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Keith Jarrett|Works

Works

Keith Jarrett

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How do you sum up a massive catalog like Keith Jarrett's output for ECM -- which, as of the mid-'90s, numbered over 50 individual LPs -- on one slim little CD? You can't. Even so, this collection of seven so-called "works" -- four of which are actually excerpts of "works" -- borders on the bizarre. You get three solo piano pieces from Facing You, Staircase, and The Sun Bear Concerts; there are two numbers with Jarrett's European quartet from My Song; the second movement of his string quartet, and a swatch from the organ/soprano sax work, Invocations. There is nothing from the volatile American quartet. The best solo piano recordings, the Köln Concert and Solo Concerts: Bremen/Lausanne, are ignored, and most astonishingly for a CD reissued in 1992, there is nothing after 1980 -- which means no Standards trio, etc. True, the programming is unpredictable (one wonders if a mischievous Jarrett personally supervised the selection), and ultimately, this functions only as a sampler for newcomers, who will undoubtedly want to explore Jarrett in much greater depth based on the strength of the music here.
© Richard S. Ginell /TiVo

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Works

Keith Jarrett

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1
Country
00:05:01

Keith Jarrett, Piano, MainArtist, AssociatedPerformer, ComposerLyricist - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Palle Danielsson, Double Bass, MainArtist, AssociatedPerformer - Jon Christensen, Drums, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Jan Garbarek, Tenor Saxophone, MainArtist, AssociatedPerformer

℗ 1978 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

2
Ritooria
00:05:55

Keith Jarrett, Composer, Piano, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 1972 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

3
The Journey Home
00:10:33

Keith Jarrett, Composer, Piano, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Palle Danielsson, Double Bass, MainArtist, AssociatedPerformer - Jon Christensen, Drums, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Jan Garbarek, Tenor Saxophone, MainArtist, AssociatedPerformer

℗ 1978 ECM Records GmbH

4
Staircase Part 2
00:07:52

Keith Jarrett, Composer, Piano, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Roger Roche, Recording Engineer, StudioPersonnel

℗ 1977 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

5
String Quartet (2nd Movement)
00:05:01

Keith Jarrett, Composer - Fritz Sonnleitner Quartet, MainArtist

℗ 1974 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

6
Fifth (Recognition) (Instrumental)
00:05:05

Keith Jarrett, Composer, Organ, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Martin Wieland, Recording Engineer, StudioPersonnel

℗ 1980 ECM Records GmbH

7
Encore From Nagoya
00:03:48

Keith Jarrett, Composer, Piano, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Shinji Ohtsuka, Recording Engineer, StudioPersonnel

℗ 1978 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

Album review

How do you sum up a massive catalog like Keith Jarrett's output for ECM -- which, as of the mid-'90s, numbered over 50 individual LPs -- on one slim little CD? You can't. Even so, this collection of seven so-called "works" -- four of which are actually excerpts of "works" -- borders on the bizarre. You get three solo piano pieces from Facing You, Staircase, and The Sun Bear Concerts; there are two numbers with Jarrett's European quartet from My Song; the second movement of his string quartet, and a swatch from the organ/soprano sax work, Invocations. There is nothing from the volatile American quartet. The best solo piano recordings, the Köln Concert and Solo Concerts: Bremen/Lausanne, are ignored, and most astonishingly for a CD reissued in 1992, there is nothing after 1980 -- which means no Standards trio, etc. True, the programming is unpredictable (one wonders if a mischievous Jarrett personally supervised the selection), and ultimately, this functions only as a sampler for newcomers, who will undoubtedly want to explore Jarrett in much greater depth based on the strength of the music here.
© Richard S. Ginell /TiVo

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