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Milt Jackson|Sunflower (CTI Records 40th Anniversary Edition)

Sunflower (CTI Records 40th Anniversary Edition)

Milt Jackson

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Recorded over two days in December of 1972 at Rudy Van Gelder's Englewood, New Jersey home studio, vibraphonist Milt Jackson's Sunflower is the first -- and best -- of his three albums for Creed Taylor's CTI imprint. (And one of the finest offerings on the label.) With a core band consisting of Herbie Hancock (playing electric and acoustic piano), bassist Ron Carter, drummer Billy Cobham, trumpeter Freddie Hubbard, drummer/percussionist Ralph McDonald, and guitarist Jay Berliner. A chamber orchestra exquisitely arranged and conducted by Don Sebesky adorns the session as well. Jackson's "For Someone I Love," opens the five-tune set, with Berliner playing solo flamenco guitar before the vibes, trumpet, and elements from the chamber orchestra delicately, impressionistically color the background. It gradually moves into a languid, bluesy ballad that slowly gains in both texture and dynamic until the strings trill tensely. Hubbard and Hancock engage them in solos that gently swing out the tune. The reading of Michel Legrand's "What Are You Doing for the Rest of Your Life" is a gorgeous showcase for Jackson; his solo dominates the arrangement. Carter gets downright funky on his upright to introduce Thom Bell's "People Make the World Go Round," and Hancock follows him on Rhodes. Jackson takes the melody, striking a layered contrast as Hubbard slips around all three playing an extension of the melody with requisite taste, fluidity, and taut phrasing. Hancock gets funky to the bone in his brief solo, as the vibes soar around and through his phrases. The title track is a Hubbard composition that floats and hovers with a Latin backbeat before shifting tempos as the solos begin. The expanded harmonic palette of trumpet with the reeds, woodwinds, and strings on the melody add an exotic textural palette for his solo. Jackson's "SKJ" closes the set with an old-school, swinging hard bop blues with barely detectable embellishments by Sebesky. While Sunflower sometimes feels more like a group session rather than a Jackson-led one, that's part of its exquisite beauty. [In 2011, Sunflower saw reissue as part of Sony's 40th Anniversary series celebrating CTI. It was remastered from the original two-track analog tapes in order to best capture the sound of the LP.]

© Thom Jurek /TiVo

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Sunflower (CTI Records 40th Anniversary Edition)

Milt Jackson

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1
For Someone I Love
00:10:01

Alan Shulman, Acoustic Cello - Billy Cobham, Drums - Charles Libove, Violin - Charles McCraken, Acoustic Cello - Creed Taylor, Producer - Danny Kadar, Mixing Engineer - David Nadien, Violin - David Swope, 2nd Engineer - Didier C. Deutsch, Re-Issue Producer - Don Sebesky, Arranger - Don Sebesky, Conductor - Elliot Rosoff, Violin - Emanuel Green, Violin - Freddie Hubbard, Flugelhorn - Freddie Hubbard, Trumpet - Gene Orloff, Violin - George Marge, Bass Clarinet - George Marge, Clarinet - George Marge, English Horn - George Marge, Flute - George Ricci, Acoustic Cello - Herbie Hancock, Piano - Irving Spice, Violin - Jay Berliner, Guitar - Joe Malin, Violin - Margaret Ross, Harp - Max Ellen, Violin - Milt Jackson, Composer - Milt Jackson, Performer - Paul Gershman, Violin - Phil Bodner, English Horn - Phil Bodner, Flute - Phil Bodner, Piccolo - Ralph MacDonald, Percussion - Romeo Penque, English Horn - Romeo Penque, Flute - Romeo Penque, Oboe - Ron Carter, Bass - Rudy Van Gelder, Engineer - Tom Ruff, Mastering Engineer - Tony Martell, Executive Producer

(P) 1973 Sony Music Entertainment Inc.

