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Katie Melua

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With a voice that sounds like a more mainstream version of the late jazz cult superstar Eva Cassidy and smoky raven-haired looks to rival a movie lot's worth of young ingénues, it's a bit of a surprise that Katie Melua has remained so unknown in the United States, despite the chart success the Eastern European-born songstress has achieved in her adopted home of the United Kingdom. It seems like she should be at least as popular as, say, Regina Spektor or Nellie McKay. Pictures may not help that much, however, because in comparison to its fairly straightforward jazz-tinged singer/songwriter predecessors, Melua's third album takes a bit of a left turn into the self-consciously quirky. It's a wonder that it took so long, because Melua's producer and part-time songwriter is Mike Batt, a minor legend of the U.K. music scene who has fashioned a decades-long career out of deliberate eccentricity. Much of Pictures sounds like Batt is reverting to his '70s children's music productions for the Wombles, especially "Mary Pickford (Used to Eat Roses)," a horrifyingly cutesy song about the early days of Hollywood royalty; "Scary Films," a thinly disguised cop of early Kate Bush tracks like "Hammer Horror" and "Wow," and the fake reggae "Ghost Town," which sounds like Batt experimenting with getting as close to ripping off the Specials' classic of the same name without veering into actual plagiarism. The closer Melua comes to restrained adult pop, like the unexpectedly touching Batt-penned torch ballad "What It Says on the Tin," and the gently swaying, Everything But the Girl-like bossa nova bounce of "Perfect Circle," the better the album is. The songs written by Melua by herself and/or with lyricist Molly McQueen are uniformly stronger than Batt's contributions, particularly the intimate, smoky "Spellbound," suggesting that leaving her mentor would do Katie Melua a world of good.

© Stewart Mason /TiVo

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Katie Melua

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1
Mary Pickford (Used To Eat Roses)
00:03:12

The Irish Film Orchestra, Flute, Strings - Mike Batt, Composer, Conductor, Producer, Arranger, Organ, Piano, Writer, Produced & Arranged by - Tim Harries, Bass - Brian Masterson, AdditionalEngineer - Ray Cooper, Percussion - Rob Farrer, Additional Percussion - Chris Spedding, Guitar - John Parricelli, Guitar - Dominic Glover, Trumpet - Hilary Skewes, Strings - Henry Spinetti, Drums - Bob Knight, Brass - Steve Donnelly, Guitar - Katie Melua, Guitar, Vocals, MainArtist - Steve Sale, Engineer - Rupert James Coulson, AdditionalEngineer

© 2007 BMG Rights Management (UK) Ltd. ℗ 2007 BMG Rights Management (UK) Ltd.

2
All In My Head
00:04:03

The Irish Film Orchestra, Flute, Strings - Mike Batt, Conductor, Producer, Arranger, Organ, Piano, Produced & Arranged by - Tim Harries, Bass - Brian Masterson, AdditionalEngineer - Ray Cooper, Percussion - Rob Farrer, Additional Percussion - Chris Spedding, Guitar - John Parricelli, Guitar - Dominic Glover, Trumpet - Hilary Skewes, Strings - Henry Spinetti, Drums - Bob Knight, Brass - Steve Donnelly, Guitar - Katie Melua, Guitar, Vocals, MainArtist - Katie Melua, Mike Batt, Composer, Writer - Steve Sale, Engineer - Rupert James Coulson, AdditionalEngineer

© 2007 BMG Rights Management (UK) Ltd. ℗ 2007 BMG Rights Management (UK) Ltd.

3
If The Lights Go Out
00:03:14

The Irish Film Orchestra, Flute, Strings - Mike Batt, Composer, Conductor, Producer, Arranger, Organ, Piano, Writer, Produced & Arranged by - Tim Harries, Bass - Brian Masterson, AdditionalEngineer - Ray Cooper, Percussion - Rob Farrer, Additional Percussion - Chris Spedding, Guitar - John Parricelli, Guitar - Dominic Glover, Trumpet - Hilary Skewes, Strings - Henry Spinetti, Drums - Bob Knight, Brass - Steve Donnelly, Guitar - Katie Melua, Guitar, Vocals, MainArtist - Steve Sale, Engineer - Rupert James Coulson, AdditionalEngineer

© 2007 BMG Rights Management (UK) Ltd. ℗ 2007 BMG Rights Management (UK) Ltd.

