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Helen Arden, Wilson Smith|Street Scene (Original Broadway Cast Recording)

Street Scene (Original Broadway Cast Recording)

Original Broadway Cast of Street Scene

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The musical Street Scene opened on Broadway almost exactly 18 years after the straight play on which it was based. Elmer Rice's drama about the interactions of various ethnic groups in a New York tenement bowed on January 10, 1929, and ran for 601 performances. Composer Kurt Weill and lyricist Langston Hughes' adaptation, with a libretto by Rice that carefully traced the plot of the play, opened on January 9, 1947. It was not nearly as successful, however, running only 148 performances. One reason may have been that plot, an ensemble story with a tragic ending, but another no doubt was Weill's music, which was pitched more toward the opera house than the Broadway stage. Anne Jeffreys, Polyna Stoska, and Brian Sullivan, all trained singers with some opera experience, led the cast, as Weill mixed sub-operatic arias and duets with a few songs that revealed jazz influences or even sounded like conventional Broadway tunes. Like Porgy and Bess, Street Scene was an attempt to have things both ways, to be treated as a "serious" work while also making money. Not surprisingly, that led to commercial failure, but Columbia Records rounded up most of the principal cast members (Norman Cordon being a notable exception) for a recording released well after the show closed. Columbia gave the recording blue-chip treatment, issuing it both on 12" 78s and in the new LP format, also in 12" diameter (at a time when most LPs were ten inches), at the extended running time of 52 minutes. Even so, as Weill himself acknowledged in his liner notes, which took up all of the back cover of the LP, the recording was an abridgement of the score. Still, it was well sung and well played, and it served the function that cast recordings of unsuccessful shows often did, keeping the work alive for later listeners who never had the chance to see the show in its brief run and even making it seem better than customers found it to be in the theater, such that it inspired later revivals, at least in opera houses.

© William Ruhlmann /TiVo

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Street Scene (Original Broadway Cast Recording)

Helen Arden, Wilson Smith

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Street Scene (Kurt Weill)

1
Prelude (Orchestra) (excerpts)
Various Interprets
00:01:06

Ellen Carleen, Mezzo-Soprano - Don Saxon, Baritone - Elen Lane, Mezzo-Soprano - Irving Kaufman, Tenor - Creighton Thompson, Baritone - Beverly Janis, Mezzo-Soprano - Helen Arden, Soprano - Helen Arden, Performer - David E. Thomas, Baritone - Goddard Lieberson, Producer - Sydney Rainer, Tenor - Polyna Stoska, Soprano - Hope Emerson, Mezzo-Soprano - Peggy Turnley, Soprano - Norma Chambers, Performer - Norman Cordon, Bass-Baritone - Marion Covey, Mezzo-Soprano - Orchestra, Performer - Ellen Repp, Contralto - Anne Jeffreys, Soprano - Elmer Rice, Librettist - Kurt Weill (1900-1950), Composer - Zosia Gruchala, Soprano - Langston Hughes, Lyricist - Remo Lota, Tenor - Brian Sullivan, Tenor - Maurice Abravanel, Conductor - Wilson Smith, Bass (Vocal) - Wilson Smith, Performer

Originally released 1949 SONY BMG MUSIC ENTERTAINMENT

2
Moonfaced, Starry-eyed (Orchestra) (excerpts)
Various Interprets
00:00:41

Ellen Carleen, Mezzo-Soprano - Don Saxon, Baritone - Elen Lane, Mezzo-Soprano - Irving Kaufman, Tenor - Creighton Thompson, Baritone - Beverly Janis, Mezzo-Soprano - Helen Arden, Soprano - Helen Arden, Performer - David E. Thomas, Baritone - Goddard Lieberson, Producer - Sydney Rainer, Tenor - Polyna Stoska, Soprano - Hope Emerson, Mezzo-Soprano - Peggy Turnley, Soprano - Norma Chambers, Performer - Norman Cordon, Bass-Baritone - Marion Covey, Mezzo-Soprano - Orchestra, Performer - Ellen Repp, Contralto - Anne Jeffreys, Soprano - Elmer Rice, Librettist - Kurt Weill (1900-1950), Composer - Zosia Gruchala, Soprano - Langston Hughes, Lyricist - Remo Lota, Tenor - Brian Sullivan, Tenor - Maurice Abravanel, Conductor - Wilson Smith, Bass (Vocal) - Wilson Smith, Performer

