Qobuz Store wallpaper
Categories:
Cart 0

Your cart is empty

Marilyn Crispell|Piano Duets

Piano Duets

Marilyn Crispell & Georg Graewe

Available in
16-Bit/44.1 kHz Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

This double-CD documents the meeting of two intuitive and frighteningly innovative musical minds (who both happen to play the same instrument) playing tuned and "detuned" pianos, one at a festival in 1991, and one at a piano factory in Germany. These duets are investigations into sonorities and tonalities that are accomplished during the act of duet improvisation. There are textures and rhythms possible only when one pianist is experiencing directly the tonal possibilities and harmonic registers in the act of responding to them. On the "tuned" set, there is so much of a musical meld, gentle competition, and sonic revelry, it's impossible to hear who is playing where; the feeling is one of confusion for the listener, but as comfort, there is a familiarity in the tones these improvisations take on. On disc one, each of the players is in a setting where they can hear themselves with familiarity; listening is an important element, but improvisatory know-how can rule the duel in a tough moment. On disc two, the "detuned" set, where the pianos are diagonally tuned -- "both pianos are tuned a quarter tone apart in their middle registers, while the lower and upper registers are stretched flat, respectively sharp, gradually, within the range of a minor second" (from the liner notes) -- no such thing is possible. Each musician is feeling his/her way through a new set of seemingly infinite tonal possibilities and equations that don't add up in the same manner. To add this kind of discovery onto a duet with a player in the same circumstances is either brave or stupid in a recording session. Pure musicality and instinct are the only components applicable with intense listening. There is the notion of dynamic, of course, but it would be too easy, too remedial to take that way out. What makes this recording so interesting to listen to is the "how" in each player's vocabulary that makes it work -- and most of the time it does very well. It may be excessive, but it's also a one of a kind document of a nearly hidden moment in musical history.
© Thom Jurek /TiVo

More info

Piano Duets

Marilyn Crispell

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

You are currently listening to samples.

Listen to over 100 million songs with an unlimited streaming plan.

Listen to this playlist and more than 100 million songs with our unlimited streaming plans.

From kr133,33/month

1
Roode Lion
00:16:53

Marilyn Crispell, MainArtist - Georg Graewe, MainArtist

(C) 1992 Leo Records (P) 1992 Leo Records

2
Reves D' Assadour
00:11:32

Marilyn Crispell, MainArtist - Georg Graewe, MainArtist

(C) 1992 Leo Records (P) 1992 Leo Records

3
Twin Dragons
00:07:13

Marilyn Crispell, MainArtist - Georg Graewe, MainArtist

(C) 1992 Leo Records (P) 1992 Leo Records

4
Squares, Domes And Cones
00:09:03

Marilyn Crispell, MainArtist - Georg Graewe, MainArtist

(C) 1992 Leo Records (P) 1992 Leo Records

5
Fervent Void
00:11:50

Marilyn Crispell, MainArtist - Georg Graewe, MainArtist

(C) 1992 Leo Records (P) 1992 Leo Records

DISC 2

1
If She Be A Wall
00:07:28

Marilyn Crispell, MainArtist - Georg Graewe, MainArtist

(C) 1992 Leo Records (P) 1992 Leo Records

2
Grey Chair And Parrots
00:05:57

Marilyn Crispell, MainArtist - Georg Graewe, MainArtist

(C) 1992 Leo Records (P) 1992 Leo Records

3
Denis D' Or
00:07:48

Marilyn Crispell, MainArtist - Georg Graewe, MainArtist

(C) 1992 Leo Records (P) 1992 Leo Records

4
Untitled Swirl
00:09:07

Marilyn Crispell, MainArtist - Georg Graewe, MainArtist

(C) 1992 Leo Records (P) 1992 Leo Records

5
Interior A
00:07:08

Marilyn Crispell, MainArtist - Georg Graewe, MainArtist

(C) 1992 Leo Records (P) 1992 Leo Records

6
Fringe
00:04:10

Marilyn Crispell, MainArtist - Georg Graewe, MainArtist

(C) 1992 Leo Records (P) 1992 Leo Records

7
Stairway To Nowhere
00:08:35

Marilyn Crispell, MainArtist - Georg Graewe, MainArtist

(C) 1992 Leo Records (P) 1992 Leo Records

8
Interior B
00:06:10

Marilyn Crispell, MainArtist - Georg Graewe, MainArtist

(C) 1992 Leo Records (P) 1992 Leo Records

Album review

This double-CD documents the meeting of two intuitive and frighteningly innovative musical minds (who both happen to play the same instrument) playing tuned and "detuned" pianos, one at a festival in 1991, and one at a piano factory in Germany. These duets are investigations into sonorities and tonalities that are accomplished during the act of duet improvisation. There are textures and rhythms possible only when one pianist is experiencing directly the tonal possibilities and harmonic registers in the act of responding to them. On the "tuned" set, there is so much of a musical meld, gentle competition, and sonic revelry, it's impossible to hear who is playing where; the feeling is one of confusion for the listener, but as comfort, there is a familiarity in the tones these improvisations take on. On disc one, each of the players is in a setting where they can hear themselves with familiarity; listening is an important element, but improvisatory know-how can rule the duel in a tough moment. On disc two, the "detuned" set, where the pianos are diagonally tuned -- "both pianos are tuned a quarter tone apart in their middle registers, while the lower and upper registers are stretched flat, respectively sharp, gradually, within the range of a minor second" (from the liner notes) -- no such thing is possible. Each musician is feeling his/her way through a new set of seemingly infinite tonal possibilities and equations that don't add up in the same manner. To add this kind of discovery onto a duet with a player in the same circumstances is either brave or stupid in a recording session. Pure musicality and instinct are the only components applicable with intense listening. There is the notion of dynamic, of course, but it would be too easy, too remedial to take that way out. What makes this recording so interesting to listen to is the "how" in each player's vocabulary that makes it work -- and most of the time it does very well. It may be excessive, but it's also a one of a kind document of a nearly hidden moment in musical history.
© Thom Jurek /TiVo

About the album

Improve album information

Qobuz logo Why buy on Qobuz...

On sale now...

Mélusine

Cécile McLorin Salvant

Mélusine Cécile McLorin Salvant

Giant Steps

John Coltrane

Giant Steps John Coltrane

Tutu

Miles Davis

Tutu Miles Davis

Your Mother Should Know: Brad Mehldau Plays The Beatles

Brad Mehldau

More on Qobuz
By Marilyn Crispell

Amaryllis

Marilyn Crispell

Amaryllis Marilyn Crispell

Vignettes

Marilyn Crispell

Vignettes Marilyn Crispell

Dreamstruck

Marilyn Crispell

Dreamstruck Marilyn Crispell

Nothing Ever Was, Anyway. Music Of Annette Peacock

Marilyn Crispell

Storyteller

Marilyn Crispell

Storyteller Marilyn Crispell

Playlists

You may also like...

The Köln Concert (Live at the Opera, Köln, 1975)

Keith Jarrett

Getz/Gilberto

Stan Getz

Getz/Gilberto Stan Getz

Orchestras

Bill Frisell

Orchestras Bill Frisell

We Get Requests

Oscar Peterson

We Get Requests Oscar Peterson

Kind Of Blue

Miles Davis

Kind Of Blue Miles Davis