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The Staves|Dead & Born & Grown

Dead & Born & Grown

The Staves

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Dead & Born & Grown, the debut album from Watford, England-based sisters Emily, Jessica, and Camilla Staveley-Taylor, arrives on the heels of their well-received EPs Mexico and The Motherlode. The trio's first full-length outing, which was produced by Glyn and Ethan Johns and includes material from both of the aforementioned EPs, pairs the evocative British folk of Laura Marling and Sandy Denny with the rustic Americana of the Wailin' Jennys and Gillian Welch. Dead & Born & Grown leans harder on the latter, and if the siblings’ measured yet undeniably English phrasing weren’t so apparent, it would be easy to mistake them for Gram Parsons/Joni Mitchell-loving, Laurel Canyon songbirds instead of pub-bred, early-twentysomething lasses from the home counties. Opener "Wisely & Slow" sets the table with a nearly two-minute, a cappella intro that shows off the siblings' considerable pipes. What follows is a relatively calm, collected, and breezy set of 21st century folk songs that prefers subtlety over novelty; the leaf-strewn, babbling brook to Mumford & Sons' relentlessly stormy ocean. Clear, confident, and classy, the Staves (along with their producers) know that their ability to harmonize (or just sing in perfect, familial unison) is their calling card, and the instrumentation is calibrated according to that knowledge, allowing their vocals to sit fairly high in the mix, which gives stand-out cuts like "Winter Trees," "The Motherlode," and the lovely, and surprisingly timeless-sounding title track, a genuine warmth, as well as an air of real intimacy that stands in stark contrast to many of their contemporaries.

© James Christopher Monger /TiVo

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Dead & Born & Grown

The Staves

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1
Wisely & Slow
00:03:39

Tony Cousins, Masterer - Matt Ingram, Drums, Hand Clap - Dom Monks, Mixer, Engineer, Recorded by - The Staves, MainArtist - Camilla Staveley-Taylor, Vocals, Writer, Hand Clap - Emily Staveley-Taylor, Writer - Jessica Staveley-Taylor, Guitar, Hammond Organ, Vocals, Writer, Hand Clap - Johannes Refsdal, Bass - Emily Staveley-Taylor -, Hand Clap

© 2012 Warner Music UK Ltd ℗ 2012 Warner Music UK Limited

2
Gone Tomorrow
00:03:26

Tom Billington, Writer - The Staves, Performance, MainArtist - Camilla Staveley-Taylor, Writer - Emily Staveley-Taylor, Writer - Jessica Staveley-Taylor, Writer

© 2012 Warner Music UK Ltd ℗ 2012 Warner Music UK Limited

3
The Motherlode
00:04:27

Tony Cousins, Masterer - Ethan Johns, Producer - Jeremy Stacey, Drums - GLYN JOHNS, Producer - Dom Monks, Engineer - The Staves, MainArtist - Camilla Staveley-Taylor, Vocals, Writer - Emily Staveley-Taylor, Writer, Hand Clap - Jessica Staveley-Taylor, Hammond Organ, Vocals, Writer, Hand Clap

© 2012 Warner Music UK Ltd ℗ 2012 Warner Music UK Limited

4
Pay Us No Mind Explicit
00:04:12

The Staves, MainArtist - Camilla Staveley-Taylor, Vocals, Writer - Emily Staveley-Taylor, Writer - Jessica Staveley-Taylor, Writer

© 2012 Warner Music UK Ltd ℗ 2012 Warner Music UK Limited

5
Facing West
00:02:39

Tony Cousins, Masterer - Ethan Johns, Producer - GLYN JOHNS, Producer, Mixer, Engineer - Dom Monks, AdditionalEngineer - The Staves, MainArtist - Camilla Staveley-Taylor, Writer - Emily Staveley-Taylor, Writer - Jessica Staveley-Taylor, Writer

© 2012 Warner Music UK Ltd ℗ 2012 Warner Music UK Limited

6
In the Long Run
00:02:45

The Staves, MainArtist - Camilla Staveley-Taylor, Vocals, Writer - Emily Staveley-Taylor, Writer - Jessica Staveley-Taylor, Writer

© 2012 Warner Music UK Ltd ℗ 2012 Warner Music UK Limited

7
Dead & Born & Grown
00:02:53

The Staves, MainArtist - Camilla Staveley-Taylor, Vocals, Writer - Emily Staveley-Taylor, Writer - Jessica Staveley-Taylor, Writer

© 2012 Warner Music UK Ltd ℗ 2012 Warner Music UK Limited

8
Winter Trees
00:03:37

The Staves, MainArtist - Camilla Staveley-Taylor, Vocals, Writer - Emily Staveley-Taylor, Writer - Jessica Staveley-Taylor, Writer

© 2012 Warner Music UK Ltd ℗ 2012 Warner Music UK Limited

9
Tongue Behind My Teeth
00:03:26

The Staves, MainArtist - Camilla Staveley-Taylor, Vocals, Writer - Emily Staveley-Taylor, Writer - Jessica Staveley-Taylor, Writer

© 2012 Warner Music UK Ltd ℗ 2012 Warner Music UK Limited

10
Mexico
00:04:06

Tony Cousins, Mixer - Ethan Johns, Drums, Recorded by, Bass, Synthesizer, Mellotron - GLYN JOHNS, Producer - Dominic Monks, Mixer - The Staves, MainArtist - Jessica Staveley-Taylor, Guitar - Staveley-Taylor, Composer

© 2012 Warner Music UK Ltd ℗ 2011 Warner Music UK Limited

11
Snow
00:03:52

The Staves, MainArtist - Camilla Staveley-Taylor, Vocals, Writer - Emily Staveley-Taylor, Writer - Jessica Staveley-Taylor, Writer

© 2012 Warner Music UK Ltd ℗ 2012 Warner Music UK Limited

12
Eagle Song
00:07:03

The Staves, MainArtist - Camilla Staveley-Taylor, Vocals, Writer - Emily Staveley-Taylor, Writer - Jessica Staveley-Taylor, Writer

© 2012 Warner Music UK Ltd ℗ 2012 Warner Music UK Limited

Album review

Dead & Born & Grown, the debut album from Watford, England-based sisters Emily, Jessica, and Camilla Staveley-Taylor, arrives on the heels of their well-received EPs Mexico and The Motherlode. The trio's first full-length outing, which was produced by Glyn and Ethan Johns and includes material from both of the aforementioned EPs, pairs the evocative British folk of Laura Marling and Sandy Denny with the rustic Americana of the Wailin' Jennys and Gillian Welch. Dead & Born & Grown leans harder on the latter, and if the siblings’ measured yet undeniably English phrasing weren’t so apparent, it would be easy to mistake them for Gram Parsons/Joni Mitchell-loving, Laurel Canyon songbirds instead of pub-bred, early-twentysomething lasses from the home counties. Opener "Wisely & Slow" sets the table with a nearly two-minute, a cappella intro that shows off the siblings' considerable pipes. What follows is a relatively calm, collected, and breezy set of 21st century folk songs that prefers subtlety over novelty; the leaf-strewn, babbling brook to Mumford & Sons' relentlessly stormy ocean. Clear, confident, and classy, the Staves (along with their producers) know that their ability to harmonize (or just sing in perfect, familial unison) is their calling card, and the instrumentation is calibrated according to that knowledge, allowing their vocals to sit fairly high in the mix, which gives stand-out cuts like "Winter Trees," "The Motherlode," and the lovely, and surprisingly timeless-sounding title track, a genuine warmth, as well as an air of real intimacy that stands in stark contrast to many of their contemporaries.

© James Christopher Monger /TiVo

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