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Holly Golightly|Up The Empire

Up The Empire

Holly Golightly

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On this laid-back live outing, Holly Golightly sounds a little like a caffeinated Kendra Smith (Opal, Rainy Day). She eschews psych-rock in favor of folk, blues, and low-key R&B, but her insouciant delivery evokes a similar sort of casual, romantic world weariness -- not unlike the iconic character so enchantingly portrayed by Audrey Hepburn in Breakfast at Tiffany's. The performances are loose and appealing, with spare instrumental backing spiked by frequent blasts of harmonica. The country-tinged original "If I Should Ever Leave" features the welcome addition of slide guitar and violin. There are plenty of whoops and hollers during the more rocking numbers -- from the audience or from the band; it's hard to tell -- but they rarely overwhelm or distract from the music. Up the Empire may not be the best place to start with Ms. Golightly's oeuvre, but it isn't a bad place to end up -- especially if you'd like to re-create the experience of an intimate, neon-lit juke joint where all the kids meet to tap their toes, snap their fingers, and clap their hands to the slinky beat.

© Kathleen C. Fennessy /TiVo

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Up The Empire

Holly Golightly

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1
Won't Go Out
00:05:20

Holly Golightly, Composer, Lyricist, Artist, MainArtist - Holly Golightly MCPS, MusicPublisher

2009 DAMAGED GOODS RECORDS 2009 DAMAGED GOODS RECORDS

2
I Can't Stand It
00:03:56

Holly Golightly, Artist, MainArtist

2009 DAMAGED GOODS RECORDS 2009 DAMAGED GOODS RECORDS

3
Come The Day
00:03:05

Holly Golightly, Composer, Lyricist, Artist, MainArtist - Holly Golightly MCPS, MusicPublisher

2009 DAMAGED GOODS RECORDS 2009 DAMAGED GOODS RECORDS

4
You Aint No Big Thing
00:03:22

Holly Golightly, Artist, MainArtist - Mc Allister, Composer - Saturn Music Ltd, MusicPublisher

2009 DAMAGED GOODS RECORDS 2009 DAMAGED GOODS RECORDS

5
If I Should Ever Leave
00:02:27

Holly Golightly, Composer, Lyricist, Artist, MainArtist - Holly Golightly MCPS, MusicPublisher

2009 DAMAGED GOODS RECORDS 2009 DAMAGED GOODS RECORDS

6
The Ride
00:03:02

Glover, Composer - Levy, Composer - Holly Golightly, Artist, MainArtist - Frot Music (BMI), MusicPublisher - Jon Ware Music Corp, MusicPublisher

2009 DAMAGED GOODS RECORDS 2009 DAMAGED GOODS RECORDS

7
Troubles On My Mind
00:02:34

Holly Golightly, Composer, Lyricist, Artist, MainArtist - Holly Golightly MCPS, MusicPublisher

2009 DAMAGED GOODS RECORDS 2009 DAMAGED GOODS RECORDS

8
An Eye For An Empty Heart
00:03:36

Holly Golightly, Composer, Lyricist, Artist, MainArtist - Holly Golightly MCPS, MusicPublisher

2009 DAMAGED GOODS RECORDS 2009 DAMAGED GOODS RECORDS

9
Big Boss Man
00:02:56

Holly Golightly, Artist, MainArtist

2009 DAMAGED GOODS RECORDS 2009 DAMAGED GOODS RECORDS

10
Believe Me
00:03:39

Holly Golightly, Composer, Lyricist, Artist, MainArtist - Holly Golightly MCPS, MusicPublisher

2009 DAMAGED GOODS RECORDS 2009 DAMAGED GOODS RECORDS

11
Look For Me Baby
00:03:28

Holly Golightly, Composer, Lyricist, Artist, MainArtist - Holly Golightly MCPS, MusicPublisher

2009 DAMAGED GOODS RECORDS 2009 DAMAGED GOODS RECORDS

12
It's All Over Now
00:03:36

Holly Golightly, Artist, MainArtist - B.Holly, Composer

2009 DAMAGED GOODS RECORDS 2009 DAMAGED GOODS RECORDS

13
Mellow Down Easy
00:03:32

Holly Golightly, Composer, Lyricist, Artist, MainArtist - Holly Golightly MCPS, MusicPublisher

2009 DAMAGED GOODS RECORDS 2009 DAMAGED GOODS RECORDS

Album review

On this laid-back live outing, Holly Golightly sounds a little like a caffeinated Kendra Smith (Opal, Rainy Day). She eschews psych-rock in favor of folk, blues, and low-key R&B, but her insouciant delivery evokes a similar sort of casual, romantic world weariness -- not unlike the iconic character so enchantingly portrayed by Audrey Hepburn in Breakfast at Tiffany's. The performances are loose and appealing, with spare instrumental backing spiked by frequent blasts of harmonica. The country-tinged original "If I Should Ever Leave" features the welcome addition of slide guitar and violin. There are plenty of whoops and hollers during the more rocking numbers -- from the audience or from the band; it's hard to tell -- but they rarely overwhelm or distract from the music. Up the Empire may not be the best place to start with Ms. Golightly's oeuvre, but it isn't a bad place to end up -- especially if you'd like to re-create the experience of an intimate, neon-lit juke joint where all the kids meet to tap their toes, snap their fingers, and clap their hands to the slinky beat.

© Kathleen C. Fennessy /TiVo

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