Originally released 1949 SONY BMG MUSIC ENTERTAINMENT

3
Ain't It Awful, the Heat - Charlie ... Good ev'ning, Mrs. Jones (Helen Arden, Hope Emerson, Ellen Repp, Wilson Smith) (excerpts)
Various Interprets
00:02:31

Ellen Carleen, Mezzo-Soprano - Don Saxon, Baritone - Elen Lane, Mezzo-Soprano - Irving Kaufman, Tenor - Creighton Thompson, Baritone - Beverly Janis, Mezzo-Soprano - Helen Arden, Soprano - Helen Arden, Performer - David E. Thomas, Baritone - Goddard Lieberson, Producer - Sydney Rainer, Tenor - Polyna Stoska, Soprano - Hope Emerson, Mezzo-Soprano - Peggy Turnley, Soprano - Norma Chambers, Performer - Norman Cordon, Bass-Baritone - Marion Covey, Mezzo-Soprano - Orchestra, Performer - Ellen Repp, Contralto - Anne Jeffreys, Soprano - Elmer Rice, Librettist - Kurt Weill (1900-1950), Composer - Zosia Gruchala, Soprano - Langston Hughes, Lyricist - Remo Lota, Tenor - Brian Sullivan, Tenor - Maurice Abravanel, Conductor - Wilson Smith, Bass (Vocal) - Wilson Smith, Performer

Originally released 1949 SONY BMG MUSIC ENTERTAINMENT

4
Blues: I Got a Marble and a Star (Creighton Thompson) (excerpts)
Various Interprets
00:01:29

Ellen Carleen, Mezzo-Soprano - Don Saxon, Baritone - Elen Lane, Mezzo-Soprano - Irving Kaufman, Tenor - Creighton Thompson, Baritone - Beverly Janis, Mezzo-Soprano - Helen Arden, Soprano - Helen Arden, Performer - David E. Thomas, Baritone - Goddard Lieberson, Producer - Sydney Rainer, Tenor - Polyna Stoska, Soprano - Hope Emerson, Mezzo-Soprano - Peggy Turnley, Soprano - Norma Chambers, Performer - Norman Cordon, Bass-Baritone - Marion Covey, Mezzo-Soprano - Orchestra, Performer - Ellen Repp, Contralto - Anne Jeffreys, Soprano - Elmer Rice, Librettist - Kurt Weill (1900-1950), Composer - Zosia Gruchala, Soprano - Langston Hughes, Lyricist - Remo Lota, Tenor - Brian Sullivan, Tenor - Maurice Abravanel, Conductor - Wilson Smith, Bass (Vocal) - Wilson Smith, Performer

Originally released 1949 SONY BMG MUSIC ENTERTAINMENT

5
Gossip Trio: Get a Load of That - Come in, come in wherever you are! (Helen Arden, Hope Emerson, Ellen Repp) (excerpts)
Various Interprets
00:01:10

Ellen Carleen, Mezzo-Soprano - Don Saxon, Baritone - Elen Lane, Mezzo-Soprano - Irving Kaufman, Tenor - Creighton Thompson, Baritone - Beverly Janis, Mezzo-Soprano - Helen Arden, Soprano - Helen Arden, Performer - David E. Thomas, Baritone - Goddard Lieberson, Producer - Sydney Rainer, Tenor - Polyna Stoska, Soprano - Hope Emerson, Mezzo-Soprano - Peggy Turnley, Soprano - Norma Chambers, Performer - Norman Cordon, Bass-Baritone - Marion Covey, Mezzo-Soprano - Orchestra, Performer - Ellen Repp, Contralto - Anne Jeffreys, Soprano - Elmer Rice, Librettist - Kurt Weill (1900-1950), Composer - Zosia Gruchala, Soprano - Langston Hughes, Lyricist - Remo Lota, Tenor - Brian Sullivan, Tenor - Maurice Abravanel, Conductor - Wilson Smith, Bass (Vocal) - Wilson Smith, Performer

Originally released 1949 SONY BMG MUSIC ENTERTAINMENT

6
Arietta: When a Woman Has a Baby - Oh, good evening, Mr. Buchanan (Hope Emerson, Remo Lota, Polyna Stoska, Helen Arden) (excerpts)
Various Interprets
00:01:40

