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Ben E. King|Spanish Harlem

Spanish Harlem

Ben E. King

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A close look at this album reveals just how ambitious Atlantic Records could be in the early 1960s, in generating LPs. Technically speaking, Ben E. King's debut long-player is a concept album -- or, at least, a thematic album. Put together in the wake of his first solo hit, "Spanish Harlem," a Latin flavor and beat run all the way through this 12-song platter, which, at times, is really more of a pop record than a soul record. The dense, busy string section that characterized most of King's work of this era is present, and a lot of his singing may recall more the work of Sammy Davis, Jr. than that of any R&B artist one might think of from this period. And apart from the Jerry Leiber/Phil Spector co-authored title hit, most of what is here dates from a decade or more (sometimes several) earlier -- "Frenesi," "Besame Mucho," and "Perfidia" were standards during the big-band era, and most of the rest is of similar or even older vintage. All of which doesn't mean that it is bad -- King's version of "Besame Mucho" is a very successful reinterpretation in a Latin soul vein, and "Perfidia" never sounded better than it does in his hands, even if it and a lot of the rest is a long way from what most of us define as "soul." And for better or worse, the production is first-rate within the context of King's established sound, with a phenomenal string section and a percussion section to die for.

© Bruce Eder /TiVo

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Spanish Harlem

Ben E. King

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1
Amor (LP Version)
00:03:07

Sunny Skylar, Writer - Ricardo López Méndez, Writer - Romeo Penque, Flute - Ben E. King, Vocals, MainArtist - Gary Chester, Drums - Jerry Leiber, Producer - Mike Stoller, Producer - Danny Kessler, Percussion - Alan Hanlon, Guitar - George Barnes, Guitar - George Duvivier, Double Bass - Moe Weschler, Piano - Gabriel Ruíz, Writer

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1960 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

2
Sway (LP Version)
00:02:19

Romeo Penque, Flute - Ben E. King, Vocals, MainArtist - Gary Chester, Drums - Jerry Leiber, Producer - Mike Stoller, Producer - Danny Kessler, Percussion - Alan Hanlon, Guitar - George Barnes, Guitar - George Duvivier, Double Bass - Moe Weschler, Piano - Norman Gimbel, Writer - Pablo Beltrán Ruiz, Writer

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1961 Atlantic Records

3
Come Closer to Me (LP Version)
00:02:36

Romeo Penque, Flute - Ben E. King, Vocals, MainArtist - Gary Chester, Drums - Jerry Leiber, Producer - Mike Stoller, Producer - Danny Kessler, Percussion - Alan Hanlon, Guitar - George Barnes, Guitar - George Duvivier, Double Bass - Moe Weschler, Piano - Osvaldo Farrés, Writer - Al Stewart, Writer

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1961 Atlantic Records

4
Perfidia (LP Version)
00:02:05

Romeo Penque, Flute - Ben E. King, Vocals, MainArtist - Gary Chester, Drums - Jerry Leiber, Producer - Mike Stoller, Producer - Danny Kessler, Percussion - Alan Hanlon, Guitar - George Barnes, Guitar - George Duvivier, Double Bass - Moe Weschler, Piano - Alberto Domínguez, Writer - Milton Leeds, Writer

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1961 Atlantic Records

5
Granada (LP Version)
00:02:28

Romeo Penque, Flute - Ben E. King, Vocals, MainArtist - Gary Chester, Drums - Jerry Leiber, Producer - Mike Stoller, Producer - Danny Kessler, Percussion - Alan Hanlon, Guitar - George Barnes, Guitar - George Duvivier, Double Bass - Moe Weschler, Piano - Dorothy Dodd, Writer - Aguirre del Pino Agustin Lara, Writer

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1961 Atlantic Records

6
Sweet and Gentle (LP Version)
00:02:25

Romeo Penque, Flute - Ben E. King, Vocals, MainArtist - Gary Chester, Drums - Jerry Leiber, Producer - Mike Stoller, Producer - Danny Kessler, Percussion - Alan Hanlon, Guitar - George Barnes, Guitar - George Duvivier, Double Bass - Moe Weschler, Piano - Otilio Portal, Writer - Geroge Thorn, Writer

