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Janis Siegel|Sketches Of Broadway

Sketches Of Broadway

Janis Siegel

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The acclaimed Manhattan Transfer vocalist has always been the one member of the legendary, multiple-Grammy winning group who has been most willing to explore deeper artistic leanings on her solo projects. Here, she offers a restrained counterpoint to Barbra Streisand's more dramatic approach to classics from our favorite musicals, succeeding mostly by picking lesser-known tunes that haven't worn out their welcomes, and interacting with a stellar jazz cast and the witty arrangements of Gil Goldstein. On the opening track, "Show Me," her vocals glide soulfully over John Patitucci's bass and Stefon Harris' vibes before the pace picks up, Siegel's phrasing ebbs and flows beautifully and wildly, and the story becomes a little more energetic with its telling. Transfer fans don't have to wait long for their diva to harmonize, this time with herself on the subtle vocal textures in spots on the softhearted, mystical arrangement of "Sorry Grateful" (from Sondheim's Company. . .In Jazz). That vibe of mystery continues on Arlen and Mercer's provocative "It's a Woman's Prerogative," which again allows ample space for Siegel to explore the deeper emotional subtleties. Harris' vibes are purely hypnotic here. Siegel clearly loves telling stories even the hardcore Broadway fan is less familiar with, reminding us of musicals like Follies ("The Story of Lucy and Jessie") and The Littlest Revue ("Born Too Late"), all of which allow her to be equally goofy, poignant, and ironic. The showstopper "Sun in the Morning" finds Siegel fully engaged over a heavier Antonio Sanchez drumbeat and the rock-edged guitar of Romero Lubambo. All of this only scratches the surface of the tremendously rich artistry Siegel demonstrates here as she mines classics and obscure songs that touch both her heart and wit. Hopefully, she, like Streisand, will come back to Broadway in the future.

© Jonathan Widran /TiVo

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Sketches Of Broadway

Janis Siegel

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1
Show Me (From "My Fair Lady")
00:03:03

Antonio Sánchez, Drums, AssociatedPerformer - GENE PAUL, Mastering Engineer, StudioPersonnel - Frederick Loewe, Author, ComposerLyricist - Alan Jay Lerner, ComposerLyricist - John Patitucci, Upright Bass, AssociatedPerformer - GIL GOLDSTEIN, Producer, Piano, Recording Producer, AssociatedPerformer - Brian Dozoretz, Asst. Recording Engineer, StudioPersonnel - Janis Siegel, Vocals, MainArtist, AssociatedPerformer - Dae Bennett, Mixer, Recording Engineer, StudioPersonnel - Stefon Harris, Vibraphone, AssociatedPerformer - Ben London, Asst. Recording Engineer, StudioPersonnel

℗ 2004 Telarc International Corp.

2
Sorry-Grateful (From "Company")
00:05:01

Antonio Sánchez, Drums, AssociatedPerformer - GENE PAUL, Mastering Engineer, StudioPersonnel - Stephen Sondheim, ComposerLyricist - John Patitucci, Upright Bass, AssociatedPerformer - GIL GOLDSTEIN, Producer, Piano, Recording Producer, AssociatedPerformer - Romero Lubambo, Guitar, AssociatedPerformer - Brian Dozoretz, Asst. Recording Engineer, StudioPersonnel - Janis Siegel, Vocals, MainArtist, AssociatedPerformer - Dae Bennett, Mixer, Recording Engineer, StudioPersonnel - Stefon Harris, Vibraphone, AssociatedPerformer - Ben London, Asst. Recording Engineer, StudioPersonnel

℗ 2004 Telarc International Corp.

3
It's A Woman's Prerogative (From "St. Louis Woman")
00:05:29

Antonio Sánchez, Drums, AssociatedPerformer - GENE PAUL, Mastering Engineer, StudioPersonnel - JOHNNY MANDEL, ComposerLyricist - Harold Arlen, ComposerLyricist - John Patitucci, Electric Bass, AssociatedPerformer - GIL GOLDSTEIN, Producer, Keyboards, Recording Producer, AssociatedPerformer - Romero Lubambo, Guitar, AssociatedPerformer - Brian Dozoretz, Asst. Recording Engineer, StudioPersonnel - Janis Siegel, Vocals, MainArtist, AssociatedPerformer - Dae Bennett, Mixer, Recording Engineer, StudioPersonnel - Stefon Harris, Vibraphone, AssociatedPerformer - Ben London, Asst. Recording Engineer, StudioPersonnel

℗ 2004 Telarc International Corp.