4
What I Miss About You
00:03:48

The Irish Film Orchestra, Flute, Strings - Mike Batt, Conductor, Producer, Arranger, Organ, Piano, Produced & Arranged by - Tim Harries, Bass - Brian Masterson, AdditionalEngineer - Ray Cooper, Percussion - Rob Farrer, Additional Percussion - Chris Spedding, Guitar - John Parricelli, Guitar - Dominic Glover, Trumpet - Hilary Skewes, Strings - Henry Spinetti, Drums - Bob Knight, Brass - Steve Donnelly, Guitar - Katie Melua, Composer, Guitar, Vocals, Writer, MainArtist - Andrea McEwan, Composer, Writer - Steve Sale, Engineer - Rupert James Coulson, AdditionalEngineer

© 2007 BMG Rights Management (UK) Ltd. ℗ 2007 BMG Rights Management (UK) Ltd.

5
Spellbound
00:03:00

The Irish Film Orchestra, Flute, Strings - Mike Batt, Conductor, Producer, Arranger, Organ, Piano, Produced & Arranged by - Tim Harries, Bass - Brian Masterson, AdditionalEngineer - Ray Cooper, Percussion - Rob Farrer, Additional Percussion - Chris Spedding, Guitar - John Parricelli, Guitar - Dominic Glover, Trumpet - Hilary Skewes, Strings - Henry Spinetti, Drums - Bob Knight, Brass - Steve Donnelly, Guitar - Katie Melua, Composer, Guitar, Vocals, Writer, MainArtist - Melua, Composer, Writer - Steve Sale, Engineer - Rupert James Coulson, AdditionalEngineer

© 2007 BMG Rights Management (UK) Ltd. ℗ 2007 BMG Rights Management (UK) Ltd.

6
What It Says On The Tin
00:03:44

The Irish Film Orchestra, Flute, Strings - Mike Batt, Composer, Conductor, Producer, Arranger, Organ, Piano, Writer, Produced & Arranged by - Tim Harries, Bass - Brian Masterson, AdditionalEngineer - Ray Cooper, Percussion - Rob Farrer, Additional Percussion - Chris Spedding, Guitar - John Parricelli, Guitar - Dominic Glover, Trumpet - Hilary Skewes, Strings - Henry Spinetti, Drums - Bob Knight, Brass - Steve Donnelly, Guitar - Katie Melua, Guitar, Vocals, MainArtist - Steve Sale, Engineer - Rupert James Coulson, AdditionalEngineer

© 2007 BMG Rights Management (UK) Ltd. ℗ 2007 BMG Rights Management (UK) Ltd.

7
Scary Films
00:04:02

The Irish Film Orchestra, Flute, Strings - Mike Batt, Composer, Conductor, Producer, Arranger, Organ, Piano, Writer, Produced & Arranged by - Tim Harries, Bass - Brian Masterson, AdditionalEngineer - Ray Cooper, Percussion - Rob Farrer, Additional Percussion - Chris Spedding, Guitar - John Parricelli, Guitar - Dominic Glover, Trumpet - Hilary Skewes, Strings - Henry Spinetti, Drums - Bob Knight, Brass - Steve Donnelly, Guitar - Katie Melua, Guitar, Vocals, MainArtist - Steve Sale, Engineer - Rupert James Coulson, AdditionalEngineer

© 2007 BMG Rights Management (UK) Ltd. ℗ 2007 BMG Rights Management (UK) Ltd.

8
Perfect Circle
00:04:00

The Irish Film Orchestra, Flute, Strings - Mike Batt, Conductor, Producer, Arranger, Organ, Piano, Produced & Arranged by - Tim Harries, Bass - Brian Masterson, AdditionalEngineer - Ray Cooper, Percussion - Rob Farrer, Additional Percussion - Chris Spedding, Guitar - John Parricelli, Guitar - Dominic Glover, Trumpet - Hilary Skewes, Strings - Henry Spinetti, Drums - Bob Knight, Brass - Steve Donnelly, Guitar - Katie Melua, Guitar, Vocals, MainArtist - Katie Melua, Molly McQueen, Composer, Writer - Steve Sale, Engineer - Rupert James Coulson, AdditionalEngineer

© 2007 BMG Rights Management (UK) Ltd. ℗ 2007 BMG Rights Management (UK) Ltd.

9
Ghost Town
00:03:31

The Irish Film Orchestra, Flute, Strings - Mike Batt, Composer, Conductor, Producer, Arranger, Organ, Piano, Writer, Produced & Arranged by - Tim Harries, Bass - Brian Masterson, AdditionalEngineer - Ray Cooper, Percussion - Rob Farrer, Additional Percussion - Chris Spedding, Guitar - John Parricelli, Guitar - Dominic Glover, Trumpet - Hilary Skewes, Strings - Henry Spinetti, Drums - Bob Knight, Brass - Steve Donnelly, Guitar - Katie Melua, Guitar, Vocals, MainArtist - K. Melua - M. Batt, Composer - Steve Sale, Engineer - Rupert James Coulson, AdditionalEngineer

© 2007 BMG Rights Management (UK) Ltd. ℗ 2007 BMG Rights Management (UK) Ltd.

