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Cinquecento|Amorosi pensieri: Songs for the Habsburg Court of the 1500s

Amorosi pensieri: Songs for the Habsburg Court of the 1500s

Cinquecento

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This release takes its title from its opening track, an Italian madrigal by Philippe de Monte. Only seven of the album's 25 tracks, however, are in Italian; the majority are in French, with some German songs at the end. The French chanson, the Italian (and English) madrigal, and the German lied were the part-songs of the 16th century, distinct but related and mutually influential. The focus of this album, although you'd never guess it from the graphics, is secular song at the Habsburg court in Vienna and environs, which like the great houses of Italy imported the best Flemish musicians money could buy, and where traditions from around Europe mixed. These composers, from the generation after Josquin and a bit later, aren't often heard, but there are many delightful moments for admirers of Renaissance song. The chansons of Jean Guyot and Jacobus Vaet show the influence of Italian models in terms of an effort to reflect the text closely, but the French style never indulged in the expressive extremes the Italians did. Perhaps the nicest find here are the artless, charming German songs of Jacob Regnart (tracks 18-21), which have rarely if ever been recorded. The Austrian male sextet Cinquecento acquits itself well in this multilingual repertoire (all the texts are translated into English in the packaging) and delivers pleasant, low-key performances that fit the Deutschlandfunk studio sound nicely. A good choice for madrigal and chanson enthusiasts.

© TiVo

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Amorosi pensieri: Songs for the Habsburg Court of the 1500s

Cinquecento

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1
Amorosi pensieri
00:01:48

Anonymous, Author - Thomas Künne, Tenor, AssociatedPerformer - Terry Wey, Counter-Tenor, AssociatedPerformer - Philippe De Monte, Composer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal)

℗ 2014 Hyperion Records Limited

2
Ombra son io
00:03:47

Anonymous, Author - Thomas Künne, Tenor, AssociatedPerformer - Terry Wey, Counter-Tenor, AssociatedPerformer - Philippe De Monte, Composer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal)

℗ 2014 Hyperion Records Limited

3
Con che soavità
00:02:30

Thomas Künne, Tenor, AssociatedPerformer - Terry Wey, Counter-Tenor, AssociatedPerformer - Philippe De Monte, Composer - Giovanni Battista Guarini, Author - Cinquecento, Choir, MainArtist - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Tim Scott Whiteley, Contributor, Baritone, Work Editor, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal)

℗ 2014 Hyperion Records Limited

4
Anima dolorosa
00:02:25

Anonymous, Author - Thomas Künne, Tenor, AssociatedPerformer - Terry Wey, Counter-Tenor, AssociatedPerformer - Philippe De Monte, Composer - Cinquecento, Choir, MainArtist - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Tim Scott Whiteley, Contributor, Baritone, Work Editor, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal)

℗ 2014 Hyperion Records Limited

5
O dolci sguardi
00:03:24

Thomas Künne, Tenor, AssociatedPerformer - Terry Wey, Counter-Tenor, AssociatedPerformer - Philippe De Monte, Composer - Petrarch, Author - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal)

℗ 2014 Hyperion Records Limited

6
Que me servent mes vers
00:02:40

Pierre de Ronsard, Author - Thomas Künne, Tenor, AssociatedPerformer - Terry Wey, Counter-Tenor, AssociatedPerformer - Philippe De Monte, Composer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal)

℗ 2014 Hyperion Records Limited

7
Susanne un jour
00:02:09

Thomas Künne, Tenor, AssociatedPerformer - Terry Wey, Counter-Tenor, AssociatedPerformer - Philippe De Monte, Composer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Contributor, Tenor, Work Editor, AssociatedPerformer - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Guillaume Guéroult, Author - Ulfried Staber, AssociatedPerformer, Bass (Vocal)

℗ 2014 Hyperion Records Limited

8
Sortez regretz
00:02:11

Anonymous, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Philippe De Monte, Composer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer

℗ 2014 Hyperion Records Limited

9
En lieux d’esbatz m’assault melancolie
00:02:23

Thomas Künne, Tenor, AssociatedPerformer - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Tim Scott Whiteley, Contributor, Baritone, Work Editor, AssociatedPerformer - Jean Guyot, Composer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Jean Bouchet, Author

℗ 2014 Hyperion Records Limited

10
Je suis amoureux d’une fille
00:01:20

Anonymous, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Jean Guyot, Composer - Bénédicte Even-Lassmann, Contributor, Work Editor

℗ 2014 Hyperion Records Limited

11
Vous estes si doulce et benigne
00:02:08

Anonymous, Author - Thomas Künne, Tenor, AssociatedPerformer - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Jean Guyot, Composer - Ulfried Staber, AssociatedPerformer, Bass (Vocal)

℗ 2014 Hyperion Records Limited

12
L’arbre d’amour ung fruict d’amaritude
00:02:40

Anonymous, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Jean Guyot, Composer

℗ 2014 Hyperion Records Limited

13
Vous perdez temps de me dire mal d’elle
00:03:06

Clément Marot, Author - Thomas Künne, Tenor, AssociatedPerformer - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer - Jean Guyot, Composer - Ulfried Staber, AssociatedPerformer, Bass (Vocal) - Bénédicte Even-Lassmann, Contributor, Work Editor

