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The The|Infected

Infected

The The

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Infected's sound still suggests dance-pop, especially on the title track. But don't get the impression that it's made for dancing. Instead of the light fare displayed on Soul Mining, Infected's songs seethe instead of preen, and Matt Johnson's lyrics are laced with tension. Thematically, he plunges a lance into the exposed midsection of Great Britain, analyzing the state of modern urban life in the country. "This is the land where nothing changes," Johnson sings on the World Party-ish "Heartland." "A land of red buses and blue bloody babies/This is the place where the hearts are being cut from the welfare state." "Angels of Deception" matches rain-slicked verses to a powerful chorus flavored with gospel backup singers and enormous reverb percussion. With production tricks like this, Infected aligns itself with the dance-pop sound of its predecessor (and the prevailing sound of British pop music at the time). But there's no denying the record's acerbic lyricism or dark-toned instrumentation. "Sweet Bird of Truth" is gritty pop tinged with wartime radio chatter and muscular horns that somehow manage to be apocalyptic, and the sweaty finale "Mercy Beat" has a drink with the devil while dance-pop burns brightly in the background, sending embers into the London night sky. Synthesized horns and crashing drums converge around a mirthful Johnson lyric before the song finally fades to the weird tones of a looped guitar. Infected was the first true indication of Johnson's mercurial nature, and established the dissonance and reinvention of his later work. [The 2002 Sony reissue of Infected features 24-bit remastering.]

© Johnny Loftus /TiVo

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Infected

The The

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1
Infected
00:04:48

David Palmer, Drums - Guy Barker, Trumpet - Matt Johnson, Composer, Lyricist, Producer, Guitar, Keyboards, Vocal - Jack Skinner, Mastering Engineer - Tessa Niles, Background Vocal - MARK ROBINSON, Assistant Engineer - ZEKE MANYIKA, Background Vocal - Warne Livesey, Producer, Engineer - Dan Brown, Bass Guitar - The The, MainArtist, AssociatedPerformer - Barbara Milne, Assistant Engineer - Peter Woodroffe, Assistant Engineer - Steve Reece, Assistant Engineer - Louis Jardine, Percussion - Sir Barrence Clempson, Assistant Engineer - Mimi Matt, Assistant Engineer

(P) 1986 Sony Music Entertainment (UK) Ltd.

2
Out of the Blue (Into the Fire)
00:05:11

David Palmer, Drums - Guy Barker, Fluegelhorn - Matt Johnson, Composer, Lyricist, Producer, Guitar, Keyboards, Percussion, Vocal - Jack Skinner, Mastering Engineer - Tessa Niles, Background Vocal - Pete Beachill, Trombone - MARK ROBINSON, Assistant Engineer - Warne Livesey, Producer, Arranger, Engineer - Dan Brown, Bass Guitar - The The, MainArtist, AssociatedPerformer - Barbara Milne, Assistant Engineer - Peter Woodroffe, Assistant Engineer - Steve Reece, Assistant Engineer - Louis Jardine, Percussion - Jeff Cline, Bass Guitar - Sir Barrence Clempson, Assistant Engineer - Mimi Matt, Assistant Engineer

(P) 1986 SONY BMG MUSIC ENTERTAINMENT (UK) Limited

3
Heartland
00:05:05

David Palmer, Drums - Matt Johnson, Composer, Lyricist, Producer, Keyboards, Vocal - Jack Skinner, Mastering Engineer - Tessa Niles, Background Vocal - MARK ROBINSON, Assistant Engineer - ZEKE MANYIKA, Background Vocal - Warne Livesey, Producer, Arranger, Bass, Background Vocal - Judd Lander, Percussion, Harmonica - Steve Hogarth, Piano - The The, MainArtist, AssociatedPerformer - Barbara Milne, Assistant Engineer - Peter Woodroffe, Assistant Engineer - Steve Reece, Assistant Engineer - Louis Jardine, Percussion - Sir Barrence Clempson, Assistant Engineer - Mimi Matt, Assistant Engineer

(P) 1986 SONY BMG MUSIC ENTERTAINMENT (UK) Limited

4
Angels Of Deception
00:04:36

David Palmer, Drums - Matt Johnson, Composer, Lyricist, Keyboards, Vocal - Gary Langan, Producer, Engineer - Jack Skinner, Mastering Engineer - Steve Brown, Bass Guitar - MARK ROBINSON, Assistant Engineer - Warne Livesey, Re-Mixer - The The, MainArtist, AssociatedPerformer - Barbara Milne, Assistant Engineer - Peter Woodroffe, Assistant Engineer - Steve Reece, Assistant Engineer - Louis Jardine, Percussion - The Croquets, Background Vocal - Jeff Cline, Bass Guitar - Sir Barrence Clempson, Assistant Engineer - Mimi Matt, Assistant Engineer

