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A member of several important modern music ensembles, from Steve Reich's in the late '60s to Philip Glass's up to the present day, saxophonist John Gibson uses this solo album to repay the composers he has had a chance to work with, as well as play a few of his own compositions. Reich's "Reed Phase" is a variation on his "Violin Phase" wherein Gibson plays a repetitive phrase over and over against a taped recording of the same, gradually going out of phase with the tape. Philip Glass's "Bed" and John Adams's "Pat's Aria" are transcriptions for saxophone from their respective operas. "Terry's G Dorian Blues," by Terry Jennings, is exactly what it says, with Gibson and LaMonte Young trading licks in an awkward 12-bar blues. Gibson's own compositions range from the Reich-influenced "Song 3," which demonstrates Gibson's circular breathing technique, to the exotic atmosphere (bird sounds and all) of "Extensions II."
© Ted Mills /TiVo
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Michael Riesman, Producer - Philip Glass, Producer - Kurt Munkacsi, Producer - Jon Gibson, Composer, Soprano Saxophone, MainArtist, AssociatedPerformer - Martin Goldray, Piano, MainArtist, AssociatedPerformer - Rory Johnston, Producer
℗ 1992 Point Music Ltd.
Michael Riesman, Producer, Keyboards, MainArtist, AssociatedPerformer - John Adams, Composer - Philip Glass, Producer - Kurt Munkacsi, Producer - Jon Gibson, Saxophones, MainArtist, AssociatedPerformer - Martin Goldray, Keyboards, MainArtist, AssociatedPerformer - Rory Johnston, Producer
℗ 1992 Point Music Ltd.
Michael Riesman, Producer - Steve Reich, Composer - Philip Glass, Producer - Kurt Munkacsi, Producer - Jon Gibson, Soprano Saxophone, MainArtist, AssociatedPerformer - Rory Johnston, Producer
℗ 1992 Point Music Ltd.
Michael Riesman, Producer, Keyboards, MainArtist, AssociatedPerformer - Philip Glass, Producer - Kurt Munkacsi, Producer - Jon Gibson, Saxophones, MainArtist, AssociatedPerformer - Bill Ruyle, Percussion, MainArtist, AssociatedPerformer - Rory Johnston, Producer - LaMonte Young, Digital Piano, MainArtist, AssociatedPerformer - Terry Jennings, Composer
℗ 1992 Point Music Ltd.
Michael Riesman, Producer - Philip Glass, Composer, Producer, Keyboards, MainArtist, AssociatedPerformer - Kurt Munkacsi, Producer - Jon Gibson, Soprano Saxophone, MainArtist, AssociatedPerformer - Rory Johnston, Producer
℗ 1992 Point Music Ltd.
Michael Riesman, Producer - Philip Glass, Producer - Terry Riley, Composer - Kurt Munkacsi, Producer - Jon Gibson, Soprano Saxophone, MainArtist, AssociatedPerformer - Rory Johnston, Producer
℗ 1992 Point Music Ltd.
Michael Riesman, Producer - Philip Glass, Producer - Kurt Munkacsi, Producer - Jon Gibson, Composer, Soprano Saxophone, MainArtist, AssociatedPerformer - Rory Johnston, Producer
℗ 1992 Point Music Ltd.
Michael Riesman, Producer - Philip Glass, Composer, Producer - Kurt Munkacsi, Producer - Jon Gibson, Soprano Saxophone, MainArtist, AssociatedPerformer - Rory Johnston, Producer
℗ 1992 Point Music Ltd.
Michael Riesman, Producer, Keyboards, MainArtist, AssociatedPerformer - John Snyder, Percussion, MainArtist, AssociatedPerformer - Philip Glass, Producer - Kurt Munkacsi, Producer - Jon Gibson, Composer, Soprano Saxophone, MainArtist, AssociatedPerformer - Bill Ruyle, Bongos, MainArtist, AssociatedPerformer - Rory Johnston, Producer
℗ 1992 Point Music Ltd.
Album review
A member of several important modern music ensembles, from Steve Reich's in the late '60s to Philip Glass's up to the present day, saxophonist John Gibson uses this solo album to repay the composers he has had a chance to work with, as well as play a few of his own compositions. Reich's "Reed Phase" is a variation on his "Violin Phase" wherein Gibson plays a repetitive phrase over and over against a taped recording of the same, gradually going out of phase with the tape. Philip Glass's "Bed" and John Adams's "Pat's Aria" are transcriptions for saxophone from their respective operas. "Terry's G Dorian Blues," by Terry Jennings, is exactly what it says, with Gibson and LaMonte Young trading licks in an awkward 12-bar blues. Gibson's own compositions range from the Reich-influenced "Song 3," which demonstrates Gibson's circular breathing technique, to the exotic atmosphere (bird sounds and all) of "Extensions II."
© Ted Mills /TiVo
About the album
- 1 disc(s) - 9 track(s)
- Total length: 01:04:02
- Main artists: Jon Gibson
- Composer: Various Composers
- Label: Decca Music Group Ltd.
- Genre: Classical
© 2016 Decca Music Group Limited ℗ 1992 Point Music Ltd.
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