Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Download not available
Arve Henriksen's The Height of Reeds was born of a commission by the city of Hull in Great Britain, to celebrate the longstanding seafaring relationship between the northeast region of England and Scandinavia. It was recorded as the musical companion for a "sound walk" public installation in 2017. Those who took part listened to the original music on headphones while crossing the Humber Bridge. Initially intended for the month of April, the event proved so popular it was extended to May and June as well. This release is presented with only minor adjustments to justify the transition from the walk -- where listeners interacted with the scenery as well as the sound -- to its attendant soundtrack.
The human players include Henriksen (trumpet and voice), Eivind Aarset (guitar and electronics), Jan Bang (samples and programming), and the Chorus and Orchestra of Opera North conducted by Justin Doyle. That said, the Humber Bridge and its surroundings make integral contributions, courtesy of field recordings made by sound artist Jez Riley French. While the breathtaking landscape is missing, the sonic architecture and careful playing from the musicians as they interact with the filed-recorded sounds creates its own unforgettable, experiential aesthetic.
Henriksen's humid, blurry trumpet and his otherworldly falsetto voice inhabit and interact with the other players and sounds on these nine inseparable pieces. Throughout he offers subtle variations on a lone timbral articulation. Bang paints not only his horn sounds but the very air that escapes from it. Aarset's electric guitar seldom resembles one; it is heavily treated so as to become a patchwork of sonics and textures for the others -- including the field recordings -- to communicate with, evidenced beautifully by "The Swans Bend Their Necks Backward to See God." The orchestral and chorus music was arranged by Alexander Waaktaar; it provides Henriksen with a fairly large musical soundscape that acts as a multi-textured palette, which he reacts to and draws from. Even if it is deliberately limited in tone and timbre, the chamber orchestra offers a more multi-dimensional focal point for Henriksen's concentration; this is illustrated beautifully on the most vanguard piece here, "Is There a Limit for the Internal?" While the brief "Nymphs and Eurasian Horses" is little more than an interlude, it bridges the canny interplay between choral voices, strings, trumpet, and guitars on one side, and bridge, sea, and wind on the other. Later compositions such as "Waders" and closing single "Pink Cherry Trees" reflect Bang's ability to use muted percussion sounds to extrapolate something exotic from Henriksen's economic musicality in a manner that recalls Jon Hassell's 1983 offering Aka/Darbari/Java. As a whole, The Height of Reeds is a wonderfully imaginative work, equal parts reflection and homage. The set sits comfortably between Henriksen's 2003 album Chiaroscuro (also with Bang) and 2013's hauntingly beautiful Places of Worship. Unlike similarly conceived recordings, this doesn't act as a pleasant backdrop for engaging in other activities; instead, it quietly refuses revelation without active participation from the listener.
© Thom Jurek /TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From kr133,33/month
Eivind Aarset, Composer, MainArtist - Jan Bang, Composer, MainArtist - Arve Henriksen, Composer, MainArtist - No Publisher, MusicPublisher - Jez Riley French, FeaturedArtist - Jaz Riley French, Composer
(C) 2018 Rune Grammofon (P) 2018 Rune Grammofon
Eivind Aarset, Composer, MainArtist - Jan Bang, Composer, MainArtist - Arve Henriksen, Composer, MainArtist - No Publisher, MusicPublisher - Jez Riley French, FeaturedArtist - Jaz Riley French, Composer
(C) 2018 Rune Grammofon (P) 2018 Rune Grammofon
Eivind Aarset, Composer, MainArtist - Jan Bang, Composer, MainArtist - Arve Henriksen, Composer, MainArtist - No Publisher, MusicPublisher - Jez Riley French, FeaturedArtist - Jaz Riley French, Composer
(C) 2018 Rune Grammofon (P) 2018 Rune Grammofon
Eivind Aarset, Composer, MainArtist - Jan Bang, Composer, MainArtist - Arve Henriksen, Composer, MainArtist - No Publisher, MusicPublisher - Jez Riley French, FeaturedArtist - Jaz Riley French, Composer
(C) 2018 Rune Grammofon (P) 2018 Rune Grammofon
Eivind Aarset, Composer, MainArtist - Jan Bang, Composer, MainArtist - Arve Henriksen, Composer, MainArtist - No Publisher, MusicPublisher - Jez Riley French, FeaturedArtist - Jaz Riley French, Composer