℗ 2014 Hyperion Records Limited

14
Tel en mesdict qui pour soy la desire
00:02:53

Anonymous, Author - Thomas Künne, Tenor, AssociatedPerformer - Terry Wey, Counter-Tenor, AssociatedPerformer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Tim Scott Whiteley, Contributor, Baritone, Work Editor, AssociatedPerformer - Jean Guyot, Composer - Ulfried Staber, AssociatedPerformer, Bass (Vocal)

℗ 2014 Hyperion Records Limited

15
Amour leal
00:02:00

Anonymous, Author - Thomas Künne, Tenor, AssociatedPerformer - Terry Wey, Counter-Tenor, AssociatedPerformer - Jacobus Vaet, Composer - Cinquecento, Choir, MainArtist - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer

℗ 2014 Hyperion Records Limited

16
Sans vous ne puis
00:01:34

Anonymous, Author - Thomas Künne, Tenor, AssociatedPerformer - Jacobus Vaet, Composer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Tim Scott Whiteley, Contributor, Baritone, Work Editor, AssociatedPerformer

℗ 2014 Hyperion Records Limited

17
En l’ombre d’ung buissonet
00:01:31

Anonymous, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Jacobus Vaet, Composer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Tim Scott Whiteley, Baritone, AssociatedPerformer

℗ 2014 Hyperion Records Limited

18
Ach weh der Zeit, die ich verzert
00:03:46

Anonymous, Author - Thomas Künne, Tenor, AssociatedPerformer - Terry Wey, Counter-Tenor, AssociatedPerformer - Jacob Regnart, Composer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal)

℗ 2014 Hyperion Records Limited

19
Ein Lieb nit mehr hat
00:02:39

Anonymous, Author - Thomas Künne, Tenor, AssociatedPerformer - Terry Wey, Counter-Tenor, AssociatedPerformer - Jacob Regnart, Composer - Cinquecento, Choir, MainArtist - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Tim Scott Whiteley, Contributor, Work Editor

℗ 2014 Hyperion Records Limited

20
Venus, du und dein Kind
00:03:07

Anonymous, Author - Jacob Regnart, Composer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Contributor, Baritone, Work Editor, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal)

℗ 2014 Hyperion Records Limited

21
Du hast mich sollen nemen
00:03:02

Anonymous, Author - Thomas Künne, Tenor, AssociatedPerformer - Terry Wey, Counter-Tenor, AssociatedPerformer - Jacob Regnart, Composer - Cinquecento, Choir, MainArtist - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Tim Scott Whiteley, Contributor, Baritone, Work Editor, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal)

℗ 2014 Hyperion Records Limited

22
Chi mi consolerà
00:02:15

Anonymous, Author - Terry Wey, Counter-Tenor, AssociatedPerformer - Jacob Regnart, Composer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Tim Scott Whiteley, Contributor, Baritone, Work Editor, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal)

℗ 2014 Hyperion Records Limited

23
Amor, che debbo fare
00:02:02

Anonymous, Author - Thomas Künne, Tenor, AssociatedPerformer - Terry Wey, Counter-Tenor, AssociatedPerformer - Jacob Regnart, Composer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Jakob Huppmann, Counter-Tenor, AssociatedPerformer - Tim Scott Whiteley, Contributor, Work Editor - Ulfried Staber, AssociatedPerformer, Bass (Vocal)

℗ 2014 Hyperion Records Limited

24
Vola vola pensier
00:01:40

Anonymous, Author - Thomas Künne, Tenor, AssociatedPerformer - Terry Wey, Counter-Tenor, AssociatedPerformer - Jacob Regnart, Composer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Contributor, Baritone, Work Editor, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal)

℗ 2014 Hyperion Records Limited

25
Alarm’, alarm’ o fidi miei pensieri
00:01:19

Anonymous, Author - Thomas Künne, Tenor, AssociatedPerformer - Terry Wey, Counter-Tenor, AssociatedPerformer - Jacob Regnart, Composer - Cinquecento, Choir, MainArtist - Tore Tom Denys, Tenor, AssociatedPerformer - Tim Scott Whiteley, Contributor, Baritone, Work Editor, AssociatedPerformer - Ulfried Staber, AssociatedPerformer, Bass (Vocal)

℗ 2014 Hyperion Records Limited

Album review

This release takes its title from its opening track, an Italian madrigal by Philippe de Monte. Only seven of the album's 25 tracks, however, are in Italian; the majority are in French, with some German songs at the end. The French chanson, the Italian (and English) madrigal, and the German lied were the part-songs of the 16th century, distinct but related and mutually influential. The focus of this album, although you'd never guess it from the graphics, is secular song at the Habsburg court in Vienna and environs, which like the great houses of Italy imported the best Flemish musicians money could buy, and where traditions from around Europe mixed. These composers, from the generation after Josquin and a bit later, aren't often heard, but there are many delightful moments for admirers of Renaissance song. The chansons of Jean Guyot and Jacobus Vaet show the influence of Italian models in terms of an effort to reflect the text closely, but the French style never indulged in the expressive extremes the Italians did. Perhaps the nicest find here are the artless, charming German songs of Jacob Regnart (tracks 18-21), which have rarely if ever been recorded. The Austrian male sextet Cinquecento acquits itself well in this multilingual repertoire (all the texts are translated into English in the packaging) and delivers pleasant, low-key performances that fit the Deutschlandfunk studio sound nicely. A good choice for madrigal and chanson enthusiasts.

© TiVo

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