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World Party|Egyptology

Egyptology

World Party

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Karl Wallinger defined the ornate, Beatlesque World Party sound on their debut Private Revolution, and he never strayed from that blueprint over the next decade, even if he augmented it with other '60s and '70s pop flourishes. Egyptology finds Wallinger at his most conservative, sticking to the basic late-'60s pop and psychedelia that distinguished Private Revolution and Goodbye Jumbo. As always, his production is tasteful and subtle, revealing new layers of sonic detail on each listen, and his songcraft is sturdy and tuneful, if not remarkable. Few of the songs jump out upon the first few listens, yet there are no weak moments on the record, which makes Egyptology, of all things, a workmanlike release. It's not flashy or extravagant, and it may not have the inspiration of Goodbye Jumbo, but it does deliver a collection of fine pop tunes without pretension, and that alone makes it a better album than the overly ambitious Bang!.

© Stephen Thomas Erlewine /TiVo

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Egyptology

World Party

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1
It Is Time
00:03:22

Karl Wallinger, Composer, Writer - World Party, MainArtist

(C) 2006 Seaview Under Exclusive License To Fontana (P) 1997 Seaview

2
Beautiful Dream
00:04:43

Karl Wallinger, Composer, Writer - World Party, MainArtist

(C) 2006 Seaview Under Exclusive License To Fontana (P) 1997 Seaview

3
Call Me Up
00:02:57

Karl Wallinger, Composer, Writer - World Party, MainArtist

(C) 2006 Seaview Under Exclusive License To Fontana (P) 1997 Seaview

4
Vanity Fair
00:03:33

Karl Wallinger, Composer, Writer - World Party, MainArtist

(C) 2006 Seaview Under Exclusive License To Fontana (P) 1997 Seaview

5
She's the One
00:04:54

World Party, MainArtist - JAMES BROWN, Composer - Hank Ballard, Composer

(C) 2006 Seaview Under Exclusive License To Fontana (P) 1997 Seaview

6
Curse of the Mummy's Tomb
00:05:57

Karl Wallinger, Composer, Writer - World Party, MainArtist

(C) 2006 Seaview Under Exclusive License To Fontana (P) 1997 Seaview

7
Vocal Interlude
00:00:24

Karl Wallinger, Composer, Writer - World Party, MainArtist

(C) 2006 Seaview Under Exclusive License To Fontana (P) 1997 Seaview

8
Hercules
00:03:15

Karl Wallinger, Composer, Writer - World Party, MainArtist

(C) 2006 Seaview Under Exclusive License To Fontana (P) 1997 Seaview

9
Rolling Off a Log
00:05:54

Karl Wallinger, Composer, Writer - World Party, MainArtist

(C) 2006 Seaview Under Exclusive License To Fontana (P) 1997 Seaview

10
Love Is Best
00:03:03

Karl Wallinger, Composer, Writer - World Party, MainArtist

(C) 2006 Seaview Under Exclusive License To Fontana (P) 1997 Seaview

11
Strange Groove
00:04:09

Karl Wallinger, Composer, Writer - World Party, MainArtist - Johnson Somerset, Composer, Writer

(C) 2006 Seaview Under Exclusive License To Fontana (P) 1997 Seaview

12
The Whole of the Night
00:04:22

Karl Wallinger, Composer, Writer - World Party, MainArtist

(C) 2006 Seaview Under Exclusive License To Fontana (P) 1997 Seaview

13
Piece of Mind
00:04:57

Karl Wallinger, Composer, Writer - World Party, MainArtist

(C) 2006 Seaview Under Exclusive License To Fontana (P) 1997 Seaview

14
This World
00:04:18

Karl Wallinger, Composer, Writer - World Party, MainArtist

(C) 2006 Seaview Under Exclusive License To Fontana (P) 1997 Seaview

15
Always
00:04:22

Karl Wallinger, Composer, Writer - World Party, MainArtist - Johnson Somerset, Composer, Writer

(C) 2006 Seaview Under Exclusive License To Fontana (P) 1997 Seaview

Album review

Karl Wallinger defined the ornate, Beatlesque World Party sound on their debut Private Revolution, and he never strayed from that blueprint over the next decade, even if he augmented it with other '60s and '70s pop flourishes. Egyptology finds Wallinger at his most conservative, sticking to the basic late-'60s pop and psychedelia that distinguished Private Revolution and Goodbye Jumbo. As always, his production is tasteful and subtle, revealing new layers of sonic detail on each listen, and his songcraft is sturdy and tuneful, if not remarkable. Few of the songs jump out upon the first few listens, yet there are no weak moments on the record, which makes Egyptology, of all things, a workmanlike release. It's not flashy or extravagant, and it may not have the inspiration of Goodbye Jumbo, but it does deliver a collection of fine pop tunes without pretension, and that alone makes it a better album than the overly ambitious Bang!.

© Stephen Thomas Erlewine /TiVo

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