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Sonic Youth|The Whitey Album

The Whitey Album

Sonic Youth

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On its initial release, The Whitey Album was treated like a collaboration between Minutemen bass virtuoso Mike Watt and punk rock revolutionaries Sonic Youth. This would have been a perfect match, with two enormous talents coming together for an entire album. But in reality it is far stranger than that: a highly experimental tribute to Madonna performed by Sonic Youth with the exception of one song that is entirely played by Mike Watt without any other musicians accompanying him. The DGC re-release features a cleaner sound and the original packaging from the 1988 SST version, along with liner notes written by Watt explaining his small role in the project. His song, a cover of Madonna's "Burnin' Up," is a smooth, groovy home recording that showcases his rich voice. Sonic Youth takes a shot at "Into the Groove" (renamed "Into the Groovey") and manages to mold a fantastic dirge out of the original. Thurston Moore's lazy vocals pair up with Madonna's sampled voice seamlessly, and the low-quality production only adds to the homegrown feel. Besides Kim Gordon's karaoke remake of "Addicted to Love," little else on this album resembles a normal song. Edgy noise experiments and heavy sound manipulation make these songs more than interesting, and the emphasis on dance rhythms keeps things from getting too unlistenable. Although the song order is questionable (after the first song there is a minute of silence), this album is incredibly fun and experimental. Although it was only a side project, the intense creativity of this time in Sonic Youth's career spills out all over this album, making it a rare treat for fans.

© Bradley Torreano /TiVo

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The Whitey Album

Sonic Youth

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1
Needle-Gun
00:02:28

Sonic Youth, MainArtist

2012 Squeaky Squawk 2012 Squeaky Squawk

2
(Silence)
00:01:03

Sonic Youth, MainArtist

2012 Squeaky Squawk 2012 Squeaky Squawk

3
G-Force
00:03:39

Sonic Youth, MainArtist

2012 Squeaky Squawk 2012 Squeaky Squawk

4
Platoon II
00:04:19

Sonic Youth, MainArtist

2012 Squeaky Squawk 2012 Squeaky Squawk

5
Macbeth
00:05:27

Sonic Youth, MainArtist

2012 Squeaky Squawk 2012 Squeaky Squawk

6
Me & Jill/Hendrix Cosby
00:05:31

Sonic Youth, MainArtist

2012 Squeaky Squawk 2012 Squeaky Squawk

7
Burnin' up (Mike Watt Original Demo)
00:03:51

Sonic Youth, MainArtist

2012 Squeaky Squawk 2012 Squeaky Squawk

8
Hi! Everybody
00:00:58

Sonic Youth, MainArtist

2012 Squeaky Squawk 2012 Squeaky Squawk

9
Children of Satan/Third Fig
00:03:06

Sonic Youth, MainArtist

2012 Squeaky Squawk 2012 Squeaky Squawk

10
Two Cool Rock Chicks Listening to Neu
00:02:56

Sonic Youth, MainArtist

2012 Squeaky Squawk 2012 Squeaky Squawk

11
Addicted to Love
00:03:46

Sonic Youth, MainArtist

2012 Squeaky Squawk 2012 Squeaky Squawk

12
Moby-Dik
00:01:01

Sonic Youth, MainArtist

2012 Squeaky Squawk 2012 Squeaky Squawk

13
March of the Ciccone Robots
00:01:56

Sonic Youth, MainArtist

2012 Squeaky Squawk 2012 Squeaky Squawk

14
Making the Nature Scene (Ciccone Youth Version)
00:03:15

Sonic Youth, MainArtist

2012 Squeaky Squawk 2012 Squeaky Squawk

15
Tuff Titty Rap
00:00:39

Sonic Youth, MainArtist

2012 Squeaky Squawk 2012 Squeaky Squawk

16
Into the Groovey
00:04:36

Sonic Youth, MainArtist

2012 Squeaky Squawk 2012 Squeaky Squawk

17
Macbeth (Alternate Mix)
00:05:15

Sonic Youth, MainArtist

2012 Squeaky Squawk 2012 Squeaky Squawk

Album review

On its initial release, The Whitey Album was treated like a collaboration between Minutemen bass virtuoso Mike Watt and punk rock revolutionaries Sonic Youth. This would have been a perfect match, with two enormous talents coming together for an entire album. But in reality it is far stranger than that: a highly experimental tribute to Madonna performed by Sonic Youth with the exception of one song that is entirely played by Mike Watt without any other musicians accompanying him. The DGC re-release features a cleaner sound and the original packaging from the 1988 SST version, along with liner notes written by Watt explaining his small role in the project. His song, a cover of Madonna's "Burnin' Up," is a smooth, groovy home recording that showcases his rich voice. Sonic Youth takes a shot at "Into the Groove" (renamed "Into the Groovey") and manages to mold a fantastic dirge out of the original. Thurston Moore's lazy vocals pair up with Madonna's sampled voice seamlessly, and the low-quality production only adds to the homegrown feel. Besides Kim Gordon's karaoke remake of "Addicted to Love," little else on this album resembles a normal song. Edgy noise experiments and heavy sound manipulation make these songs more than interesting, and the emphasis on dance rhythms keeps things from getting too unlistenable. Although the song order is questionable (after the first song there is a minute of silence), this album is incredibly fun and experimental. Although it was only a side project, the intense creativity of this time in Sonic Youth's career spills out all over this album, making it a rare treat for fans.

© Bradley Torreano /TiVo

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