4
The Story Of Lucy And Jessie (From "Follies")
00:03:48

GENE PAUL, Mastering Engineer, StudioPersonnel - Stephen Sondheim, ComposerLyricist - John Patitucci, Upright Bass, AssociatedPerformer - GIL GOLDSTEIN, Producer, Piano, Recording Producer, AssociatedPerformer - Romero Lubambo, Guitar, AssociatedPerformer - Brian Dozoretz, Asst. Recording Engineer, StudioPersonnel - Janis Siegel, Vocals, MainArtist, AssociatedPerformer - Dae Bennett, Mixer, Recording Engineer, StudioPersonnel - Ben London, Asst. Recording Engineer, StudioPersonnel

℗ 2004 Telarc International Corp.

5
Born Too Late (From "The Littlest Revue")
00:07:58

Antonio Sánchez, Drums, AssociatedPerformer - GENE PAUL, Mastering Engineer, StudioPersonnel - Vernon Duke, ComposerLyricist - John Patitucci, Electric Bass, AssociatedPerformer - GIL GOLDSTEIN, Producer, Piano, Recording Producer, AssociatedPerformer - Romero Lubambo, Guitar, AssociatedPerformer - Brian Dozoretz, Asst. Recording Engineer, StudioPersonnel - Janis Siegel, Vocals, MainArtist, AssociatedPerformer - Dae Bennett, Mixer, Recording Engineer, StudioPersonnel - Stefon Harris, Vibraphone, AssociatedPerformer - Ben London, Asst. Recording Engineer, StudioPersonnel

℗ 2004 Telarc International Corp.

6
Out Of My Dreams (From "Oklahoma") / I Have Dreamed (From "The King & I")
00:05:27

Antonio Sánchez, Drums, AssociatedPerformer - GENE PAUL, Mastering Engineer, StudioPersonnel - Oscar Hammerstein II , ComposerLyricist - Richard Rogers, ComposerLyricist - John Patitucci, Upright Bass, AssociatedPerformer - GIL GOLDSTEIN, Producer, Piano, Recording Producer, AssociatedPerformer - Romero Lubambo, Guitar, AssociatedPerformer - Brian Dozoretz, Asst. Recording Engineer, StudioPersonnel - Janis Siegel, Vocals, MainArtist, AssociatedPerformer - Dae Bennett, Mixer, Recording Engineer, StudioPersonnel - Stefon Harris, Vibraphone, AssociatedPerformer - Ben London, Asst. Recording Engineer, StudioPersonnel

℗ 2004 Telarc International Corp.

7
I've Got The Sun In The Morning (And The Moon At Night) [From "Annie Get Your Gun"]
00:04:08

Antonio Sánchez, Drums, AssociatedPerformer - GENE PAUL, Mastering Engineer, StudioPersonnel - Irving Berlin, ComposerLyricist - John Patitucci, Electric Bass, AssociatedPerformer - GIL GOLDSTEIN, Producer, Keyboards, Recording Producer, AssociatedPerformer - Romero Lubambo, Guitar, AssociatedPerformer - Brian Dozoretz, Asst. Recording Engineer, StudioPersonnel - Janis Siegel, Vocals, MainArtist, AssociatedPerformer - Dae Bennett, Mixer, Recording Engineer, StudioPersonnel - Stefon Harris, Vibraphone, AssociatedPerformer - Ben London, Asst. Recording Engineer, StudioPersonnel

℗ 2004 Telarc International Corp.

8
The Surrey With The Fringe On Top (From "Oklahoma") / Stoned Soul Picnic
00:04:33

Laura Nyro, ComposerLyricist - Antonio Sánchez, Drums, AssociatedPerformer - GENE PAUL, Mastering Engineer, StudioPersonnel - John Patitucci, Upright Bass, AssociatedPerformer - GIL GOLDSTEIN, Producer, Piano, Recording Producer, AssociatedPerformer - Romero Lubambo, Guitar, AssociatedPerformer - Brian Dozoretz, Asst. Recording Engineer, StudioPersonnel - Janis Siegel, Vocals, MainArtist, AssociatedPerformer - Dae Bennett, Mixer, Recording Engineer, StudioPersonnel - Stefon Harris, Vibraphone, AssociatedPerformer - Ben London, Asst. Recording Engineer, StudioPersonnel

℗ 2004 Telarc International Corp.

