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Pee Wee Crayton|Blues Guitar Magic

Blues Guitar Magic

Pee Wee Crayton

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As a companion volume to The Modern Legacy Vol. 1 (also on Ace), this wraps up the label's comprehensive overview of Crayton's stint with Modern Records. With material from the end of the 1940s and the early '50s, about half of the 25-track CD was drawn from 1949-52 singles, filled out by LP cuts and four previously unreleased items. This might not be quite as good as volume one, recycling some of the same ideas a few times (something, of course, found on many blues albums). But it's in the same league, showing Crayton to be a capable and often exciting performer in both the uptempo and ballad styles, and on both vocal and instrumental tracks. The highlights, naturally, are the guitar solos, as fiery and innovative as any being done in blues and R&B at the time, even if Crayton has not received the wide recognition granted some of his peers. There's the exhilarating staccato picks on the high end of the neck on the instrumental "Poppa Stoppa," for instance, and his facility for alternating speedy solo lines with crunching, thick chords that rapidly changed keys. "Long After Hours" starts off with an unholy burst of thick distorted chords that no doubt caused some turntable needles to shudder violently upon its first release. Crayton was not just about boogying blues, as demonstrated here by his biggest hit, "I Love You So," a ballad that made the R&B Top Ten in 1949, and "Have You Lost Your Love for Me," which has an almost doo wop-pop influence. Sound quality varies -- sometimes this sounds right off the master tape, at other times there's surface noise -- but is about as good as could be given the condition of the source materials.

© Richie Unterberger /TiVo

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Blues Guitar Magic

Pee Wee Crayton

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1
Poppa Stoppa
00:02:40

Jules Taub, Composer - Connie Crayton, Composer - Pee Wee Crayton, MainArtist - Universal Music Pub MGB Ltd, MusicPublisher - Unviersal Music Careers, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

2
Phone Call from My Baby
00:02:49

Connie Crayton, Composer - Pee Wee Crayton, MainArtist - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

3
Crayton Special
00:02:25

Joe Josea, Composer - Connie Crayton, Composer - Pee Wee Crayton, MainArtist - Modern Music Pub Co, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

4
I Love You so AKA I Still Love You (Previously Unissued)
00:00:54

B Johnson, Composer - Pee Wee Crayton, MainArtist - Universal, MusicPublisher - MCA Music ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

5
I Love You so AKA I Still Love You
00:02:55

B Johnson, Composer - Pee Wee Crayton, MainArtist - Universal, MusicPublisher - MCA Music ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

6
Crayton's Blues
00:02:46

Connie Crayton, Composer - Pee Wee Crayton, MainArtist - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

7
Texas Hop
00:03:07

Jules Taub, Composer - Connie Crayton, Composer - Pee Wee Crayton, MainArtist - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

8
Old Fashioned Baby
00:02:43

Joe Josea, Composer - Connie Crayton, Composer - Pee Wee Crayton, MainArtist - Modern Music Pub Co, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

9
Answer to Blues After Hours
00:03:01

Jules Taub, Composer - Connie Crayton, Composer - Pee Wee Crayton, MainArtist - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

10
Good Little Woman
00:02:33

Jules Taub, Composer - Connie Crayton, Composer - Pee Wee Crayton, MainArtist - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

11
Thinkin' of You
00:03:14

Connie Crayton, Composer - Pee Wee Crayton, MainArtist - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

12
Long After Hours
00:03:01

Jules Taub, Composer - Connie Crayton, Composer - Pee Wee Crayton, MainArtist - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

13
Miserable Old Feeling (Aka Save a Tear for Me)
00:03:24

Joe Josea, Composer - Connie Crayton, Composer - Pee Wee Crayton, MainArtist - Modern Music Pub Co, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

14
Austin Boogie
00:02:44

Connie Crayton, Composer - Pee Wee Crayton, MainArtist - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

15
Louella Brown
00:03:23

Connie Crayton, Composer - Pee Wee Crayton, MainArtist - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

16
Huckle Boogie
00:02:35

Connie Crayton, Composer - Pee Wee Crayton, MainArtist - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

17
Brand New Woman
00:02:46

Connie Crayton, Composer - Pee Wee Crayton, MainArtist - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

18
When a Man Has the Blues
00:03:28

John Henry, Composer - Pee Wee Crayton, MainArtist - Bmg Rights Management (uk) Ltd, MusicPublisher - SMILEY TURNER, Composer

(C) 2009 Ace Records (P) 2009 Ace Records

19
Tired of Travelin'
00:02:45

Jules Taub, Composer - Connie Crayton, Composer - Pee Wee Crayton, MainArtist - Universal Music Pub Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

20
California Woman
00:03:24

Joe Josea, Composer - Connie Crayton, Composer - Pee Wee Crayton, MainArtist - Modern Music Pub Co, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

21
Blues for My Baby
00:02:38

Jules Taub, Composer - Pee Wee Crayton, MainArtist - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

22
My Everything
00:02:59

Connie Crayton, Composer - Pee Wee Crayton, MainArtist - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

23
Dedicating the Blues
00:03:05

Jules Taub, Composer - Connie Crayton, Composer - Pee Wee Crayton, MainArtist - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

24
Cool Evening
00:02:32

Connie Crayton, Composer - Pee Wee Crayton, MainArtist - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

25
Have You Lost Your Love for Me
00:02:10

Jules Taub, Composer - Connie Crayton, Composer - Pee Wee Crayton, MainArtist - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

Album review

As a companion volume to The Modern Legacy Vol. 1 (also on Ace), this wraps up the label's comprehensive overview of Crayton's stint with Modern Records. With material from the end of the 1940s and the early '50s, about half of the 25-track CD was drawn from 1949-52 singles, filled out by LP cuts and four previously unreleased items. This might not be quite as good as volume one, recycling some of the same ideas a few times (something, of course, found on many blues albums). But it's in the same league, showing Crayton to be a capable and often exciting performer in both the uptempo and ballad styles, and on both vocal and instrumental tracks. The highlights, naturally, are the guitar solos, as fiery and innovative as any being done in blues and R&B at the time, even if Crayton has not received the wide recognition granted some of his peers. There's the exhilarating staccato picks on the high end of the neck on the instrumental "Poppa Stoppa," for instance, and his facility for alternating speedy solo lines with crunching, thick chords that rapidly changed keys. "Long After Hours" starts off with an unholy burst of thick distorted chords that no doubt caused some turntable needles to shudder violently upon its first release. Crayton was not just about boogying blues, as demonstrated here by his biggest hit, "I Love You So," a ballad that made the R&B Top Ten in 1949, and "Have You Lost Your Love for Me," which has an almost doo wop-pop influence. Sound quality varies -- sometimes this sounds right off the master tape, at other times there's surface noise -- but is about as good as could be given the condition of the source materials.

© Richie Unterberger /TiVo

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