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Ralph Stanley II|This One Is II

This One Is II

Ralph Stanley II

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Ralph Stanley II has some big boots to fill, but he wisely avoids doing anything that will beg comparisons to his father. His music displays obvious bluegrass and old-time acoustic roots, but he brings a honky tonk country flavor to his arrangements that makes them sound modern without forsaking the music's heritage. "Cold Shoulder" opens things with a forlorn lament that's halfway between hardcore country and bluegrass. Randy Kohrs' sobbing Dobro, Stanley's gruff vocal, and the backing harmony vocals sprinkle hopeless teardrops into every syllable. Lyle Lovett's murder ballad "L.A. County" gets an understated bluegrass arrangement that intensifies its rage and anger. "Loretta," a cryptic love song by Townes Van Zandt, benefits from Stanley's sincere vocal and the band's understated picking, particularly Kohrs' Dobro and Adam Steffey's mandolin. "Moms Are the Reason Wild Flowers Grow" is pure bluegrass, a sentimental ballad about family and loss augmented by Tim Crouch's mournful fiddle. There are only two originals here, but they show Stanley has the right stuff in abundance. "Lord Help Me Find the Way" deals with his struggle to find his own way in the business and honor the legacy of his father, while "Honky Tonk Way" is a portrait of bandmembers playing to an empty club and wondering if they'll ever make a living. Songs about the musician's life are the bane of country music, usually cliché-laden embarrassments, but Stanley manages to avoid sounding like a sentimental sap -- no mean feat.
© j. poet /TiVo

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This One Is II

Ralph Stanley II

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1
Cold Shoulder
00:04:46

Ralph Stanley II, MainArtist

2008 Lonesome Day 2008 Lonesome Day

2
Georgia
00:03:47

Ralph Stanley II, MainArtist

2008 Lonesome Day 2008 Lonesome Day

3
They Say I'll Never Go Home
00:03:46

Ralph Stanley II, MainArtist

2008 Lonesome Day 2008 Lonesome Day

4
L.A. County
00:02:57

Ralph Stanley II, MainArtist

2008 Lonesome Day 2008 Lonesome Day

5
Train Songs
00:03:13

Ralph Stanley II, MainArtist

2008 Lonesome Day 2008 Lonesome Day

6
Moms Are The Reason Wild Flowers Grow
00:02:58

Ralph Stanley II, MainArtist

2008 Lonesome Day 2008 Lonesome Day

7
Carter
00:02:17

Ralph Stanley II, MainArtist

2008 Lonesome Day 2008 Lonesome Day

8
Honky Tonk Way
00:02:56

Ralph Stanley II, MainArtist

2008 Lonesome Day 2008 Lonesome Day

9
If This Old Guitar Could Talk
00:03:15

Ralph Stanley II, MainArtist

2008 Lonesome Day 2008 Lonesome Day

10
Loretta
00:02:38

Ralph Stanley II, MainArtist

2008 Lonesome Day 2008 Lonesome Day

11
Lord Help Me Find The Way
00:03:02

Ralph Stanley II, MainArtist

2008 Lonesome Day 2008 Lonesome Day

Album review

Ralph Stanley II has some big boots to fill, but he wisely avoids doing anything that will beg comparisons to his father. His music displays obvious bluegrass and old-time acoustic roots, but he brings a honky tonk country flavor to his arrangements that makes them sound modern without forsaking the music's heritage. "Cold Shoulder" opens things with a forlorn lament that's halfway between hardcore country and bluegrass. Randy Kohrs' sobbing Dobro, Stanley's gruff vocal, and the backing harmony vocals sprinkle hopeless teardrops into every syllable. Lyle Lovett's murder ballad "L.A. County" gets an understated bluegrass arrangement that intensifies its rage and anger. "Loretta," a cryptic love song by Townes Van Zandt, benefits from Stanley's sincere vocal and the band's understated picking, particularly Kohrs' Dobro and Adam Steffey's mandolin. "Moms Are the Reason Wild Flowers Grow" is pure bluegrass, a sentimental ballad about family and loss augmented by Tim Crouch's mournful fiddle. There are only two originals here, but they show Stanley has the right stuff in abundance. "Lord Help Me Find the Way" deals with his struggle to find his own way in the business and honor the legacy of his father, while "Honky Tonk Way" is a portrait of bandmembers playing to an empty club and wondering if they'll ever make a living. Songs about the musician's life are the bane of country music, usually cliché-laden embarrassments, but Stanley manages to avoid sounding like a sentimental sap -- no mean feat.
© j. poet /TiVo

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