Categories:
Cart 0

Your cart is empty

Graham Coxon|The Sky Is Too High

The Sky Is Too High

Graham Coxon

Available in
16-Bit/44.1 kHz Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

Graham Coxon had often said he felt the loose, jagged, American-indie sound of Blur's self-titled album was "his" more so than the band's other members -- The Sky Is Too High, released between Blur and its follow-up, 13, lends credence to this statement. Most of the record is drum-less, consisting of oddly slanted constructions of electric and acoustic guitars in Coxon's trademark style (quirky, sloppy riffs and arpeggios shooting all over the fretboard) -- the real magic is the way this approach works so perfectly on strange minimal ballads like "In a Salty Sea" and "Waiting," the sorts of constructions Blur shied away from until their self-titled release. The resulting songs are reminiscent of certain pre-Blur tracks (Modern Life Is Rubbish's "Miss America," most notably), but Coxon's low-fi, personal and decidedly non-pop approach makes this sound work as a little world unto itself, rather than a brief excursion on a thoroughly pop record. On the rare tracks where Coxon switches to a driving, noisy full-band arrangement, things are equally slanted and interesting -- since The Sky Is Too High is essentially a side project, and therefore tends to restrict itself to a small, bedroom quality, one has to wonder what a proper solo release from Coxon would sound like.

© Nitsuh Abebe /TiVo

More info

The Sky Is Too High

Graham Coxon

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

You are currently listening to samples.

Listen to over 100 million songs with an unlimited streaming plan.

Listen to this playlist and more than 100 million songs with our unlimited streaming plans.

From kr133,33/month

1
That's All I Wanna Do
00:04:28

John Smith, Engineer - Graham Coxon, Composer, Producer, Vocals, Performance, MainArtist

© 2004 Transcopic Records Ltd under exclusive licence to Parlophone Records Ltd ℗ 1998 Parlophone Records Ltd, a Warner Music Group Company

2
Where'd You Go?
00:03:35

John Smith, Engineer - Graham Coxon, Composer, Lyricist, Producer, Vocals, Performance, MainArtist

© 2004 Transcopic Records Ltd under exclusive licence to Parlophone Records Ltd ℗ 1998 Parlophone Records Ltd, a Warner Music Group Company

3
In a Salty Sea
00:02:44

John Smith, Engineer - Graham Coxon, Composer, Lyricist, Producer, Vocals, Performance, MainArtist

© 2004 Transcopic Records Ltd under exclusive licence to Parlophone Records Ltd ℗ 1998 Parlophone Records Ltd, a Warner Music Group Company

4
A Day Is Far Too Long
00:04:27

John Smith, Engineer - Graham Coxon, Composer, Lyricist, Producer, Vocals, Performance, MainArtist

© 2004 Transcopic Records Ltd under exclusive licence to Parlophone Records Ltd ℗ 1998 Parlophone Records Ltd, a Warner Music Group Company

5
R U Lonely?
00:02:51

John Smith, Engineer - Graham Coxon, Composer, Lyricist, Producer, Vocals, Performance, MainArtist

© 2004 Transcopic Records Ltd under exclusive licence to Parlophone Records Ltd ℗ 1998 Parlophone Records Ltd, a Warner Music Group Company

6
I Wish
00:04:47

John Smith, Engineer - Graham Coxon, Composer, Lyricist, Producer, Vocals, Performance, MainArtist

© 2004 Transcopic Records Ltd under exclusive licence to Parlophone Records Ltd ℗ 1998 Parlophone Records Ltd, a Warner Music Group Company

7
Hard and Slow
00:02:25

John Smith, Engineer - Graham Coxon, Producer, Vocals, Writer, Performance, MainArtist

© 2004 Transcopic Records Ltd under exclusive licence to Parlophone Records Ltd ℗ 1998 Parlophone Records Ltd, a Warner Music Group Company

8
Me You, We Two
00:02:34

John Smith, Engineer - Graham Coxon, Composer, Lyricist, Producer, Vocals, Performance, MainArtist

© 2004 Transcopic Records Ltd under exclusive licence to Parlophone Records Ltd ℗ 1998 Parlophone Records Ltd, a Warner Music Group Company

9
Waiting
00:02:47

John Smith, Engineer - Graham Coxon, Composer, Lyricist, Producer, Vocals, Performance, MainArtist

© 2004 Transcopic Records Ltd under exclusive licence to Parlophone Records Ltd ℗ 1998 Parlophone Records Ltd, a Warner Music Group Company

10
Who the Fuck? Explicit
00:03:15

John Smith, Engineer - Graham Coxon, Composer, Lyricist, Producer, Vocals, Performance, MainArtist

© 2004 Transcopic Records Ltd under exclusive licence to Parlophone Records Ltd ℗ 1998 Parlophone Records Ltd, a Warner Music Group Company

11
Mornin' Blues
00:02:18

John Smith, Engineer - Graham Coxon, Composer, Producer, Vocals, Performance, MainArtist

© 2004 Transcopic Records Ltd under exclusive licence to Parlophone Records Ltd ℗ 1998 Parlophone Records Ltd, a Warner Music Group Company

Album review

Graham Coxon had often said he felt the loose, jagged, American-indie sound of Blur's self-titled album was "his" more so than the band's other members -- The Sky Is Too High, released between Blur and its follow-up, 13, lends credence to this statement. Most of the record is drum-less, consisting of oddly slanted constructions of electric and acoustic guitars in Coxon's trademark style (quirky, sloppy riffs and arpeggios shooting all over the fretboard) -- the real magic is the way this approach works so perfectly on strange minimal ballads like "In a Salty Sea" and "Waiting," the sorts of constructions Blur shied away from until their self-titled release. The resulting songs are reminiscent of certain pre-Blur tracks (Modern Life Is Rubbish's "Miss America," most notably), but Coxon's low-fi, personal and decidedly non-pop approach makes this sound work as a little world unto itself, rather than a brief excursion on a thoroughly pop record. On the rare tracks where Coxon switches to a driving, noisy full-band arrangement, things are equally slanted and interesting -- since The Sky Is Too High is essentially a side project, and therefore tends to restrict itself to a small, bedroom quality, one has to wonder what a proper solo release from Coxon would sound like.

© Nitsuh Abebe /TiVo

About the album

Improve album information

Qobuz logo Why buy on Qobuz...

On sale now...

Mélusine

Cécile McLorin Salvant

Mélusine Cécile McLorin Salvant

Giant Steps

John Coltrane

Giant Steps John Coltrane

Tutu

Miles Davis

Tutu Miles Davis

Your Mother Should Know: Brad Mehldau Plays The Beatles

Brad Mehldau

More on Qobuz
By Graham Coxon

Uncle Sam (feat. Graham Coxon & Rahel Debebe-Dessalegne)

Graham Coxon

The Spinning Top

Graham Coxon

The Spinning Top Graham Coxon

The End Of The F***ing World (Original Songs and Score)

Graham Coxon

The End of The F***ing World 2

Graham Coxon

Superstate (feat. Graham Coxon)

Graham Coxon

Playlists

You may also like...

i/o

Peter Gabriel

i/o Peter Gabriel

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

Now And Then

The Beatles

Now And Then The Beatles

Rumours

Fleetwood Mac

Rumours Fleetwood Mac

Dark Matter

Pearl Jam

Dark Matter Pearl Jam