Ellen Carleen, Mezzo-Soprano - Don Saxon, Baritone - Elen Lane, Mezzo-Soprano - Irving Kaufman, Tenor - Creighton Thompson, Baritone - Beverly Janis, Mezzo-Soprano - Helen Arden, Soprano - Helen Arden, Performer - David E. Thomas, Baritone - Goddard Lieberson, Producer - Sydney Rainer, Tenor - Polyna Stoska, Soprano - Hope Emerson, Mezzo-Soprano - Peggy Turnley, Soprano - Norma Chambers, Performer - Norman Cordon, Bass-Baritone - Marion Covey, Mezzo-Soprano - Orchestra, Performer - Ellen Repp, Contralto - Anne Jeffreys, Soprano - Elmer Rice, Librettist - Kurt Weill (1900-1950), Composer - Zosia Gruchala, Soprano - Langston Hughes, Lyricist - Remo Lota, Tenor - Brian Sullivan, Tenor - Maurice Abravanel, Conductor - Wilson Smith, Bass (Vocal) - Wilson Smith, Performer

Originally released 1949 SONY BMG MUSIC ENTERTAINMENT

7
Aria: Somehow I Never Could Believe (Polyna Stoska) (excerpts)
Various Interprets
00:06:25

Ellen Carleen, Mezzo-Soprano - Don Saxon, Baritone - Elen Lane, Mezzo-Soprano - Irving Kaufman, Tenor - Creighton Thompson, Baritone - Beverly Janis, Mezzo-Soprano - Helen Arden, Soprano - Helen Arden, Performer - David E. Thomas, Baritone - Goddard Lieberson, Producer - Sydney Rainer, Tenor - Polyna Stoska, Soprano - Hope Emerson, Mezzo-Soprano - Peggy Turnley, Soprano - Norma Chambers, Performer - Norman Cordon, Bass-Baritone - Marion Covey, Mezzo-Soprano - Orchestra, Performer - Ellen Repp, Contralto - Anne Jeffreys, Soprano - Elmer Rice, Librettist - Kurt Weill (1900-1950), Composer - Zosia Gruchala, Soprano - Langston Hughes, Lyricist - Remo Lota, Tenor - Brian Sullivan, Tenor - Maurice Abravanel, Conductor - Wilson Smith, Bass (Vocal) - Wilson Smith, Performer

Originally released 1949 SONY BMG MUSIC ENTERTAINMENT

8
Wrapped in a Ribbon and Tied in a Bow - Here they are ... It's Jenny coming home from the graduation (E. Lane, P. Stoska, H. Arden, S. Rainer, W. Smith....) (excerpts)
Various Interprets
00:02:05

Ellen Carleen, Mezzo-Soprano - Don Saxon, Baritone - Elen Lane, Mezzo-Soprano - Irving Kaufman, Tenor - Creighton Thompson, Baritone - Beverly Janis, Mezzo-Soprano - Helen Arden, Soprano - Helen Arden, Performer - David E. Thomas, Baritone - Goddard Lieberson, Producer - Sydney Rainer, Tenor - Polyna Stoska, Soprano - Hope Emerson, Mezzo-Soprano - Peggy Turnley, Soprano - Norma Chambers, Performer - Norman Cordon, Bass-Baritone - Marion Covey, Mezzo-Soprano - Orchestra, Performer - Ellen Repp, Contralto - Anne Jeffreys, Soprano - Elmer Rice, Librettist - Kurt Weill (1900-1950), Composer - Zosia Gruchala, Soprano - Langston Hughes, Lyricist - Remo Lota, Tenor - Brian Sullivan, Tenor - Maurice Abravanel, Conductor - Wilson Smith, Bass (Vocal) - Wilson Smith, Performer