2
What Are You Doing The Rest Of Your Life?
00:06:55

A. Bergman, Composer - A. Bergman, Lyricist - Alan Shulman, Acoustic Cello - Billy Cobham, Drums - Charles Libove, Violin - Charles McCraken, Acoustic Cello - Creed Taylor, Producer - Danny Kadar, Mixing Engineer - David Nadien, Violin - David Swope, 2nd Engineer - Didier C. Deutsch, Re-Issue Producer - Don Sebesky, Arranger - Don Sebesky, Conductor - Elliot Rosoff, Violin - Emanuel Green, Violin - Freddie Hubbard, Flugelhorn - Freddie Hubbard, Trumpet - Gene Orloff, Violin - George Marge, Bass Clarinet - George Marge, Clarinet - George Marge, English Horn - George Marge, Flute - George Ricci, Acoustic Cello - Herbie Hancock, Piano - Irving Spice, Violin - Jay Berliner, Guitar - Joe Malin, Violin - M. Bergman, Composer - M. Bergman, Lyricist - M. Legrand, Composer - M. Legrand, Lyricist - Margaret Ross, Harp - Max Ellen, Violin - Milt Jackson, Performer - Paul Gershman, Violin - Phil Bodner, English Horn - Phil Bodner, Flute - Phil Bodner, Piccolo - Ralph MacDonald, Percussion - Romeo Penque, English Horn - Romeo Penque, Flute - Romeo Penque, Oboe - Ron Carter, Bass - Rudy Van Gelder, Engineer - Tom Ruff, Mastering Engineer - Tony Martell, Executive Producer

(P) 1973 Sony Music Entertainment Inc.

3
People Make The World Go Round
00:08:23

Alan Shulman, Acoustic Cello - Billy Cobham, Drums - Charles Libove, Violin - Charles McCraken, Acoustic Cello - Creed Taylor, Producer - David Nadien, Violin - Don Sebesky, Arranger - Don Sebesky, Conductor - Elliot Rosoff, Violin - Emanuel Green, Violin - Freddie Hubbard, Flugelhorn - Freddie Hubbard, Trumpet - Gene Orloff, Violin - George Marge, Bass Clarinet - George Marge, Clarinet - George Marge, English Horn - George Marge, Flute - George Ricci, Acoustic Cello - Herbie Hancock, Piano - Irving Spice, Violin - Jay Berliner, Guitar - Joe Malin, Violin - Linda Creed, Composer - Linda Creed, Lyricist - Margaret Ross, Harp - Max Ellen, Violin - Milt Jackson, Performer - Paul Gershman, Violin - Phil Bodner, English Horn - Phil Bodner, Flute - Phil Bodner, Piccolo - Ralph MacDonald, Percussion - Romeo Penque, English Horn - Romeo Penque, Flute - Romeo Penque, Oboe - Ron Carter, Bass - Rudy Van Gelder, Engineer - Thomas Bell, Composer - Thomas Bell, Lyricist

(P) 1973 SONY BMG MUSIC ENTERTAINMENT

4
Sunflower
00:08:51

Alan Shulman, Acoustic Cello - Billy Cobham, Drums - Charles Libove, Violin - Charles McCraken, Acoustic Cello - Creed Taylor, Producer - David Nadien, Violin - Don Sebesky, Arranger - Don Sebesky, Conductor - Elliot Rosoff, Violin - Emanuel Green, Violin - Freddie Hubbard, Composer - Freddie Hubbard, Flugelhorn - Freddie Hubbard, Lyricist - Freddie Hubbard, Trumpet - Gene Orloff, Violin - George Marge, Bass Clarinet - George Marge, Clarinet - George Marge, English Horn - George Marge, Flute - George Ricci, Acoustic Cello - Herbie Hancock, Piano - Irving Spice, Violin - Jay Berliner, Guitar - Joe Malin, Violin - Margaret Ross, Harp - Max Ellen, Violin - Milt Jackson, Performer - Paul Gershman, Violin - Phil Bodner, English Horn - Phil Bodner, Flute - Phil Bodner, Piccolo - Ralph MacDonald, Percussion - Romeo Penque, English Horn - Romeo Penque, Flute - Romeo Penque, Oboe - Ron Carter, Bass - Rudy Van Gelder, Engineer