(C) 2018 Rune Grammofon (P) 2018 Rune Grammofon
Eivind Aarset, Composer, MainArtist - Jan Bang, Composer, MainArtist - Arve Henriksen, Composer, MainArtist - No Publisher, MusicPublisher - Jez Riley French, FeaturedArtist - Jaz Riley French, Composer
(C) 2018 Rune Grammofon (P) 2018 Rune Grammofon
Eivind Aarset, Composer, MainArtist - Jan Bang, Composer, MainArtist - Arve Henriksen, Composer, MainArtist - No Publisher, MusicPublisher - Jez Riley French, FeaturedArtist - Jaz Riley French, Composer
(C) 2018 Rune Grammofon (P) 2018 Rune Grammofon
Eivind Aarset, Composer, MainArtist - Jan Bang, Composer, MainArtist - Arve Henriksen, Composer, MainArtist - No Publisher, MusicPublisher - Jez Riley French, FeaturedArtist - Jaz Riley French, Composer
(C) 2018 Rune Grammofon (P) 2018 Rune Grammofon
Eivind Aarset, Composer, MainArtist - Jan Bang, Composer, MainArtist - Arve Henriksen, Composer, MainArtist - No Publisher, MusicPublisher - Jez Riley French, FeaturedArtist - Jaz Riley French, Composer
(C) 2018 Rune Grammofon (P) 2018 Rune Grammofon
Album review
Arve Henriksen's The Height of Reeds was born of a commission by the city of Hull in Great Britain, to celebrate the longstanding seafaring relationship between the northeast region of England and Scandinavia. It was recorded as the musical companion for a "sound walk" public installation in 2017. Those who took part listened to the original music on headphones while crossing the Humber Bridge. Initially intended for the month of April, the event proved so popular it was extended to May and June as well. This release is presented with only minor adjustments to justify the transition from the walk -- where listeners interacted with the scenery as well as the sound -- to its attendant soundtrack.
The human players include Henriksen (trumpet and voice), Eivind Aarset (guitar and electronics), Jan Bang (samples and programming), and the Chorus and Orchestra of Opera North conducted by Justin Doyle. That said, the Humber Bridge and its surroundings make integral contributions, courtesy of field recordings made by sound artist Jez Riley French. While the breathtaking landscape is missing, the sonic architecture and careful playing from the musicians as they interact with the filed-recorded sounds creates its own unforgettable, experiential aesthetic.
Henriksen's humid, blurry trumpet and his otherworldly falsetto voice inhabit and interact with the other players and sounds on these nine inseparable pieces. Throughout he offers subtle variations on a lone timbral articulation. Bang paints not only his horn sounds but the very air that escapes from it. Aarset's electric guitar seldom resembles one; it is heavily treated so as to become a patchwork of sonics and textures for the others -- including the field recordings -- to communicate with, evidenced beautifully by "The Swans Bend Their Necks Backward to See God." The orchestral and chorus music was arranged by Alexander Waaktaar; it provides Henriksen with a fairly large musical soundscape that acts as a multi-textured palette, which he reacts to and draws from. Even if it is deliberately limited in tone and timbre, the chamber orchestra offers a more multi-dimensional focal point for Henriksen's concentration; this is illustrated beautifully on the most vanguard piece here, "Is There a Limit for the Internal?" While the brief "Nymphs and Eurasian Horses" is little more than an interlude, it bridges the canny interplay between choral voices, strings, trumpet, and guitars on one side, and bridge, sea, and wind on the other. Later compositions such as "Waders" and closing single "Pink Cherry Trees" reflect Bang's ability to use muted percussion sounds to extrapolate something exotic from Henriksen's economic musicality in a manner that recalls Jon Hassell's 1983 offering Aka/Darbari/Java. As a whole, The Height of Reeds is a wonderfully imaginative work, equal parts reflection and homage. The set sits comfortably between Henriksen's 2003 album Chiaroscuro (also with Bang) and 2013's hauntingly beautiful Places of Worship. Unlike similarly conceived recordings, this doesn't act as a pleasant backdrop for engaging in other activities; instead, it quietly refuses revelation without active participation from the listener.
© Thom Jurek /TiVo
About the album
- 1 disc(s) - 9 track(s)
- Total length: 00:42:25
- Main artists: Eivind Aarset Jan Bang Arve Henriksen
- Composer: Various Composers
- Label: Rune Grammofon
- Genre: Jazz
(C) 2018 Rune Grammofon (P) 2018 Rune Grammofon
Improve album informationWhy buy on Qobuz...
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.