Originally released 1949 SONY BMG MUSIC ENTERTAINMENT

9
Arioso: Lonely Home - At night when ev'rything is quiet (Brian Sullivan) (excerpts)
Various Interprets
00:03:37

Ellen Carleen, Mezzo-Soprano - Don Saxon, Baritone - Elen Lane, Mezzo-Soprano - Irving Kaufman, Tenor - Creighton Thompson, Baritone - Beverly Janis, Mezzo-Soprano - Helen Arden, Soprano - Helen Arden, Performer - David E. Thomas, Baritone - Goddard Lieberson, Producer - Sydney Rainer, Tenor - Polyna Stoska, Soprano - Hope Emerson, Mezzo-Soprano - Peggy Turnley, Soprano - Norma Chambers, Performer - Norman Cordon, Bass-Baritone - Marion Covey, Mezzo-Soprano - Orchestra, Performer - Ellen Repp, Contralto - Anne Jeffreys, Soprano - Elmer Rice, Librettist - Kurt Weill (1900-1950), Composer - Zosia Gruchala, Soprano - Langston Hughes, Lyricist - Remo Lota, Tenor - Brian Sullivan, Tenor - Maurice Abravanel, Conductor - Wilson Smith, Bass (Vocal) - Wilson Smith, Performer

Originally released 1949 SONY BMG MUSIC ENTERTAINMENT

10
Scene and Song: Wouldn't You Like to be on Broadway? - Why, a girl like you ought to be on the stage (Don Saxon, Anne Jeffreys) (excerpts)
Various Interprets
00:01:54

Ellen Carleen, Mezzo-Soprano - Don Saxon, Baritone - Elen Lane, Mezzo-Soprano - Irving Kaufman, Tenor - Creighton Thompson, Baritone - Beverly Janis, Mezzo-Soprano - Helen Arden, Soprano - Helen Arden, Performer - David E. Thomas, Baritone - Goddard Lieberson, Producer - Sydney Rainer, Tenor - Polyna Stoska, Soprano - Hope Emerson, Mezzo-Soprano - Peggy Turnley, Soprano - Norma Chambers, Performer - Norman Cordon, Bass-Baritone - Marion Covey, Mezzo-Soprano - Orchestra, Performer - Ellen Repp, Contralto - Anne Jeffreys, Soprano - Elmer Rice, Librettist - Kurt Weill (1900-1950), Composer - Zosia Gruchala, Soprano - Langston Hughes, Lyricist - Remo Lota, Tenor - Brian Sullivan, Tenor - Maurice Abravanel, Conductor - Wilson Smith, Bass (Vocal) - Wilson Smith, Performer

Originally released 1949 SONY BMG MUSIC ENTERTAINMENT

11
Cavatina: What Good Would the Moon Be? - I've looked in the windows at diamonds (Anne Jeffreys) (excerpts)
Various Interprets
00:02:18

Ellen Carleen, Mezzo-Soprano - Don Saxon, Baritone - Elen Lane, Mezzo-Soprano - Irving Kaufman, Tenor - Creighton Thompson, Baritone - Beverly Janis, Mezzo-Soprano - Helen Arden, Soprano - Helen Arden, Performer - David E. Thomas, Baritone - Goddard Lieberson, Producer - Sydney Rainer, Tenor - Polyna Stoska, Soprano - Hope Emerson, Mezzo-Soprano - Peggy Turnley, Soprano - Norma Chambers, Performer - Norman Cordon, Bass-Baritone - Marion Covey, Mezzo-Soprano - Orchestra, Performer - Ellen Repp, Contralto - Anne Jeffreys, Soprano - Elmer Rice, Librettist - Kurt Weill (1900-1950), Composer - Zosia Gruchala, Soprano - Langston Hughes, Lyricist - Remo Lota, Tenor - Brian Sullivan, Tenor - Maurice Abravanel, Conductor - Wilson Smith, Bass (Vocal) - Wilson Smith, Performer

Originally released 1949 SONY BMG MUSIC ENTERTAINMENT

12
Duet: Remember That I Care - I don't know, Sam (Anne Jeffreys, Brian Sullivan) (excerpts)
Various Interprets
00:04:22

Ellen Carleen, Mezzo-Soprano - Don Saxon, Baritone - Elen Lane, Mezzo-Soprano - Irving Kaufman, Tenor - Creighton Thompson, Baritone - Beverly Janis, Mezzo-Soprano - Helen Arden, Soprano - Helen Arden, Performer - David E. Thomas, Baritone - Goddard Lieberson, Producer - Sydney Rainer, Tenor - Polyna Stoska, Soprano - Hope Emerson, Mezzo-Soprano - Peggy Turnley, Soprano - Norma Chambers, Performer - Norman Cordon, Bass-Baritone - Marion Covey, Mezzo-Soprano - Orchestra, Performer - Ellen Repp, Contralto - Anne Jeffreys, Soprano - Elmer Rice, Librettist - Kurt Weill (1900-1950), Composer - Zosia Gruchala, Soprano - Langston Hughes, Lyricist - Remo Lota, Tenor - Brian Sullivan, Tenor - Maurice Abravanel, Conductor - Wilson Smith, Bass (Vocal) - Wilson Smith, Performer

