Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
Shostakovich wrote his Fourteenth Symphony, one of his most relentlessly dark-hued works, in 1969 at a point when he felt he had essentially wasted his life and was "a dull and mediocre" composer. The symphony, scored for soprano, bass, strings, and percussion, is a devastating reflection of his bleak and hopeless state of mind. The texts he uses for its 11 movements dwell largely on either the dreaded finality of death or the misery of life, which is little better than death. Shostakovich seems indifferent to making the work symphonic in any conventional sense, and fully embraces the formal eccentricity that its grim texts dictate. Its effect is that of an orchestral song cycle, with some movements lasting as long as 10 minutes and others (the abrupt finale) as short as a minute. The performance is the second release on the Alpha label featuring Greek conductor Teodor Currentzis leading Musica Aeterna, the chamber orchestra of the Opera of Novosibirsk, Siberia, the first being an astonishing, revelatory 2008 performance of Purcell's Dido and Aeneas. This recording demonstrates that the earlier disc was no fluke, that these are performers with a distinctive point of view, and the passion and finesse to effectively put it across. The symphony here frequently sounds like chamber music and has an intimacy that makes its depictions of grief, depression, and bitter irony especially poignant and personal. The soloists, soprano Julia Korpacheva and Petr Migunov are fully expressive, but their performances are understated rather than grandly dramatic, as is appropriate, making the moments when they do cut loose -- Korpacheva in the sixth movement and Migunov in the eighth -- all the more effective. Their voices are full and pure but not especially large, and they make a good fit with Currentzis' understated and supple reading. This dark symphony is not the kind of piece that tends to inspire warm affection, but its emotional and musical honesty make it a work that can draw listeners back again and again, and this is a performance that bears close and repeated attention. Alpha's sound is clean, present, and atmospheric.
© TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From kr133,33/month
Symphony No. 14, Op. 135 (Dimitri Chostakovitch)
MusicAeterna, Performer - Teodor Currentzis, Performer - Petr Migunov, Performer - Dimitri Shostakovich, Composer
2017 Alpha Classics/Outhere Music France 2009 Alpha Classics/Outhere Music France
MusicAeterna, Performer - Teodor Currentzis, Performer - Julia Korpacheva, Performer - Dimitri Shostakovich, Composer
2017 Alpha Classics/Outhere Music France 2009 Alpha Classics/Outhere Music France
MusicAeterna, Performer - Teodor Currentzis, Performer - Julia Korpacheva, Performer - Dimitri Shostakovich, Composer
2017 Alpha Classics/Outhere Music France 2009 Alpha Classics/Outhere Music France
MusicAeterna, Performer - Teodor Currentzis, Performer - Julia Korpacheva, Performer - Dimitri Shostakovich, Composer
2017 Alpha Classics/Outhere Music France 2009 Alpha Classics/Outhere Music France
MusicAeterna, Performer - Teodor Currentzis, Performer - Julia Korpacheva, Performer - Dimitri Shostakovich, Composer
2017 Alpha Classics/Outhere Music France 2009 Alpha Classics/Outhere Music France
MusicAeterna, Performer - Teodor Currentzis, Performer - Julia Korpacheva, Performer - Dimitri Shostakovich, Composer
2017 Alpha Classics/Outhere Music France 2009 Alpha Classics/Outhere Music France
MusicAeterna, Performer - Teodor Currentzis, Performer - Petr Migunov, Performer - Dimitri Shostakovich, Composer
2017 Alpha Classics/Outhere Music France 2009 Alpha Classics/Outhere Music France
MusicAeterna, Performer - Teodor Currentzis, Performer - Petr Migunov, Performer - Dimitri Shostakovich, Composer
2017 Alpha Classics/Outhere Music France 2009 Alpha Classics/Outhere Music France
MusicAeterna, Performer - Teodor Currentzis, Performer - Petr Migunov, Performer - Dimitri Shostakovich, Composer
2017 Alpha Classics/Outhere Music France 2009 Alpha Classics/Outhere Music France
MusicAeterna, Performer - Teodor Currentzis, Performer - Julia Korpacheva, Performer - Dimitri Shostakovich, Composer
2017 Alpha Classics/Outhere Music France 2009 Alpha Classics/Outhere Music France
MusicAeterna, Performer - Teodor Currentzis, Performer - Julia Korpacheva, Performer - Petr Migunov, Performer - Dimitri Shostakovich, Composer
2017 Alpha Classics/Outhere Music France 2009 Alpha Classics/Outhere Music France
Album review
Shostakovich wrote his Fourteenth Symphony, one of his most relentlessly dark-hued works, in 1969 at a point when he felt he had essentially wasted his life and was "a dull and mediocre" composer. The symphony, scored for soprano, bass, strings, and percussion, is a devastating reflection of his bleak and hopeless state of mind. The texts he uses for its 11 movements dwell largely on either the dreaded finality of death or the misery of life, which is little better than death. Shostakovich seems indifferent to making the work symphonic in any conventional sense, and fully embraces the formal eccentricity that its grim texts dictate. Its effect is that of an orchestral song cycle, with some movements lasting as long as 10 minutes and others (the abrupt finale) as short as a minute. The performance is the second release on the Alpha label featuring Greek conductor Teodor Currentzis leading Musica Aeterna, the chamber orchestra of the Opera of Novosibirsk, Siberia, the first being an astonishing, revelatory 2008 performance of Purcell's Dido and Aeneas. This recording demonstrates that the earlier disc was no fluke, that these are performers with a distinctive point of view, and the passion and finesse to effectively put it across. The symphony here frequently sounds like chamber music and has an intimacy that makes its depictions of grief, depression, and bitter irony especially poignant and personal. The soloists, soprano Julia Korpacheva and Petr Migunov are fully expressive, but their performances are understated rather than grandly dramatic, as is appropriate, making the moments when they do cut loose -- Korpacheva in the sixth movement and Migunov in the eighth -- all the more effective. Their voices are full and pure but not especially large, and they make a good fit with Currentzis' understated and supple reading. This dark symphony is not the kind of piece that tends to inspire warm affection, but its emotional and musical honesty make it a work that can draw listeners back again and again, and this is a performance that bears close and repeated attention. Alpha's sound is clean, present, and atmospheric.
© TiVo
About the album
- 1 disc(s) - 11 track(s)
- Total length: 00:52:14
- 1 Digital booklet
- Main artists: MusicAeterna Teodor Currentzis Julia Korpacheva Petr Migunov
- Composer: Dimitri Chostakovitch
- Label: Alpha Classics
- Genre: Classical
2017 Alpha Classics/Outhere Music France 2009 Alpha Classics/Outhere Music France
Improve album informationWhy buy on Qobuz...
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.