Categories:
Cart 0

Your cart is empty

Mike Watt|The Secondman's Middle Stand

The Secondman's Middle Stand

Mike Watt

Available in
16-Bit/44.1 kHz Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

There aren't a lot of guys in punk rock (or rock & roll, period) who appear to have their feet more squarely on the ground than Mike Watt, who in his own regular-guy way has been the heart, soul and conscience of the music ever since his days playing bass in the Minutemen. A musical team player who lives by the notion of "jamming econo" (living and touring frugally, with an eye on the music rather than the trappings), Watt is as likely to talk about fixing his van or recording on used tape in his interviews as he is about "stardom" or "career," so when he had a regular guy's sort of life-changing experience -- a close brush with death brought on by a massive abscess in his perineum that eventually burst -- it makes sense that he would chose to write a song cycle about it. Secondman's Middle Stand is a "rock opera" of sorts in which Watt presents a first-person account of his illness and recovery (names of the participants included) which occasionally betrays the influence of Dante's The Divine Comedy, with sickness representing the Inferno, treatment standing in for Purgatory, and the return to health as the ascent to Paradise. If this all sounds a bit grand, it doesn't play that way; Watt's craggy voice (sounding like a deeper, West Coast variation on David Thomas' vocal style) keeps this material firmly grounded at all times, as do the messy realities of tunes like "Puked to High Heaven" and "Pissbags and Tubing" and the everyday joy of "The Angels Gate" and "Pluckin', Pedalin' and Paddlin'." Watt recorded these songs with Pete Mazich on organ, Jerry Trebotic on drums, and Watt himself on "thudstaff" (that's bass guitar in Pedro-speak), and while the arrangements are typically efficient, Watt and his crew are able to conjure up a genuinely epochal sound out of this power trio, with Mazich's organ offering a broad range of tonal colors and Watt's thick bass tone sometimes doubling as a fuzzed-out guitar. Secondman's Middle Stand is a wildly idiosyncratic examination of life, death, and the bridge in between, with its sense of joy in the possibilities of second chances outweighing its very real terrors, and no one but Mike Watt could have made it -- it's harrowing, funny, and genuinely moving stuff from a true American original.

© Mark Deming /TiVo

More info

The Secondman's Middle Stand

Mike Watt

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

You are currently listening to samples.

Listen to over 100 million songs with an unlimited streaming plan.

Listen to this playlist and more than 100 million songs with our unlimited streaming plans.

From kr133,33/month

1
boilin' blazes (Album Version)
00:05:30

Jerry Trebotic, Drums - John Golden, Mastering Engineer - Pete Mazich, Background Vocal - Petra Haden, Background Vocal - Michael Rich, Engineer - Mike Watt, Producer - Mike Watt, Composer - Mike Watt, Lyricist - Mike Watt, Glockenspiel - Mike Watt, Performer - Mike Watt, Bass

(P) 2004 Columbia Records, a division of Sony Music Entertainment

2
puked to high heaven (Album Version)
00:03:15

Jerry Trebotic, Drums - John Golden, Mastering Engineer - Pete Mazich, Background Vocal - Petra Haden, Background Vocal - Michael Rich, Engineer - Mike Watt, Producer - Mike Watt, Composer - Mike Watt, Lyricist - Mike Watt, Glockenspiel - Mike Watt, Performer - Mike Watt, Bass

(P) 2004 Columbia Records, a division of Sony Music Entertainment

3
burstedman (Album Version)
00:05:55

Jerry Trebotic, Drums - John Golden, Mastering Engineer - Pete Mazich, Background Vocal - Petra Haden, Background Vocal - Michael Rich, Engineer - Mike Watt, Producer - Mike Watt, Composer - Mike Watt, Lyricist - Mike Watt, Glockenspiel - Mike Watt, Performer - Mike Watt, Bass

(P) 2004 Columbia Records, a division of Sony Music Entertainment

4
tied a reed 'round my waist (Album Version)
00:05:59

Jerry Trebotic, Drums - John Golden, Mastering Engineer - Pete Mazich, Background Vocal - Petra Haden, Background Vocal - Michael Rich, Engineer - Mike Watt, Producer - Mike Watt, Composer - Mike Watt, Lyricist - Mike Watt, Glockenspiel - Mike Watt, Performer - Mike Watt, Bass

(P) 2004 Columbia Records, a division of Sony Music Entertainment

5
pissbags and tubing (Album Version)
00:06:17

Jerry Trebotic, Drums - John Golden, Mastering Engineer - Pete Mazich, Background Vocal - Petra Haden, Background Vocal - Michael Rich, Engineer - Mike Watt, Producer - Mike Watt, Composer - Mike Watt, Lyricist - Mike Watt, Glockenspiel - Mike Watt, Performer - Mike Watt, Bass