Originally released 1949 SONY BMG MUSIC ENTERTAINMENT

13
Introduction: Morning (Orchestra) (excerpts)
Various Interprets
00:01:49

Ellen Carleen, Mezzo-Soprano - Don Saxon, Baritone - Elen Lane, Mezzo-Soprano - Irving Kaufman, Tenor - Creighton Thompson, Baritone - Beverly Janis, Mezzo-Soprano - Helen Arden, Soprano - Helen Arden, Performer - David E. Thomas, Baritone - Goddard Lieberson, Producer - Sydney Rainer, Tenor - Polyna Stoska, Soprano - Hope Emerson, Mezzo-Soprano - Peggy Turnley, Soprano - Norma Chambers, Performer - Norman Cordon, Bass-Baritone - Marion Covey, Mezzo-Soprano - Orchestra, Performer - Ellen Repp, Contralto - Anne Jeffreys, Soprano - Elmer Rice, Librettist - Kurt Weill (1900-1950), Composer - Zosia Gruchala, Soprano - Langston Hughes, Lyricist - Remo Lota, Tenor - Brian Sullivan, Tenor - Maurice Abravanel, Conductor - Wilson Smith, Bass (Vocal) - Wilson Smith, Performer

Originally released 1949 SONY BMG MUSIC ENTERTAINMENT

14
Children's Game - One, two, three, four, superman (Bennett Burrill, Helen Ferguson, Joan, Peter Griffith) (excerpts)
Various Interprets
00:02:35

Ellen Carleen, Mezzo-Soprano - Don Saxon, Baritone - Elen Lane, Mezzo-Soprano - Irving Kaufman, Tenor - Creighton Thompson, Baritone - Beverly Janis, Mezzo-Soprano - Helen Arden, Soprano - Helen Arden, Performer - David E. Thomas, Baritone - Goddard Lieberson, Producer - Sydney Rainer, Tenor - Polyna Stoska, Soprano - Hope Emerson, Mezzo-Soprano - Peggy Turnley, Soprano - Norma Chambers, Performer - Norman Cordon, Bass-Baritone - Marion Covey, Mezzo-Soprano - Orchestra, Performer - Ellen Repp, Contralto - Anne Jeffreys, Soprano - Elmer Rice, Librettist - Kurt Weill (1900-1950), Composer - Zosia Gruchala, Soprano - Langston Hughes, Lyricist - Remo Lota, Tenor - Brian Sullivan, Tenor - Maurice Abravanel, Conductor - Wilson Smith, Bass (Vocal) - Wilson Smith, Performer

Originally released 1949 SONY BMG MUSIC ENTERTAINMENT

15
Song: A Boy Like You - Somebody's going to be so handsome (Polyna Stoska, Brian Sullivan) (excerpts)
Various Interprets
00:02:20

Ellen Carleen, Mezzo-Soprano - Don Saxon, Baritone - Elen Lane, Mezzo-Soprano - Irving Kaufman, Tenor - Creighton Thompson, Baritone - Beverly Janis, Mezzo-Soprano - Helen Arden, Soprano - Helen Arden, Performer - David E. Thomas, Baritone - Goddard Lieberson, Producer - Sydney Rainer, Tenor - Polyna Stoska, Soprano - Hope Emerson, Mezzo-Soprano - Peggy Turnley, Soprano - Norma Chambers, Performer - Norman Cordon, Bass-Baritone - Marion Covey, Mezzo-Soprano - Orchestra, Performer - Ellen Repp, Contralto - Anne Jeffreys, Soprano - Elmer Rice, Librettist - Kurt Weill (1900-1950), Composer - Zosia Gruchala, Soprano - Langston Hughes, Lyricist - Remo Lota, Tenor - Brian Sullivan, Tenor - Maurice Abravanel, Conductor - Wilson Smith, Bass (Vocal) - Wilson Smith, Performer

