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Igor Markevitch|Stravinsky: The Rite of Spring by Igor Markevitch in 1959 & 1951

Stravinsky: The Rite of Spring by Igor Markevitch in 1959 & 1951

Igor Markevitch, Philharmonia Orchestra, Igor Stravinsky

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Stravinsky: The Rite of Spring by Igor Markevitch in 1959 & 1951

Igor Markevitch

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1
The Rite of Spring: Adoration of the Earth - Part I (Remastered 2021, Version 1959)
00:15:48

Philharmonia Orchestra, MainArtist - Igor Stravinsky, Composer - Igor Markevitch, MainArtist

2021 Alexandre Bak - Classical Music Reference Recording 2021 Alexandre Bak - Classical Music Reference Recording

2
The Rite of Spring: The Sacrifice - Part II (Remastered 2021, Version 1959)
00:16:17

Philharmonia Orchestra, MainArtist - Igor Stravinsky, Composer - Igor Markevitch, MainArtist

2021 Alexandre Bak - Classical Music Reference Recording 2021 Alexandre Bak - Classical Music Reference Recording

DISC 2

1
The Rite of Spring: Adoration of the Earth - Part I (Remastered 2021, Version 1951)
00:16:40

Philharmonia Orchestra, MainArtist - Igor Stravinsky, Composer - Igor Markevitch, MainArtist

2021 Alexandre Bak - Classical Music Reference Recording 2021 Alexandre Bak - Classical Music Reference Recording

2
The Rite of Spring: The Sacrifice - Part II (Remastered 2021, Version 1951)
00:17:55

Philharmonia Orchestra, MainArtist - Igor Stravinsky, Composer - Igor Markevitch, MainArtist

2021 Alexandre Bak - Classical Music Reference Recording 2021 Alexandre Bak - Classical Music Reference Recording

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As a proper manifesto of French romanticism, Berlioz’s Symphonie fantastique marked the 19th century as much as Stravinsky’s The Rite of Spring impacted the 20th. Composed in Paris − which at the time was a global crucible for artistic creation − these two masterpieces catapulted musical language into another dimension. On December 5th, 1830 the revolutionary work of 27-year-old Hector Berlioz deeply moved the musicians present in the small room of the old academy of music, among whom were Meyerbeer and Liszt, who were impressed by the extraordinary audacity of this piece presented just three years after Beethoven’s death.

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