(P) 2004 Columbia Records, a division of Sony Music Entertainment

6
beltsandedman (Album Version)
00:06:40

Jerry Trebotic, Drums - John Golden, Mastering Engineer - Pete Mazich, Background Vocal - Petra Haden, Background Vocal - Michael Rich, Engineer - Mike Watt, Producer - Mike Watt, Composer - Mike Watt, Lyricist - Mike Watt, Glockenspiel - Mike Watt, Performer - Mike Watt, Bass

(P) 2004 Columbia Records, a division of Sony Music Entertainment

7
the angels gate (Album Version)
00:06:32

Jerry Trebotic, Drums - John Golden, Mastering Engineer - Pete Mazich, Background Vocal - Petra Haden, Background Vocal - Michael Rich, Engineer - Mike Watt, Producer - Mike Watt, Composer - Mike Watt, Lyricist - Mike Watt, Glockenspiel - Mike Watt, Performer - Mike Watt, Bass

(P) 2004 Columbia Records, a division of Sony Music Entertainment

8
pluckin', pedalin' and paddlin' (Album Version)
00:07:02

Jerry Trebotic, Drums - John Golden, Mastering Engineer - Pete Mazich, Background Vocal - Petra Haden, Background Vocal - Michael Rich, Engineer - Mike Watt, Producer - Mike Watt, Composer - Mike Watt, Lyricist - Mike Watt, Glockenspiel - Mike Watt, Performer - Mike Watt, Bass

(P) 2004 Columbia Records, a division of Sony Music Entertainment

9
pelicanman (Album Version)
00:05:58

Jerry Trebotic, Drums - John Golden, Mastering Engineer - Pete Mazich, Background Vocal - Petra Haden, Background Vocal - Michael Rich, Engineer - Mike Watt, Producer - Mike Watt, Composer - Mike Watt, Lyricist - Mike Watt, Glockenspiel - Mike Watt, Performer - Mike Watt, Bass

(P) 2004 Columbia Records, a division of Sony Music Entertainment

Album review

There aren't a lot of guys in punk rock (or rock & roll, period) who appear to have their feet more squarely on the ground than Mike Watt, who in his own regular-guy way has been the heart, soul and conscience of the music ever since his days playing bass in the Minutemen. A musical team player who lives by the notion of "jamming econo" (living and touring frugally, with an eye on the music rather than the trappings), Watt is as likely to talk about fixing his van or recording on used tape in his interviews as he is about "stardom" or "career," so when he had a regular guy's sort of life-changing experience -- a close brush with death brought on by a massive abscess in his perineum that eventually burst -- it makes sense that he would chose to write a song cycle about it. Secondman's Middle Stand is a "rock opera" of sorts in which Watt presents a first-person account of his illness and recovery (names of the participants included) which occasionally betrays the influence of Dante's The Divine Comedy, with sickness representing the Inferno, treatment standing in for Purgatory, and the return to health as the ascent to Paradise. If this all sounds a bit grand, it doesn't play that way; Watt's craggy voice (sounding like a deeper, West Coast variation on David Thomas' vocal style) keeps this material firmly grounded at all times, as do the messy realities of tunes like "Puked to High Heaven" and "Pissbags and Tubing" and the everyday joy of "The Angels Gate" and "Pluckin', Pedalin' and Paddlin'." Watt recorded these songs with Pete Mazich on organ, Jerry Trebotic on drums, and Watt himself on "thudstaff" (that's bass guitar in Pedro-speak), and while the arrangements are typically efficient, Watt and his crew are able to conjure up a genuinely epochal sound out of this power trio, with Mazich's organ offering a broad range of tonal colors and Watt's thick bass tone sometimes doubling as a fuzzed-out guitar. Secondman's Middle Stand is a wildly idiosyncratic examination of life, death, and the bridge in between, with its sense of joy in the possibilities of second chances outweighing its very real terrors, and no one but Mike Watt could have made it -- it's harrowing, funny, and genuinely moving stuff from a true American original.

© Mark Deming /TiVo

About the album

Improve album information

Qobuz logo Why buy on Qobuz...

On sale now...

Mélusine

Cécile McLorin Salvant

Mélusine Cécile McLorin Salvant

Giant Steps

John Coltrane

Giant Steps John Coltrane

Your Mother Should Know: Brad Mehldau Plays The Beatles

Brad Mehldau

Tutu

Miles Davis

Tutu Miles Davis
More on Qobuz
By Mike Watt

Contemplating The Engine Room

Mike Watt

Contemplating the Engine Room: Live in Long Beach '98 - Five Man Opera

Mike Watt

My Head Is My Only House Unless It Rains

Mike Watt

Ball-Hog Or Tugboat?

Mike Watt

Mike Watt // Papa M

Mike Watt

Playlists

You may also like...

Oh Mercy

Bob Dylan

Oh Mercy Bob Dylan

The Steven Wilson Remixes

Yes

Mirror To The Sky

Yes

Greatest Hits

Journey

Toto IV

Toto

Toto IV Toto