Originally released 1949 SONY BMG MUSIC ENTERTAINMENT

16
Duet: We'll Go Away Together - When birds get old enough (Anne Jeffreys, Brian Sullivan) (excerpts)
Various Interprets
00:01:48

Ellen Carleen, Mezzo-Soprano - Don Saxon, Baritone - Elen Lane, Mezzo-Soprano - Irving Kaufman, Tenor - Creighton Thompson, Baritone - Beverly Janis, Mezzo-Soprano - Helen Arden, Soprano - Helen Arden, Performer - David E. Thomas, Baritone - Goddard Lieberson, Producer - Sydney Rainer, Tenor - Polyna Stoska, Soprano - Hope Emerson, Mezzo-Soprano - Peggy Turnley, Soprano - Norma Chambers, Performer - Norman Cordon, Bass-Baritone - Marion Covey, Mezzo-Soprano - Orchestra, Performer - Ellen Repp, Contralto - Anne Jeffreys, Soprano - Elmer Rice, Librettist - Kurt Weill (1900-1950), Composer - Zosia Gruchala, Soprano - Langston Hughes, Lyricist - Remo Lota, Tenor - Brian Sullivan, Tenor - Maurice Abravanel, Conductor - Wilson Smith, Bass (Vocal) - Wilson Smith, Performer

Originally released 1949 SONY BMG MUSIC ENTERTAINMENT

17
Choral Scene and Lament: The Woman Who Lived Up There - Sam, what's happened? Is anybody hurt? (Anne Jeffreys, Brian Sullivan, Polyna Stoska, Ensemble) (excerpts)
Various Interprets
00:04:33

Ellen Carleen, Mezzo-Soprano - Don Saxon, Baritone - Elen Lane, Mezzo-Soprano - Irving Kaufman, Tenor - Creighton Thompson, Baritone - Beverly Janis, Mezzo-Soprano - Helen Arden, Soprano - Helen Arden, Performer - David E. Thomas, Baritone - Goddard Lieberson, Producer - Sydney Rainer, Tenor - Polyna Stoska, Soprano - Hope Emerson, Mezzo-Soprano - Peggy Turnley, Soprano - Norma Chambers, Performer - Norman Cordon, Bass-Baritone - Marion Covey, Mezzo-Soprano - Orchestra, Performer - Ellen Repp, Contralto - Anne Jeffreys, Soprano - Elmer Rice, Librettist - Kurt Weill (1900-1950), Composer - Zosia Gruchala, Soprano - Langston Hughes, Lyricist - Remo Lota, Tenor - Brian Sullivan, Tenor - Maurice Abravanel, Conductor - Wilson Smith, Bass (Vocal) - Wilson Smith, Performer

Originally released 1949 SONY BMG MUSIC ENTERTAINMENT

18
Lullaby: Ah, shut up a little while, can't ya? (Peggy Turnley, Ellen Carleen) (excerpts)
Various Interprets
00:01:18

Ellen Carleen, Mezzo-Soprano - Don Saxon, Baritone - Elen Lane, Mezzo-Soprano - Irving Kaufman, Tenor - Creighton Thompson, Baritone - Beverly Janis, Mezzo-Soprano - Helen Arden, Soprano - Helen Arden, Performer - David E. Thomas, Baritone - Goddard Lieberson, Producer - Sydney Rainer, Tenor - Polyna Stoska, Soprano - Hope Emerson, Mezzo-Soprano - Peggy Turnley, Soprano - Norma Chambers, Performer - Norman Cordon, Bass-Baritone - Marion Covey, Mezzo-Soprano - Orchestra, Performer - Ellen Repp, Contralto - Anne Jeffreys, Soprano - Elmer Rice, Librettist - Kurt Weill (1900-1950), Composer - Zosia Gruchala, Soprano - Langston Hughes, Lyricist - Remo Lota, Tenor - Brian Sullivan, Tenor - Maurice Abravanel, Conductor - Wilson Smith, Bass (Vocal) - Wilson Smith, Performer

Originally released 1949 SONY BMG MUSIC ENTERTAINMENT

19
Finale: I Loved Her Too - They got him! (Norman Cordon, Anne Jeffreys, Ensemble) (excerpts)
Various Interprets
00:03:04

