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Charlotte Church|Back to Scratch

Back to Scratch

Charlotte Church

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Charlotte Church’s first album in five years is also her first album since her separation from rugby star Gavin Henson, so it’s not entirely a surprise that Back to Scratch showcases a more mature singer in several different respects. Thematically, the album surely and repeatedly touches upon loves gone wrong -- there are wistful looks back to when “We Were Young,” she looks upon things “Unravelling,” and recounts “The Story of Us” -- and the tenor of the music is suitably reserved yet dramatic, structured to give the illusion that Church can still hit glory notes like she used to. Illusion is the key to Back to Scratch: it is just somber enough to suggest that it cuts deeper than it does. All its melancholy shimmers on the surface, and it’s easy enough to tune out the sorrow and let Back to Scratch simmer as pleasant background music.

© Stephen Thomas Erlewine /TiVo

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Back to Scratch

Charlotte Church

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1
Back To Scratch
00:03:36

Martin Terefe, Producer - SACHA SKARBEK, Producer - Charlotte Church, Composer, MainArtist - Jonathan Powell, Composer

© 2010 PACC Music Limited This label copy information is the subject of copyright protection. All rights reserved. (C) 2010 Parlophone Records Ltd ℗ 2010 The copyright in this sound recording is owned by PACC Music Limited

Album review

Charlotte Church’s first album in five years is also her first album since her separation from rugby star Gavin Henson, so it’s not entirely a surprise that Back to Scratch showcases a more mature singer in several different respects. Thematically, the album surely and repeatedly touches upon loves gone wrong -- there are wistful looks back to when “We Were Young,” she looks upon things “Unravelling,” and recounts “The Story of Us” -- and the tenor of the music is suitably reserved yet dramatic, structured to give the illusion that Church can still hit glory notes like she used to. Illusion is the key to Back to Scratch: it is just somber enough to suggest that it cuts deeper than it does. All its melancholy shimmers on the surface, and it’s easy enough to tune out the sorrow and let Back to Scratch simmer as pleasant background music.

© Stephen Thomas Erlewine /TiVo

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