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Lee DeWyze|Oil & Water

Oil & Water

Lee DeWyze

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Easing into independent status, Lee DeWyze uses 2016's Oil & Water as something of a continuation of 2013's Frames. Like that record, this sways to a folky lilt, sometimes hitting the backbeat hard but usually not mustering up the energy to go full Mumford. This means DeWyze relies on his sensitive side on Oil & Water, a move that at first seems rather wise but by the time the album gets into its back half, the music turns skeletal, moody and mirthless, the melodies swaying along with the sleepy strums and the ever slimmer arrangements. Perhaps this sparseness was intended to convey intimacy, but the record is too hushed, too slight to suggest anything other than relatively rustic mood music.
© Stephen Thomas Erlewine /TiVo

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Oil & Water

Lee DeWyze

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1
Again
00:02:07

Lee DeWyze, Writer, MainArtist

© 2016 Shanachie Ent. Corp. ℗ 2016 Shanachie Ent. Corp.

2
Oil & Water
00:03:17

Lee DeWyze, Writer, MainArtist

© 2016 Shanachie Ent. Corp. ℗ 2016 Shanachie Ent. Corp.

3
Stone
00:03:01

Lee DeWyze, Writer, MainArtist

© 2016 Shanachie Ent. Corp. ℗ 2016 Shanachie Ent. Corp.

4
Learn To Fall
00:03:15

Lee DeWyze, Writer, MainArtist

© 2016 Shanachie Ent. Corp. ℗ 2016 Shanachie Ent. Corp.

5
Safe
00:02:59

Lee DeWyze, Writer, MainArtist

© 2016 Shanachie Ent. Corp. ℗ 2016 Shanachie Ent. Corp.

6
Same For You
00:03:36

Lee DeWyze, Writer, MainArtist

© 2016 Shanachie Ent. Corp. ℗ 2016 Shanachie Ent. Corp.

7
Give Me Something
00:03:29

Lee DeWyze, Writer, MainArtist

© 2016 Shanachie Ent. Corp. ℗ 2016 Shanachie Ent. Corp.

8
West
00:03:01

Lee DeWyze, Writer, MainArtist

© 2016 Shanachie Ent. Corp. ℗ 2016 Shanachie Ent. Corp.

9
Hollyridge
00:02:03

Lee DeWyze, Writer, MainArtist

© 2016 Shanachie Ent. Corp. ℗ 2016 Shanachie Ent. Corp.

10
Way Too Long
00:02:47

Lee DeWyze, Writer, MainArtist

© 2016 Shanachie Ent. Corp. ℗ 2016 Shanachie Ent. Corp.

Album review

Easing into independent status, Lee DeWyze uses 2016's Oil & Water as something of a continuation of 2013's Frames. Like that record, this sways to a folky lilt, sometimes hitting the backbeat hard but usually not mustering up the energy to go full Mumford. This means DeWyze relies on his sensitive side on Oil & Water, a move that at first seems rather wise but by the time the album gets into its back half, the music turns skeletal, moody and mirthless, the melodies swaying along with the sleepy strums and the ever slimmer arrangements. Perhaps this sparseness was intended to convey intimacy, but the record is too hushed, too slight to suggest anything other than relatively rustic mood music.
© Stephen Thomas Erlewine /TiVo

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