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CAKE|Prolonging the Magic

Prolonging the Magic

Cake

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Cake's attempt to make a smug- and irony-free album, the band's third release does hold back the barbs a bit more than usual, even if they do fall back into familiar territory: postmodern takes on postmodern life. Flipping between earnest alt-rock rhythms and jittery, funky jazz, Prolonging the Magic works best when Cake lay on the irony extra heavy, or when they make their sober ambitions mesh slightly with the type of smart-ass pop they've based a career on (like "Never There"). At least they seem to realize their place in the alt-rock universe as a novelty band with chops, counteracting the genre's overwhelming seriousness with a light dose of heavy-handed yuks.

© Michael Gallucci /TiVo

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Prolonging the Magic

CAKE

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1
Satan Is My Motor
00:03:12

Tyler Pope, Composer - Tyler Pope, Lyricist - Tyler Pope, Electric Guitar - Gabriel Nelson, Composer - Gabriel Nelson, Lyricist - John McCrea, Composer - John McCrea, Lyricist - John McCrea, Producer - Cake, Performer

(P) 1998 Zomba Recording LLC

2
Mexico
00:03:26

Tyler Pope, Electric Guitar - Greg Vincent, Steel Guitar - John McCrea, Composer - John McCrea, Lyricist - John McCrea, Producer - Cake, Performer

(P) 1998 Zomba Recording LLC

3
Never There
00:02:44

Rusty Miller, Electric Guitar - Tyler Pope, Electric Guitar - John McCrea, Composer - John McCrea, Lyricist - John McCrea, Producer - Cake, Performer

(P) 1998 RCA Records, a division of Sony Music Entertainment

4
Guitar
00:03:40

Tyler Pope, Electric Guitar - Chuck Prophet, Electric Guitar - Richard Lyman, Performer - Jim Campilongo, Electric Guitar - John McCrea, Composer - John McCrea, Lyricist - John McCrea, Producer - Cake, Performer

(P) 1998 Zomba Recording LLC

5
You Turn The Screws
00:04:00

Tyler Pope, Electric Guitar - John McCrea, Composer - John McCrea, Lyricist - John McCrea, Producer - Ben Morss, Piano - Cake, Performer

(P) 1998 Zomba Recording LLC

6
Walk On By
00:03:46

Greg Vincent, Steel Guitar - Jim Campilongo, Electric Guitar - John McCrea, Composer - John McCrea, Lyricist - John McCrea, Producer - Cake, Performer

(P) 1998 Zomba Recording LLC

7
Sheep Go To Heaven
00:03:48

Chuck Prophet, Electric Guitar - John McCrea, Composer - John McCrea, Lyricist - John McCrea, Producer - Cake, Performer

(P) 1998 Zomba Recording LLC

8
When You Sleep
00:03:58

Tyler Pope, Electric Guitar - Greg Vincent, Steel Guitar - John McCrea, Composer - John McCrea, Lyricist - John McCrea, Producer - Cake, Performer

(P) 1998 Zomba Recording LLC

9
Hem Of Your Garment
00:03:35

Xan McCurdy, Electric Guitar - Tyler Pope, Electric Guitar - John McCrea, Composer - John McCrea, Lyricist - John McCrea, Producer - David Palmer, Keyboards - Cake, Performer

(P) 1998 Zomba Recording LLC

10
Alpha Beta Parking Lot
00:03:30

Vincent di Fiore, Lyricist - Vincent di Fiore, Composer - Tyler Pope, Electric Guitar - John McCrea, Composer - John McCrea, Lyricist - John McCrea, Producer - Cake, Performer

(P) 1998 Zomba Recording LLC.

11
Let Me Go
00:03:29

Tyler Pope, Electric Guitar - Jim Campilongo, Electric Guitar - Jim Campilongo, Composer - Jim Campilongo, Lyricist - John McCrea, Composer - John McCrea, Lyricist - John McCrea, Producer - Cake, Performer

(P) 1998 Zomba Recording LLC

12
Cool Blue Reason
00:03:27

Chuck Prophet, Electric Guitar - John McCrea, Composer - John McCrea, Lyricist - John McCrea, Producer - Cake, Performer

(P) 1998 Zomba Recording LLC

13
Where Would I Be?
00:03:53

Joe Snook, Composer - Joe Snook, Lyricist - Gabriel Nelson, Composer - Gabriel Nelson, Lyricist - John McCrea, Composer - John McCrea, Lyricist - John McCrea, Producer - Cake, Performer

(P) 1998 Zomba Recording LLC

Album review

Cake's attempt to make a smug- and irony-free album, the band's third release does hold back the barbs a bit more than usual, even if they do fall back into familiar territory: postmodern takes on postmodern life. Flipping between earnest alt-rock rhythms and jittery, funky jazz, Prolonging the Magic works best when Cake lay on the irony extra heavy, or when they make their sober ambitions mesh slightly with the type of smart-ass pop they've based a career on (like "Never There"). At least they seem to realize their place in the alt-rock universe as a novelty band with chops, counteracting the genre's overwhelming seriousness with a light dose of heavy-handed yuks.

© Michael Gallucci /TiVo

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