Categories:
Cart 0

Your cart is empty

Art Pepper|Renascence (Live At The Bach Dancing And Dynamite Society, Half Moon Bay, CA / September 28, 1975)

Renascence (Live At The Bach Dancing And Dynamite Society, Half Moon Bay, CA / September 28, 1975)

Art Pepper

Available in
16-Bit/44.1 kHz Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

Renascence is an appropriate title for this 1975 performance because in the mid-'70s, Art Pepper experienced a creative rebirth. Thanks to his self-destructive lifestyle, the alto saxophonist had wasted a lot of time; anyone who has read his disturbing autobiography, Straight Life, can tell you that Pepper, like Charlie Parker and Chet Baker, was his own worst enemy. But in 1975, he was getting his act together. The saxophone, not drugs, was his top priority, and in August 1975, he made his long overdue return to the studio with Living Legend, his first studio recording as a leader since 1960. Many of those who bought Living Legend and caught Pepper live in 1975 agreed that he was playing the hell out of his horn, although some listeners preferred the softer, cool-toned Pepper of the 1950s over the tougher, more aggressive, John Coltrane-influenced Pepper of Living Legend. Recorded live in Half Moon Bay, CA, on September 28, 1975, Renascence finds the saxman in fine form on gutsy, authoritative performances of "Straight Life," Tadd Dameron's "Good Bait," and "What Laurie Likes" (a funky soul-jazz item along the lines of Eddie Harris' "Listen Here"). Pepper's reading of "Here's That Rainy Day" demonstrates that he was as soulful as ever when it came to ballads, but the up-tempo performances are definitely a departure from the more subtle Pepper of the 1950s. The L.A. native (who turned 50 in 1975) is joined by pianist Ed Kelly, bassist Kenny Jenkins, and drummer Brad Bilhorn on this CD, which falls short of essential but is rewarding nonetheless and is well worth acquiring if you're an admirer of his late period.

© Alex Henderson /TiVo

More info

Renascence (Live At The Bach Dancing And Dynamite Society, Half Moon Bay, CA / September 28, 1975)

Art Pepper

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

You are currently listening to samples.

Listen to over 100 million songs with an unlimited streaming plan.

Listen to this playlist and more than 100 million songs with our unlimited streaming plans.

From kr133,33/month

1
Good Bait (Live At The Bach Dancing And Dynamite Society, Half Moon Bay, CA / September 28, 1975)
00:14:56

Count Basie, Composer - Ed Kelly, Piano, AssociatedPerformer - Eric Miller, Producer - Tadd Dameron, ComposerLyricist - Art Pepper, Alto Saxophone, MainArtist, AssociatedPerformer - Pete Douglas, Recording Engineer, StudioPersonnel - Kenny Jenkins, Upright Bass, AssociatedPerformer - Pat Britt, Producer, Associate Producer - Brad Bilhorn, Drums, AssociatedPerformer

℗ 2000 Galaxy Records

2
What Laurie Likes (Live At The Bach Dancing And Dynamite Society, Half Moon Bay, CA / September 28, 1975)
00:18:17

Ed Kelly, Piano, AssociatedPerformer - Eric Miller, Producer - Art Pepper, Alto Saxophone, MainArtist, AssociatedPerformer, ComposerLyricist - Pete Douglas, Recording Engineer, StudioPersonnel - Kenny Jenkins, Upright Bass, AssociatedPerformer - Pat Britt, Producer, Associate Producer - Brad Bilhorn, Drums, AssociatedPerformer

℗ 2000 Galaxy Records

3
Here's That Rainy Day (Live At The Bach Dancing And Dynamite Society, Half Moon Bay, CA / September 28, 1975)
00:06:07

Ed Kelly, Piano, AssociatedPerformer - James Van Heusen, ComposerLyricist - Johnny Burke, ComposerLyricist - Eric Miller, Producer - Art Pepper, Alto Saxophone, MainArtist, AssociatedPerformer - Pete Douglas, Recording Engineer, StudioPersonnel - Kenny Jenkins, Upright Bass, AssociatedPerformer - Pat Britt, Producer, Associate Producer - Brad Bilhorn, Drums, AssociatedPerformer

℗ 2000 Galaxy Records

4
Straight Life (Live At The Bach Dancing And Dynamite Society, Half Moon Bay, CA / September 28, 1975)
00:12:13

JOHNNY MANDEL, ComposerLyricist - Ed Kelly, Piano, AssociatedPerformer - Eric Miller, Producer - Art Pepper, Alto Saxophone, MainArtist, AssociatedPerformer, ComposerLyricist - Pete Douglas, Recording Engineer, StudioPersonnel - Kenny Jenkins, Upright Bass, AssociatedPerformer - Pat Britt, Producer, Associate Producer - Brad Bilhorn, Drums, AssociatedPerformer

℗ 2000 Galaxy Records

Album review

Renascence is an appropriate title for this 1975 performance because in the mid-'70s, Art Pepper experienced a creative rebirth. Thanks to his self-destructive lifestyle, the alto saxophonist had wasted a lot of time; anyone who has read his disturbing autobiography, Straight Life, can tell you that Pepper, like Charlie Parker and Chet Baker, was his own worst enemy. But in 1975, he was getting his act together. The saxophone, not drugs, was his top priority, and in August 1975, he made his long overdue return to the studio with Living Legend, his first studio recording as a leader since 1960. Many of those who bought Living Legend and caught Pepper live in 1975 agreed that he was playing the hell out of his horn, although some listeners preferred the softer, cool-toned Pepper of the 1950s over the tougher, more aggressive, John Coltrane-influenced Pepper of Living Legend. Recorded live in Half Moon Bay, CA, on September 28, 1975, Renascence finds the saxman in fine form on gutsy, authoritative performances of "Straight Life," Tadd Dameron's "Good Bait," and "What Laurie Likes" (a funky soul-jazz item along the lines of Eddie Harris' "Listen Here"). Pepper's reading of "Here's That Rainy Day" demonstrates that he was as soulful as ever when it came to ballads, but the up-tempo performances are definitely a departure from the more subtle Pepper of the 1950s. The L.A. native (who turned 50 in 1975) is joined by pianist Ed Kelly, bassist Kenny Jenkins, and drummer Brad Bilhorn on this CD, which falls short of essential but is rewarding nonetheless and is well worth acquiring if you're an admirer of his late period.

© Alex Henderson /TiVo

About the album

Improve album information

Qobuz logo Why buy on Qobuz...

On sale now...

Hier... Encore

Charles Aznavour

Hier... Encore Charles Aznavour

Olympia Février 1976

Charles Aznavour

Olympia Février 1976 Charles Aznavour

Idiote je t'aime...

Charles Aznavour

Idiote je t'aime... Charles Aznavour

La Bohème

Charles Aznavour

La Bohème Charles Aznavour
More on Qobuz
By Art Pepper

Art Pepper Meets The Rhythm Section

Art Pepper

Art Of Art

Art Pepper

Art Of Art Art Pepper

Art Pepper Meets The Rhythm Section

Art Pepper

+ Eleven: Modern Jazz Classics

Art Pepper

Art Pepper Meets The Rhythm Section

Art Pepper

Playlists

You may also like...

The Köln Concert (Live at the Opera, Köln, 1975)

Keith Jarrett

Getz/Gilberto

Stan Getz

Getz/Gilberto Stan Getz

Orchestras

Bill Frisell

Orchestras Bill Frisell

Kind Of Blue

Miles Davis

Kind Of Blue Miles Davis

We Get Requests

Oscar Peterson

We Get Requests Oscar Peterson