9
It Never Was You (From "Knickerbocker Holiday")
00:06:14

Antonio Sánchez, Drums, AssociatedPerformer - Kurt Weill, ComposerLyricist - GENE PAUL, Mastering Engineer, StudioPersonnel - Maxwell Anderson, ComposerLyricist - John Patitucci, Upright Bass, AssociatedPerformer - GIL GOLDSTEIN, Producer, Piano, Recording Producer, AssociatedPerformer - Romero Lubambo, Guitar, AssociatedPerformer - Brian Dozoretz, Asst. Recording Engineer, StudioPersonnel - Janis Siegel, Vocals, MainArtist, AssociatedPerformer - Dae Bennett, Mixer, Recording Engineer, StudioPersonnel - Ben London, Asst. Recording Engineer, StudioPersonnel

℗ 2004 Telarc International Corp.

10
My Best Beau (From "Mame")
00:03:19

Antonio Sánchez, Drums, AssociatedPerformer - GENE PAUL, Mastering Engineer, StudioPersonnel - Jerry Herman, ComposerLyricist - John Patitucci, Upright Bass, AssociatedPerformer - GIL GOLDSTEIN, Producer, Accordion, Piano, Recording Producer, AssociatedPerformer - Romero Lubambo, Guitar, AssociatedPerformer - Brian Dozoretz, Asst. Recording Engineer, StudioPersonnel - Janis Siegel, Vocals, MainArtist, AssociatedPerformer - Dae Bennett, Mixer, Recording Engineer, StudioPersonnel - Stefon Harris, Vibraphone, AssociatedPerformer - Ben London, Asst. Recording Engineer, StudioPersonnel

℗ 2004 Telarc International Corp.

11
Make Someone Happy (From "Do-Re-Mi")
00:04:39

Antonio Sánchez, Drums, AssociatedPerformer - GENE PAUL, Mastering Engineer, StudioPersonnel - Jule Styne, ComposerLyricist - John Patitucci, Upright Bass, AssociatedPerformer - Adolph Green, ComposerLyricist - Betty Comden, ComposerLyricist - GIL GOLDSTEIN, Producer, Piano, Recording Producer, AssociatedPerformer - Brian Dozoretz, Asst. Recording Engineer, StudioPersonnel - Janis Siegel, Vocals, MainArtist, AssociatedPerformer - Dae Bennett, Mixer, Recording Engineer, StudioPersonnel - Stefon Harris, Vibraphone, AssociatedPerformer - Ben London, Asst. Recording Engineer, StudioPersonnel

℗ 2004 Telarc International Corp.

Album review

The acclaimed Manhattan Transfer vocalist has always been the one member of the legendary, multiple-Grammy winning group who has been most willing to explore deeper artistic leanings on her solo projects. Here, she offers a restrained counterpoint to Barbra Streisand's more dramatic approach to classics from our favorite musicals, succeeding mostly by picking lesser-known tunes that haven't worn out their welcomes, and interacting with a stellar jazz cast and the witty arrangements of Gil Goldstein. On the opening track, "Show Me," her vocals glide soulfully over John Patitucci's bass and Stefon Harris' vibes before the pace picks up, Siegel's phrasing ebbs and flows beautifully and wildly, and the story becomes a little more energetic with its telling. Transfer fans don't have to wait long for their diva to harmonize, this time with herself on the subtle vocal textures in spots on the softhearted, mystical arrangement of "Sorry Grateful" (from Sondheim's Company. . .In Jazz). That vibe of mystery continues on Arlen and Mercer's provocative "It's a Woman's Prerogative," which again allows ample space for Siegel to explore the deeper emotional subtleties. Harris' vibes are purely hypnotic here. Siegel clearly loves telling stories even the hardcore Broadway fan is less familiar with, reminding us of musicals like Follies ("The Story of Lucy and Jessie") and The Littlest Revue ("Born Too Late"), all of which allow her to be equally goofy, poignant, and ironic. The showstopper "Sun in the Morning" finds Siegel fully engaged over a heavier Antonio Sanchez drumbeat and the rock-edged guitar of Romero Lubambo. All of this only scratches the surface of the tremendously rich artistry Siegel demonstrates here as she mines classics and obscure songs that touch both her heart and wit. Hopefully, she, like Streisand, will come back to Broadway in the future.

© Jonathan Widran /TiVo

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