Ellen Carleen, Mezzo-Soprano - Don Saxon, Baritone - Elen Lane, Mezzo-Soprano - Irving Kaufman, Tenor - Creighton Thompson, Baritone - Beverly Janis, Mezzo-Soprano - Helen Arden, Soprano - Helen Arden, Performer - David E. Thomas, Baritone - Goddard Lieberson, Producer - Sydney Rainer, Tenor - Polyna Stoska, Soprano - Hope Emerson, Mezzo-Soprano - Peggy Turnley, Soprano - Norma Chambers, Performer - Norman Cordon, Bass-Baritone - Marion Covey, Mezzo-Soprano - Orchestra, Performer - Ellen Repp, Contralto - Anne Jeffreys, Soprano - Elmer Rice, Librettist - Kurt Weill (1900-1950), Composer - Zosia Gruchala, Soprano - Langston Hughes, Lyricist - Remo Lota, Tenor - Brian Sullivan, Tenor - Maurice Abravanel, Conductor - Wilson Smith, Bass (Vocal) - Wilson Smith, Performer

Originally released 1949 SONY BMG MUSIC ENTERTAINMENT

20
Farewell Duet: Don't Forget the Lilac Bush - What are you going to do, Rose? (Brian Sullivan, Anne Jeffreys) (excerpts)
Various Interprets
00:04:23

Ellen Carleen, Mezzo-Soprano - Don Saxon, Baritone - Elen Lane, Mezzo-Soprano - Irving Kaufman, Tenor - Creighton Thompson, Baritone - Beverly Janis, Mezzo-Soprano - Helen Arden, Soprano - Helen Arden, Performer - David E. Thomas, Baritone - Goddard Lieberson, Producer - Sydney Rainer, Tenor - Polyna Stoska, Soprano - Hope Emerson, Mezzo-Soprano - Peggy Turnley, Soprano - Norma Chambers, Performer - Norman Cordon, Bass-Baritone - Marion Covey, Mezzo-Soprano - Orchestra, Performer - Ellen Repp, Contralto - Anne Jeffreys, Soprano - Elmer Rice, Librettist - Kurt Weill (1900-1950), Composer - Zosia Gruchala, Soprano - Langston Hughes, Lyricist - Remo Lota, Tenor - Brian Sullivan, Tenor - Maurice Abravanel, Conductor - Wilson Smith, Bass (Vocal) - Wilson Smith, Performer

Originally released 1949 SONY BMG MUSIC ENTERTAINMENT

Album review

The musical Street Scene opened on Broadway almost exactly 18 years after the straight play on which it was based. Elmer Rice's drama about the interactions of various ethnic groups in a New York tenement bowed on January 10, 1929, and ran for 601 performances. Composer Kurt Weill and lyricist Langston Hughes' adaptation, with a libretto by Rice that carefully traced the plot of the play, opened on January 9, 1947. It was not nearly as successful, however, running only 148 performances. One reason may have been that plot, an ensemble story with a tragic ending, but another no doubt was Weill's music, which was pitched more toward the opera house than the Broadway stage. Anne Jeffreys, Polyna Stoska, and Brian Sullivan, all trained singers with some opera experience, led the cast, as Weill mixed sub-operatic arias and duets with a few songs that revealed jazz influences or even sounded like conventional Broadway tunes. Like Porgy and Bess, Street Scene was an attempt to have things both ways, to be treated as a "serious" work while also making money. Not surprisingly, that led to commercial failure, but Columbia Records rounded up most of the principal cast members (Norman Cordon being a notable exception) for a recording released well after the show closed. Columbia gave the recording blue-chip treatment, issuing it both on 12" 78s and in the new LP format, also in 12" diameter (at a time when most LPs were ten inches), at the extended running time of 52 minutes. Even so, as Weill himself acknowledged in his liner notes, which took up all of the back cover of the LP, the recording was an abridgement of the score. Still, it was well sung and well played, and it served the function that cast recordings of unsuccessful shows often did, keeping the work alive for later listeners who never had the chance to see the show in its brief run and even making it seem better than customers found it to be in the theater, such that it inspired later revivals, at least in opera houses.

© William Ruhlmann /TiVo

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