10
If You Were A Sailboat
00:04:02

The Irish Film Orchestra, Flute, Strings - Mike Batt, Composer, Conductor, Producer, Arranger, Organ, Piano, Writer, Produced & Arranged by - Tim Harries, Bass - Brian Masterson, AdditionalEngineer - Ray Cooper, Percussion - Rob Farrer, Additional Percussion - Chris Spedding, Guitar - John Parricelli, Guitar - Dominic Glover, Trumpet - Hilary Skewes, Strings - Henry Spinetti, Drums - Bob Knight, Brass - Steve Donnelly, Guitar - Katie Melua, Guitar, Vocals, MainArtist - Steve Sale, Engineer - Rupert James Coulson, AdditionalEngineer

© 2007 BMG Rights Management (UK) Ltd. ℗ 2007 BMG Rights Management (UK) Ltd.

11
Dirty Dice
00:03:39

The Irish Film Orchestra, Flute, Strings - Mike Batt, Conductor, Producer, Arranger, Organ, Piano, Produced & Arranged by - Tim Harries, Bass - Brian Masterson, AdditionalEngineer - Ray Cooper, Percussion - Rob Farrer, Additional Percussion - Chris Spedding, Guitar - John Parricelli, Guitar - Dominic Glover, Trumpet - Hilary Skewes, Strings - Henry Spinetti, Drums - Bob Knight, Brass - Steve Donnelly, Guitar - Katie Melua, Guitar, Vocals, MainArtist - Katie Melua, Andrea McEwan, Composer, Writer - Steve Sale, Engineer - Rupert James Coulson, AdditionalEngineer

© 2007 BMG Rights Management (UK) Ltd. ℗ 2007 BMG Rights Management (UK) Ltd.

12
In My Secret Life
00:04:23

The Irish Film Orchestra, Flute, Strings - Mike Batt, Conductor, Producer, Arranger, Organ, Piano, Produced & Arranged by - Tim Harries, Bass - Brian Masterson, AdditionalEngineer - Leonard Cohen, Composer, Writer - Ray Cooper, Percussion - Rob Farrer, Additional Percussion - Chris Spedding, Guitar - John Parricelli, Guitar - Dominic Glover, Trumpet - Hilary Skewes, Strings - Sharon Robinson, Composer, Writer - Henry Spinetti, Drums - Bob Knight, Brass - Steve Donnelly, Guitar - Katie Melua, Guitar, Vocals, MainArtist - Steve Sale, Engineer - Rupert James Coulson, AdditionalEngineer

© 2007 BMG Rights Management (UK) Ltd. ℗ 2007 BMG Rights Management (UK) Ltd.

13
Under The Cherry Moon (Bonus Track)
00:03:50

Katie Melua, Vocals, MainArtist

© 2007 BMG Rights Management (UK) Ltd. ℗ 2007 BMG Rights Management (UK) Ltd.

Album review

With a voice that sounds like a more mainstream version of the late jazz cult superstar Eva Cassidy and smoky raven-haired looks to rival a movie lot's worth of young ingénues, it's a bit of a surprise that Katie Melua has remained so unknown in the United States, despite the chart success the Eastern European-born songstress has achieved in her adopted home of the United Kingdom. It seems like she should be at least as popular as, say, Regina Spektor or Nellie McKay. Pictures may not help that much, however, because in comparison to its fairly straightforward jazz-tinged singer/songwriter predecessors, Melua's third album takes a bit of a left turn into the self-consciously quirky. It's a wonder that it took so long, because Melua's producer and part-time songwriter is Mike Batt, a minor legend of the U.K. music scene who has fashioned a decades-long career out of deliberate eccentricity. Much of Pictures sounds like Batt is reverting to his '70s children's music productions for the Wombles, especially "Mary Pickford (Used to Eat Roses)," a horrifyingly cutesy song about the early days of Hollywood royalty; "Scary Films," a thinly disguised cop of early Kate Bush tracks like "Hammer Horror" and "Wow," and the fake reggae "Ghost Town," which sounds like Batt experimenting with getting as close to ripping off the Specials' classic of the same name without veering into actual plagiarism. The closer Melua comes to restrained adult pop, like the unexpectedly touching Batt-penned torch ballad "What It Says on the Tin," and the gently swaying, Everything But the Girl-like bossa nova bounce of "Perfect Circle," the better the album is. The songs written by Melua by herself and/or with lyricist Molly McQueen are uniformly stronger than Batt's contributions, particularly the intimate, smoky "Spellbound," suggesting that leaving her mentor would do Katie Melua a world of good.

© Stewart Mason /TiVo

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