Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
Infected's sound still suggests dance-pop, especially on the title track. But don't get the impression that it's made for dancing. Instead of the light fare displayed on Soul Mining, Infected's songs seethe instead of preen, and Matt Johnson's lyrics are laced with tension. Thematically, he plunges a lance into the exposed midsection of Great Britain, analyzing the state of modern urban life in the country. "This is the land where nothing changes," Johnson sings on the World Party-ish "Heartland." "A land of red buses and blue bloody babies/This is the place where the hearts are being cut from the welfare state." "Angels of Deception" matches rain-slicked verses to a powerful chorus flavored with gospel backup singers and enormous reverb percussion. With production tricks like this, Infected aligns itself with the dance-pop sound of its predecessor (and the prevailing sound of British pop music at the time). But there's no denying the record's acerbic lyricism or dark-toned instrumentation. "Sweet Bird of Truth" is gritty pop tinged with wartime radio chatter and muscular horns that somehow manage to be apocalyptic, and the sweaty finale "Mercy Beat" has a drink with the devil while dance-pop burns brightly in the background, sending embers into the London night sky. Synthesized horns and crashing drums converge around a mirthful Johnson lyric before the song finally fades to the weird tones of a looped guitar. Infected was the first true indication of Johnson's mercurial nature, and established the dissonance and reinvention of his later work. [The 2002 Sony reissue of Infected features 24-bit remastering.]
© Johnny Loftus /TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From kr133,33/month
The The, Performer - Tessa Niles, Background Vocal - Warne Livesey, Producer - Louis Jardine, Percussion - Guy Barker, Trumpet - David Palmer, Drums - Dan Brown, Acoustic Bass - Matt Johnson, Guitar - Matt Johnson, Keyboards - Matt Johnson, Lyricist - Matt Johnson, Composer - Matt Johnson, Vocal - Matt Johnson, Producer - Zeke Manyika, Background Vocal
(P) 2001 SONY BMG MUSIC ENTERTAINMENT (UK) Limited
Guy Barker, Flugelhorn - Tessa Niles, Background Vocal - Warne Livesey, Producer - David Palmer, Drums - Matt Johnson, Guitar - Matt Johnson, Keyboards - Matt Johnson, Lyricist - Matt Johnson, Percussion - Matt Johnson, Composer - Matt Johnson, Vocal - Matt Johnson, Producer - Louis Jardine, Percussion - The The, Performer - Dan Brown, Acoustic Bass
(P) 2001 SONY BMG MUSIC ENTERTAINMENT (UK) Limited
Judd Lander, Harmonica - Tessa Niles, Background Vocal - Warne Livesey, Producer - Warne Livesey, Background Vocal - Zeke Manyika, Background Vocal - Steve Hogarth, Piano - Matt Johnson, Composer - Matt Johnson, Guitar - Matt Johnson, Lyricist - Matt Johnson, Vocal - Matt Johnson, Producer - The The, Performer
(P) 2001 SONY BMG MUSIC ENTERTAINMENT (UK) Limited
David Palmer, Drums - Matt Johnson, Composer - Matt Johnson, Arranger - Matt Johnson, Keyboards - Matt Johnson, Lyricist - Matt Johnson, Vocal - Louis Jardine, Percussion - The The, Performer - Gary Langan, Producer
(P) 2001 SONY BMG MUSIC ENTERTAINMENT (UK) Limited
Roli Mosimann, Producer - Roli Mosimann, Programmer - Roli Mosimann, Percussion - Anna Domino, Vocal - Bashiri Johnson, Percussion - Bob Mintzer, Saxophone - Matt Johnson, Guitar - Matt Johnson, Keyboards - Matt Johnson, Lyricist - Matt Johnson, Composer - Matt Johnson, Vocal - Matt Johnson, Producer - The The, Performer
(P) 2001 SONY BMG MUSIC ENTERTAINMENT (UK) Limited
John Thirkell, Trumpet - Jamie Talbot, Saxophone - Warne Livesey, Producer - Warne Livesey, Organ - David Palmer, Drums - Matt Johnson, Guitar - Matt Johnson, Keyboards - Matt Johnson, Lyricist - Matt Johnson, Composer - Matt Johnson, Vocal - Matt Johnson, Producer - Neneh Cherry, Vocal - The The, Performer
(P) 2001 SONY BMG MUSIC ENTERTAINMENT (UK) Limited
John Edcott, Trumpet - The The, Performer - Andy Blake, Baritone Saxophone - Roli Mosimann, Producer - Roli Mosimann, Composer - Roli Mosimann, Programmer - Roli Mosimann, Lyricist - Philip Eastop, French Horn - Andrew Poppy, Conductor - Dave de Fries, Trumpet - Steve Aitken, Trombone - Ashley Slater, Trombone - Matt Johnson, Keyboards - Matt Johnson, Guitar - Matt Johnson, Lyricist - Matt Johnson, Composer - Matt Johnson, Vocal - Matt Johnson, Producer
(P) 2001 SONY BMG MUSIC ENTERTAINMENT (UK) Limited
The Croquets, Background Vocal - Anne Dudley, Arranger - Anne Dudley, Conductor - David Palmer, Drums - Matt Johnson, Guitar - Matt Johnson, Keyboards - Matt Johnson, Lyricist - Matt Johnson, Bass - Matt Johnson, Composer - Matt Johnson, Vocal - Louis Jardine, Percussion - The The, Performer - Gary Langan, Producer
(P) 2001 SONY BMG MUSIC ENTERTAINMENT (UK) Limited
Album review
Infected's sound still suggests dance-pop, especially on the title track. But don't get the impression that it's made for dancing. Instead of the light fare displayed on Soul Mining, Infected's songs seethe instead of preen, and Matt Johnson's lyrics are laced with tension. Thematically, he plunges a lance into the exposed midsection of Great Britain, analyzing the state of modern urban life in the country. "This is the land where nothing changes," Johnson sings on the World Party-ish "Heartland." "A land of red buses and blue bloody babies/This is the place where the hearts are being cut from the welfare state." "Angels of Deception" matches rain-slicked verses to a powerful chorus flavored with gospel backup singers and enormous reverb percussion. With production tricks like this, Infected aligns itself with the dance-pop sound of its predecessor (and the prevailing sound of British pop music at the time). But there's no denying the record's acerbic lyricism or dark-toned instrumentation. "Sweet Bird of Truth" is gritty pop tinged with wartime radio chatter and muscular horns that somehow manage to be apocalyptic, and the sweaty finale "Mercy Beat" has a drink with the devil while dance-pop burns brightly in the background, sending embers into the London night sky. Synthesized horns and crashing drums converge around a mirthful Johnson lyric before the song finally fades to the weird tones of a looped guitar. Infected was the first true indication of Johnson's mercurial nature, and established the dissonance and reinvention of his later work. [The 2002 Sony reissue of Infected features 24-bit remastering.]
© Johnny Loftus /TiVo
About the album
- 1 disc(s) - 8 track(s)
- Total length: 00:41:02
- Main artists: The The
- Composer: Matt Johnson
- Label: Epic
- Genre: Pop/Rock
(P) 1986 Sony Music Entertainment (UK) Ltd.
Improve album informationWhy buy on Qobuz...
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.