(P) 1986 SONY BMG MUSIC ENTERTAINMENT (UK) Limited

5
Sweet Bird Of Truth
00:05:21

Matt Johnson, Composer, Lyricist, Producer, Guitar, Keyboards, Vocal - Roli Mosimann, Producer, Percussion, Programmer - Bashiri Johnson, Percussion - Jack Skinner, Mastering Engineer - Steve Peck, Engineer - Mike Johnson, Engineer - BOB MINTZER, Saxophone - Anna Domino, Background Vocal - MARK ROBINSON, Assistant Engineer - Warne Livesey, Engineer - The The, MainArtist, AssociatedPerformer - Barbara Milne, Assistant Engineer - Peter Woodroffe, Assistant Engineer - Steve Reece, Assistant Engineer - Sir Barrence Clempson, Assistant Engineer - Mimi Matt, Assistant Engineer

(P) 1986 SONY BMG MUSIC ENTERTAINMENT (UK) Limited

6
Slow Train to Dawn
00:04:14

David Palmer, Drums - Matt Johnson, Composer, Lyricist, Producer, Guitar, Keyboards, Vocal - Jack Skinner, Mastering Engineer - Neneh Cherry, Vocal - Jamie Talbot, Saxophone - MARK ROBINSON, Assistant Engineer - John Thirkell, Trumpet - Warne Livesey, Producer, Engineer, Organ - The The, MainArtist, AssociatedPerformer - Barbara Milne, Assistant Engineer - Peter Woodroffe, Assistant Engineer - Steve Reece, Assistant Engineer - Sir Barrence Clempson, Assistant Engineer - Mimi Matt, Assistant Engineer

(P) 1986 SONY BMG MUSIC ENTERTAINMENT (UK) Limited

7
Twilight of a Champion
00:04:22

Matt Johnson, Composer, Lyricist, Producer, Engineer, Guitar, Keyboards, Vocal - Roli Mosimann, Composer, Lyricist, Producer, Programmer - Jack Skinner, Mastering Engineer - Steve Peck, Engineer - Ashley Slater, Trombone - Andrew Poppy, Conductor, Arranger - MARK ROBINSON, Assistant Engineer - Andy Blake, Baritone Saxophone - The The, MainArtist, AssociatedPerformer - Barbara Milne, Assistant Engineer - Peter Woodroffe, Assistant Engineer - Steve Reece, Assistant Engineer - John Edcott, Trumpet - Dave de Fries, Trumpet - Steve Aitken, Trombone - Sir Barrence Clempson, Assistant Engineer - Mimi Matt, Assistant Engineer - Philip Easton, French Horn

(P) 1986 SONY BMG MUSIC ENTERTAINMENT (UK) Limited

8
The Mercy Beat
00:07:19

David Palmer, Drums - Matt Johnson, Composer, Lyricist, Guitar, Keyboards, Brass, Vocal - Gary Langan, Producer, Engineer - Jack Skinner, Mastering Engineer - Anne Dudley, Arranger - MARK ROBINSON, Assistant Engineer - Warne Livesey, Re-Mixer - The The, MainArtist, AssociatedPerformer - Barbara Milne, Assistant Engineer - Peter Woodroffe, Assistant Engineer - Steve Reece, Assistant Engineer - Louis Jardine, Percussion - The Croquets, Background Vocal - Sir Barrence Clempson, Assistant Engineer - Mimi Matt, Assistant Engineer - The Deaf Section, Brass

(P) 1986 SONY BMG MUSIC ENTERTAINMENT (UK) Limited

Album review

Infected's sound still suggests dance-pop, especially on the title track. But don't get the impression that it's made for dancing. Instead of the light fare displayed on Soul Mining, Infected's songs seethe instead of preen, and Matt Johnson's lyrics are laced with tension. Thematically, he plunges a lance into the exposed midsection of Great Britain, analyzing the state of modern urban life in the country. "This is the land where nothing changes," Johnson sings on the World Party-ish "Heartland." "A land of red buses and blue bloody babies/This is the place where the hearts are being cut from the welfare state." "Angels of Deception" matches rain-slicked verses to a powerful chorus flavored with gospel backup singers and enormous reverb percussion. With production tricks like this, Infected aligns itself with the dance-pop sound of its predecessor (and the prevailing sound of British pop music at the time). But there's no denying the record's acerbic lyricism or dark-toned instrumentation. "Sweet Bird of Truth" is gritty pop tinged with wartime radio chatter and muscular horns that somehow manage to be apocalyptic, and the sweaty finale "Mercy Beat" has a drink with the devil while dance-pop burns brightly in the background, sending embers into the London night sky. Synthesized horns and crashing drums converge around a mirthful Johnson lyric before the song finally fades to the weird tones of a looped guitar. Infected was the first true indication of Johnson's mercurial nature, and established the dissonance and reinvention of his later work. [The 2002 Sony reissue of Infected features 24-bit remastering.]

© Johnny Loftus /TiVo

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