ferrer, Composer - Matthew E. White, MainArtist - Flo Morrissey, MainArtist - Sony/ATV Tunes LLC OBO Editions Beuscher Arpege, MusicPublisher

(C) 2017 Glassnote Entertainment Group LLC, distributed by AWAL (P) 2016 Glassnote Entertainment Group LLC, distributed by AWAL

4
The Colour In Anything
00:02:58

James Blake, Composer - Matthew E. White, MainArtist - Sony/ATV Allegro, MusicPublisher - Flo Morrissey, MainArtist - SONY/ATV ALLEGRO OBO BUZZARD AND KESTREL LTD., MusicPublisher

(C) 2017 Glassnote Entertainment Group LLC, distributed by AWAL (P) 2016 Glassnote Entertainment Group LLC, distributed by AWAL

5
Everybody Loves the Sunshine
00:04:47

Roy Ayers Ubiquity, Composer - Matthew E. White, MainArtist - Flo Morrissey, MainArtist - BMG MONARCH OBO ROY AYERS UBIQUITY INC, MusicPublisher

(C) 2017 Glassnote Entertainment Group LLC, distributed by AWAL (P) 2016 Glassnote Entertainment Group LLC, distributed by AWAL

6
Grease
00:04:21

BARRY ALAN GIBB, Composer - Matthew E. White, MainArtist - Flo Morrissey, MainArtist - SONGS OF UNIVERSAL, INC. OBO CROMPTON SONGS LLC, MusicPublisher

(C) 2017 Glassnote Entertainment Group LLC, distributed by AWAL (P) 2016 Glassnote Entertainment Group LLC, distributed by AWAL

7
Suzanne
00:04:41

Leonard Cohen, Composer - Sony/ATV Songs LLC, MusicPublisher - Matthew E. White, MainArtist - Flo Morrissey, MainArtist

(C) 2017 Glassnote Entertainment Group LLC, distributed by AWAL (P) 2016 Glassnote Entertainment Group LLC, distributed by AWAL

8
Sunday Morning
00:03:37

John Cale, Composer - Lou Reed, Composer - Matthew E. White, MainArtist - Garnant Music, MusicPublisher - EMI BLACKWOOD MUSIC INC OBO OAKFIELD AVENUE MUSIC LTD, MusicPublisher - Flo Morrissey, MainArtist

(C) 2017 Glassnote Entertainment Group LLC, distributed by AWAL (P) 2016 Glassnote Entertainment Group LLC, distributed by AWAL

9
Heaven Can Wait
00:03:49

Matthew E. White, MainArtist - Beck Hanson, Composer - Flo Morrissey, MainArtist - KOBALT MUSIC PUB AMERICA I OBO VOYELLES, MusicPublisher

(C) 2017 Glassnote Entertainment Group LLC, distributed by AWAL (P) 2016 Glassnote Entertainment Group LLC, distributed by AWAL

10
Govindam
00:06:14

GEORGE HARRISON, Composer - Matthew E. White, MainArtist - Flo Morrissey, MainArtist

(C) 2017 Glassnote Entertainment Group LLC, distributed by AWAL (P) 2016 Glassnote Entertainment Group LLC, distributed by AWAL

Album review

Neo-soulman Matthew E. White first played with neo-Laurel Canyon songstress Flo Morrissey at a Lee Hazlewood tribute concert, where they performed "Some Velvet Morning" together. Pleased with their chemistry, they embarked on recording a collection of covers, hunkering down with White's Spacebomb collective to cover ten songs from the past and present. White and Morrissey curated a diverse selection of tunes, choosing familiar numbers from the Velvet Underground ("Sunday Morning"), Leonard Cohen ("Suzanne"), and Frankie Valli ("Grease"), a deep cut from George Harrison ("Govindam"), a number from jazzman Roy Ayers ("Everybody Loves the Sunshine"), and compositions from European eccentrics Nino Ferrer ("Looking for You") and Charlotte Gainsbourg ("Heaven Can Wait"). Balancing these deep catalog tunes are selections from White and Morrissey's own contemporaries Little Wings ("Look at What the Light Did Now"), James Blake ("The Colour in Anything"), and Frank Ocean ("Thinking Bout You"). That's a lot of ground to cover but ace producer White ties it together with the lush, sultry evocation of '70s soul, funk, and pop that's become his stock-in-trade. It's such a groovy sound that it disguises how these songs are not so much interpreted as arranged. Part of the problem lies in the wispiness of both White and Morrissey. Neither vocalist is a strong presence, so their voices wind up not as the focal point on the record but as an element in the tapestry. That may be enough to make Gentlewoman, Ruby Man an alluring listen -- it offers a supple, soulful shimmer, one that's hard for anybody steeped in '70s vinyl to resist -- but it's not enough to make it compelling.

© Stephen Thomas Erlewine /TiVo

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