(P) 1973 Columbia Records, a division of Sony Music Entertainment

5
SKJ
00:06:47

Alan Shulman, Acoustic Cello - Billy Cobham, Drums - Charles Libove, Violin - Charles McCraken, Acoustic Cello - Creed Taylor, Producer - Danny Kadar, Mixing Engineer - David Nadien, Violin - David Swope, 2nd Engineer - Didier C. Deutsch, Re-Issue Producer - Don Sebesky, Arranger - Don Sebesky, Conductor - Elliot Rosoff, Violin - Emanuel Green, Violin - Freddie Hubbard, Flugelhorn - Freddie Hubbard, Trumpet - Gene Orloff, Violin - George Marge, Bass Clarinet - George Marge, Clarinet - George Marge, English Horn - George Marge, Flute - George Ricci, Acoustic Cello - Herbie Hancock, Piano - Irving Spice, Violin - Jay Berliner, Guitar - Joe Malin, Violin - Margaret Ross, Harp - Max Ellen, Violin - Milt Jackson, Composer - Milt Jackson, Lyricist - Milt Jackson, Performer - Paul Gershman, Violin - Phil Bodner, English Horn - Phil Bodner, Flute - Phil Bodner, Piccolo - Ralph MacDonald, Percussion - Romeo Penque, English Horn - Romeo Penque, Flute - Romeo Penque, Oboe - Ron Carter, Bass - Rudy Van Gelder, Engineer - Tom Ruff, Mastering Engineer - Tony Martell, Executive Producer

(P) 1974 Sony Music Entertainment

Album review

Recorded over two days in December of 1972 at Rudy Van Gelder's Englewood, New Jersey home studio, vibraphonist Milt Jackson's Sunflower is the first -- and best -- of his three albums for Creed Taylor's CTI imprint. (And one of the finest offerings on the label.) With a core band consisting of Herbie Hancock (playing electric and acoustic piano), bassist Ron Carter, drummer Billy Cobham, trumpeter Freddie Hubbard, drummer/percussionist Ralph McDonald, and guitarist Jay Berliner. A chamber orchestra exquisitely arranged and conducted by Don Sebesky adorns the session as well. Jackson's "For Someone I Love," opens the five-tune set, with Berliner playing solo flamenco guitar before the vibes, trumpet, and elements from the chamber orchestra delicately, impressionistically color the background. It gradually moves into a languid, bluesy ballad that slowly gains in both texture and dynamic until the strings trill tensely. Hubbard and Hancock engage them in solos that gently swing out the tune. The reading of Michel Legrand's "What Are You Doing for the Rest of Your Life" is a gorgeous showcase for Jackson; his solo dominates the arrangement. Carter gets downright funky on his upright to introduce Thom Bell's "People Make the World Go Round," and Hancock follows him on Rhodes. Jackson takes the melody, striking a layered contrast as Hubbard slips around all three playing an extension of the melody with requisite taste, fluidity, and taut phrasing. Hancock gets funky to the bone in his brief solo, as the vibes soar around and through his phrases. The title track is a Hubbard composition that floats and hovers with a Latin backbeat before shifting tempos as the solos begin. The expanded harmonic palette of trumpet with the reeds, woodwinds, and strings on the melody add an exotic textural palette for his solo. Jackson's "SKJ" closes the set with an old-school, swinging hard bop blues with barely detectable embellishments by Sebesky. While Sunflower sometimes feels more like a group session rather than a Jackson-led one, that's part of its exquisite beauty. [In 2011, Sunflower saw reissue as part of Sony's 40th Anniversary series celebrating CTI. It was remastered from the original two-track analog tapes in order to best capture the sound of the LP.]

© Thom Jurek /TiVo

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