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1961 Atlantic Records

7
Quizas, Quizas, Quizas (Perhaps, Perhaps, Perhaps) (LP Version)
00:02:13

Romeo Penque, Flute - Ben E. King, Vocals, MainArtist - Gary Chester, Drums - Jerry Leiber, Producer - Mike Stoller, Producer - Danny Kessler, Percussion - Alan Hanlon, Guitar - George Barnes, Guitar - George Duvivier, Double Bass - Moe Weschler, Piano - Osvaldo Farrés, Writer - Joe Davis, Writer

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1961 Atlantic Records

8
Frenesi (LP Version)
00:03:10

S.K. Russell, Writer - Romeo Penque, Flute - Leonard Whitcup, Writer - Ben E. King, Vocals, MainArtist - Gary Chester, Drums - Jerry Leiber, Producer - Mike Stoller, Producer - Danny Kessler, Percussion - Alan Hanlon, Guitar - George Barnes, Guitar - George Duvivier, Double Bass - Moe Weschler, Piano - Charles Carpenter, Writer - Borras Alberto Dominguez, Writer

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1961 Atlantic Records

9
Souvenir of Mexico (LP Version)
00:02:25

Romeo Penque, Flute - Ben E. King, Vocals, MainArtist - Gary Chester, Drums - Jerry Leiber, Producer - Mike Stoller, Producer - Danny Kessler, Percussion - Alan Hanlon, Guitar - Doc Pomus, Writer - George Barnes, Guitar - George Duvivier, Double Bass - Moe Weschler, Piano - Morty Shuman, Writer

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1961 Atlantic Records

10
Besame Mucho (LP Version)
00:02:58

Sunny Skylar, Writer - Romeo Penque, Flute - Ben E. King, Vocals, MainArtist - Gary Chester, Drums - Jerry Leiber, Producer - Mike Stoller, Producer - Danny Kessler, Percussion - Alan Hanlon, Guitar - George Barnes, Guitar - George Duvivier, Double Bass - Moe Weschler, Piano - Consuelo Velázquez, Writer

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1961 Atlantic Records

11
Love Me, Love Me (LP Version)
00:02:38

Romeo Penque, Flute - Ben E. King, Vocals, Writer, MainArtist - Gary Chester, Drums - Jerry Leiber, Producer - Mike Stoller, Producer - Danny Kessler, Percussion - Alan Hanlon, Guitar - George Barnes, Guitar - George Duvivier, Double Bass - Moe Weschler, Piano

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1961 Atlantic Records

12
Spanish Harlem (LP Version)
00:02:54

Romeo Penque, Flute - Ben E. King, Vocals, MainArtist - Gary Chester, Drums - Jerry Leiber, Producer, Writer - Mike Stoller, Producer - Danny Kessler, Percussion - Alan Hanlon, Guitar - George Barnes, Guitar - George Duvivier, Double Bass - Moe Weschler, Piano - PHIL SPECTOR, Writer

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1960 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

Album review

A close look at this album reveals just how ambitious Atlantic Records could be in the early 1960s, in generating LPs. Technically speaking, Ben E. King's debut long-player is a concept album -- or, at least, a thematic album. Put together in the wake of his first solo hit, "Spanish Harlem," a Latin flavor and beat run all the way through this 12-song platter, which, at times, is really more of a pop record than a soul record. The dense, busy string section that characterized most of King's work of this era is present, and a lot of his singing may recall more the work of Sammy Davis, Jr. than that of any R&B artist one might think of from this period. And apart from the Jerry Leiber/Phil Spector co-authored title hit, most of what is here dates from a decade or more (sometimes several) earlier -- "Frenesi," "Besame Mucho," and "Perfidia" were standards during the big-band era, and most of the rest is of similar or even older vintage. All of which doesn't mean that it is bad -- King's version of "Besame Mucho" is a very successful reinterpretation in a Latin soul vein, and "Perfidia" never sounded better than it does in his hands, even if it and a lot of the rest is a long way from what most of us define as "soul." And for better or worse, the production is first-rate within the context of King's established sound, with a phenomenal string section and a percussion section to die for.

© Bruce Eder /TiVo

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