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Choir of Jesus College Cambridge|Out of Darkness: Music from Lent to Trinity

Out of Darkness: Music from Lent to Trinity

Choir of Jesus College Cambridge & Mark Williams

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Recordings by the venerable English collegiate choirs may seem a dime (or 10 eurocents) a dozen, but this 2015 release by the Choir of Jesus College Cambridge under director Mark Williams is notable for both its thematic breadth and its range of repertoire, which spans not only the liturgical period described in the title but also origins from the Renaissance to the present day. It's the latter feature that's most interesting: rarely have the likes of Ned Rorem been seen as fitting into this setting. There's a nice intimate flow to the music, which mostly offers individualistic, sincere responses to the texts and has some exuberant numbers (Britten's Festival Te Deum, Op. 12, track 8, and the final I Saw the Lord of the usually highly buttoned-down John Stainer) to go with the more contemplative pieces. Clearly responses to this will depend on whether listeners like this style of choral singing, but this is an unusually deep example that avoids stereotype and familiar paths. Signum's engineering in the choir's own chapel is exemplary.
© TiVo

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Out of Darkness: Music from Lent to Trinity

Choir of Jesus College Cambridge

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1
Cunctis diebus
00:06:31

Mark Williams, Conductor, MainArtist - William BYRD, Composer - Choir of Jesus College Cambridge, Ensemble, MainArtist

(C) 2015 Signum Records (P) 2015 Signum Records

2
Remember Not, Lord, Our Offences, Z. 50
00:02:56

Mark Williams, Conductor, MainArtist - Henry Purcell, Composer - Choir of Jesus College Cambridge, Ensemble, MainArtist

(C) 2015 Signum Records (P) 2015 Signum Records

3
The Lamentation
00:09:03

Mark Williams, Conductor, MainArtist - Edward Bairstow, Composer - Benjamin Morris, MainArtist - Choir of Jesus College Cambridge, Ensemble, MainArtist

(C) 2015 Signum Records (P) 2015 Signum Records

4
Tantum ergo
00:02:01

Mark Williams, Conductor, MainArtist - Choir of Jesus College Cambridge, Ensemble, MainArtist - Fernand Laloux, Composer

(C) 2015 Signum Records (P) 2015 Signum Records

5
O vos omnes
00:03:35

Mark Williams, Conductor, MainArtist - Pablo Casals, Composer - Choir of Jesus College Cambridge, Ensemble, MainArtist

(C) 2015 Signum Records (P) 2015 Signum Records

6
Ye Choirs of New Jerusalem
00:04:44

Mark Williams, Conductor, MainArtist - Charles Villiers Stanford, Composer - Choir of Jesus College Cambridge, Ensemble, MainArtist - Bertie Baigent, MainArtist

(C) 2015 Signum Records (P) 2015 Signum Records

7
Surrexit pastor bonus
00:03:31

Mark Williams, Conductor, MainArtist - Choir of Jesus College Cambridge, Ensemble, MainArtist - Jean L’Heritier, Composer

(C) 2015 Signum Records (P) 2015 Signum Records

8
Festival Te Deum, Op. 32
00:06:11

Mark Williams, Conductor, MainArtist - Benjamin Britten, Composer - Benjamin Morris, MainArtist - Choir of Jesus College Cambridge, Ensemble, MainArtist - Julia Sinclair, MainArtist

(C) 2015 Signum Records (P) 2015 Signum Records

9
Incantation pour un jour Saint
00:05:20

Mark Williams, Conductor - Jean Langlais, Composer - Benjamin Morris, MainArtist - Choir of Jesus College Cambridge, Ensemble

(C) 2015 Signum Records (P) 2015 Signum Records

10
The Strathclyde Motets: Sedebet dominus rex
00:04:17

Mark Williams, Conductor, MainArtist - James MacMillan, Composer - Choir of Jesus College Cambridge, Ensemble, MainArtist

(C) 2015 Signum Records (P) 2015 Signum Records

11
Litany to the Holy Spirit
00:02:36

Mark Williams, Conductor, MainArtist - Peter Hurford, Composer - Choir of Jesus College Cambridge, Ensemble, MainArtist - Bertie Baigent, MainArtist

(C) 2015 Signum Records (P) 2015 Signum Records

12
If Ye Love Me
00:01:59

Mark Williams, Conductor, MainArtist - Thomas Tallis, Composer - Choir of Jesus College Cambridge, Ensemble, MainArtist

(C) 2015 Signum Records (P) 2015 Signum Records

13
Listen Sweet Dove
00:02:40

Mark Williams, Conductor, MainArtist - Grayston Ives, Composer - Choir of Jesus College Cambridge, Ensemble, MainArtist - Bertie Baigent, MainArtist

(C) 2015 Signum Records (P) 2015 Signum Records

14
Breathe on Me, Breath of God
00:02:17

Mark Williams, Conductor, MainArtist - Ned Rorem, Composer - Choir of Jesus College Cambridge, Ensemble, MainArtist

(C) 2015 Signum Records (P) 2015 Signum Records

15
The Apostles, Op. 49: Part 1: Prologue – The Spirit of the Lord is Upon Me
00:07:20

Mark Williams, Conductor, MainArtist - Edward Elgar, Composer - Benjamin Morris, MainArtist - Choir of Jesus College Cambridge, Ensemble, MainArtist

(C) 2015 Signum Records (P) 2015 Signum Records

16
Libera nos
00:03:21

Mark Williams, Conductor, MainArtist - John Sheppard, Composer - Choir of Jesus College Cambridge, Ensemble, MainArtist

(C) 2015 Signum Records (P) 2015 Signum Records

17
I Saw the Lord
00:07:19

Mark Williams, Conductor, MainArtist - John Stainer, Composer - Benjamin Morris, MainArtist - Choir of Jesus College Cambridge, Ensemble, MainArtist - Harry Shapiro, MainArtist - Jamie Wilkinson, MainArtist - Louisa Dawes, MainArtist - Sophie Nairac, MainArtist - Jaliya Senanayake, MainArtist - Peter Lidbetter, MainArtist - Samuel Stark, MainArtist

(C) 2015 Signum Records (P) 2015 Signum Records

Album review

Recordings by the venerable English collegiate choirs may seem a dime (or 10 eurocents) a dozen, but this 2015 release by the Choir of Jesus College Cambridge under director Mark Williams is notable for both its thematic breadth and its range of repertoire, which spans not only the liturgical period described in the title but also origins from the Renaissance to the present day. It's the latter feature that's most interesting: rarely have the likes of Ned Rorem been seen as fitting into this setting. There's a nice intimate flow to the music, which mostly offers individualistic, sincere responses to the texts and has some exuberant numbers (Britten's Festival Te Deum, Op. 12, track 8, and the final I Saw the Lord of the usually highly buttoned-down John Stainer) to go with the more contemplative pieces. Clearly responses to this will depend on whether listeners like this style of choral singing, but this is an unusually deep example that avoids stereotype and familiar paths. Signum's engineering in the choir's own chapel is exemplary.
© TiVo

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