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The Bamboos|Medicine Man

Medicine Man

The Bamboos

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In 2006, Lance Ferguson formed the Bamboos in Australia based on the inspiration of hard instrumental funk à la the Meters and the D.I.Y. aesthetic of the Dap-Kings. Half-a-dozen albums and numerous singles later, the Bamboos have expanded from their original quartet to become a ten-piece powerhouse. Medicine Man is a prime example of not only their ambition, but their expertise. For some time the band has employed vocalists -- Tru Thoughts labelmate Kylie Auldist is their most consistent collaborator. A listen to the sunshine soul of album opener "Where Does the Time Go," featuring Aloe Blacc, or Megan Washington's gorgeous voice on the midtempo, "The Wilhelm Scream" appended by a small string section, may have listeners initially puzzled; but the cracking breaks of Graeme Pogson's snare and Ferguson's high-wire bass and guitar strut quickly reveal the Bamboos signature swagger. Other standouts here include the fingerpopping bite of "I Never," that contrasts beautifully with Daniel Merriweather's emotive vocal. Auldist's excellent tracks include the raw, reverb-laden psyc- funk of "Cut Me Down" and the more traditionally Meters-esque grime that is "What I Know." The straight-up Stax-styled, horn-driven soul on "Midnight" is brought home by Bobby Flynn's lead vocals, and gets a nice textural twist with the strings and a glockenspiel on the refrain. Ella Thompson sings on the mod-era groove of the title track, and she duets with Auldist on the album's strangest cut, "Hello Stranger." Here, baroque pop meets psychedelia; the only nod to funkiness are Pogson's breakbeats. The rest of the number is populated by sitar, flute, and strings, appending the basic keys, bass, and guitars. The set closes with a killer performance by Auldist on the streetwise soul that is "Window." For all its expansiveness and ambition, Medicine Man is expertly produced and sequenced; the Bamboos have not only retained their identity, they've created something so passionate, warm, and immediate.

© Thom Jurek /TiVo

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Medicine Man

The Bamboos

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1
Where Does the Time Go?
00:03:38

The Bamboos, Performer - Ferguson, Composer - Dawkins, Composer

2012 Tru Thoughts 2012 Tru Thoughts

2
What I Know
00:04:07

The Bamboos, Performer - Ferguson, Composer - Auldist, Composer - Irwin, Composer

2012 Tru Thoughts 2012 Tru Thoughts

3
The Wilhelm Scream
00:04:28

The Bamboos, Performer - Litherland, Composer

2012 Tru Thoughts 2012 Tru Thoughts

4
Cut Me Down
00:03:36

The Bamboos, Performer - Ferguson, Composer - Auldist, Composer - Castle, Composer

2012 Tru Thoughts 2012 Tru Thoughts

5
I Got Burned
00:04:20

The Bamboos, Performer - Ferguson, Composer

2012 Tru Thoughts 2012 Tru Thoughts

6
I Never
00:03:52

The Bamboos, Performer - Ferguson, Composer - Merriweather, Composer

2012 Tru Thoughts 2012 Tru Thoughts

7
Midnight
00:04:04

The Bamboos, Performer - Ferguson, Composer

2012 Tru Thoughts 2012 Tru Thoughts

8
Eliza
00:03:50

The Bamboos, Performer - Ferguson, Composer - Washington, Composer

2012 Tru Thoughts 2012 Tru Thoughts

9
Medicine Man
00:03:08

The Bamboos, Performer - Ferguson, Composer - Castle, Composer

2012 Tru Thoughts 2012 Tru Thoughts

10
Hello Stranger
00:04:30

The Bamboos, Performer - Ferguson, Composer - Auldist, Composer - Castle, Composer

2012 Tru Thoughts 2012 Tru Thoughts

11
Window
00:03:51

The Bamboos, Performer - Ferguson, Composer

2012 Tru Thoughts 2012 Tru Thoughts

Album review

In 2006, Lance Ferguson formed the Bamboos in Australia based on the inspiration of hard instrumental funk à la the Meters and the D.I.Y. aesthetic of the Dap-Kings. Half-a-dozen albums and numerous singles later, the Bamboos have expanded from their original quartet to become a ten-piece powerhouse. Medicine Man is a prime example of not only their ambition, but their expertise. For some time the band has employed vocalists -- Tru Thoughts labelmate Kylie Auldist is their most consistent collaborator. A listen to the sunshine soul of album opener "Where Does the Time Go," featuring Aloe Blacc, or Megan Washington's gorgeous voice on the midtempo, "The Wilhelm Scream" appended by a small string section, may have listeners initially puzzled; but the cracking breaks of Graeme Pogson's snare and Ferguson's high-wire bass and guitar strut quickly reveal the Bamboos signature swagger. Other standouts here include the fingerpopping bite of "I Never," that contrasts beautifully with Daniel Merriweather's emotive vocal. Auldist's excellent tracks include the raw, reverb-laden psyc- funk of "Cut Me Down" and the more traditionally Meters-esque grime that is "What I Know." The straight-up Stax-styled, horn-driven soul on "Midnight" is brought home by Bobby Flynn's lead vocals, and gets a nice textural twist with the strings and a glockenspiel on the refrain. Ella Thompson sings on the mod-era groove of the title track, and she duets with Auldist on the album's strangest cut, "Hello Stranger." Here, baroque pop meets psychedelia; the only nod to funkiness are Pogson's breakbeats. The rest of the number is populated by sitar, flute, and strings, appending the basic keys, bass, and guitars. The set closes with a killer performance by Auldist on the streetwise soul that is "Window." For all its expansiveness and ambition, Medicine Man is expertly produced and sequenced; the Bamboos have not only retained their identity, they've created something so passionate, warm, and immediate.

© Thom Jurek /TiVo

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