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The Replacements|Hootenanny  (Expanded)

Hootenanny (Expanded)

The Replacements

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Hootenanny is the place where the Replacements began to branch out from the breakneck punk that characterized their first two records -- which isn't quite the same thing as growing up, however. The brilliant thing about Hootenanny is that it teeters at the brink of maturity but never makes the dive into that deep pool. Paul Westerberg nevertheless dips a toe into those murky waters with "Color Me Impressed," as good an angst-ridden rocker as he would ever write, and the heartbroken "Within Your Reach," which presented a break from the Replacements' past in its slower tempo, driven by a stiff yet sad drum loop, and its vulnerability. Not long after this, Westerberg's vulnerability would become central to the 'Mats, although here he's keeping it way in check, but Hootenanny has something better to offer than a collection of soul-searching ballads: it offers the manic, reckless spirit so key to the Replacements' legend. All the myths of the Replacements at their peak speak to how it seemed like anything could happen at one of their shows, how Bob Stinson could blow out his amplifiers, how Westerberg would stumble through impromptu kitsch covers, how it could seem like the band would never make it to the end of the show. Well, Hootenanny is the only record of theirs where it seems like they may not make it to the end of the album, so ragged and reckless it is. It lurches to life with the folk piss-take "Hootenanny" before spinning out of control with "Run It," a piece of faux-core harder and funnier than anything on Stink. Hootenanny continues to bounce from extreme to extreme, stopping for a Beatles parody on "Mr. Whirly" and the instrumental "Buck Hill" before Westerberg reads out personal ads on "Lovelines." Almost all of the album's 12 songs could be seen as slight on their own merits, but the whole is greater than its individual parts, not just in how it is a breathless good time, but how this album offers a messy break from American punk traditions, ushering in an era of irony and self-deprecation that came to define much of American underground rock in the next decade. Nowhere is the Replacements' influence clearer than on Hootenanny, and although they made better records, no other one captures what the band was all about better than this.

© Stephen Thomas Erlewine /TiVo

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Hootenanny (Expanded)

The Replacements

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1
Hootenanny (Album Version)
00:01:52

Howie Weinberg, MasteringEngineer - PAUL WESTERBERG, Producer, Drums, Vocals, Writer - The Replacements, MainArtist - CHRIS MARS, Producer, Drums, Writer, Lead Guitar - TOMMY STINSON, Producer, Guitar, Writer - Paul Stark, Producer - Bob Stinson, Producer, Bass Guitar, Writer - Peter Jesperson, Producer

© 2008 Rhino Entertainment Company, a Warner Music Group Company. ℗ 1983 Rykodisc, Inc.

2
Run It (Album Version)
00:01:12

Howie Weinberg, MasteringEngineer - PAUL WESTERBERG, Producer, Guitar, Vocals, Writer - The Replacements, MainArtist - STEVE FJELSTAD, Engineer - CHRIS MARS, Producer, Drums, Writer - TOMMY STINSON, Producer, Bass Guitar - Paul Stark, Producer - Bob Stinson, Producer, Guitar - Peter Jesperson, Producer

© 2008 Rhino Entertainment Company, a Warner Music Group Company. ℗ 1983 Rykodisc, Inc.

3
Color Me Impressed (Album Version)
00:02:27

Howie Weinberg, MasteringEngineer - PAUL WESTERBERG, Producer, Guitar, Vocals, Writer - The Replacements, MainArtist - CHRIS MARS, Producer, Drums - TOMMY STINSON, Producer, Bass Guitar - Paul Stark, Producer - Bob Stinson, Producer, Guitar - Peter Jesperson, Producer

© 2008 Rhino Entertainment Company, a Warner Music Group Company. ℗ 1983 Rykodisc, Inc.

4
Willpower (Album Version)
00:04:20

Howie Weinberg, MasteringEngineer - PAUL WESTERBERG, Producer, Guitar, Vocals, Writer - The Replacements, MainArtist - CHRIS MARS, Producer, Drums - TOMMY STINSON, Producer, Bass Guitar - Paul Stark, Producer - Bob Stinson, Producer, Guitar - Peter Jesperson, Producer

© 2008 Rhino Entertainment Company, a Warner Music Group Company. ℗ 1983 Rykodisc, Inc.

5
Take Me Down to the Hospital (Album Version)
00:03:47

Howie Weinberg, MasteringEngineer - PAUL WESTERBERG, Producer, Guitar, Vocals, Writer - The Replacements, MainArtist - CHRIS MARS, Producer, Drums - TOMMY STINSON, Producer, Bass Guitar - Paul Stark, Producer - Bob Stinson, Producer, Guitar - Peter Jesperson, Producer

© 2008 Rhino Entertainment Company, a Warner Music Group Company. ℗ 1983 Rykodisc, Inc.

6
Mr. Whirly (Album Version)
00:01:57

Howie Weinberg, MasteringEngineer - PAUL WESTERBERG, Producer, Guitar, Vocals, Writer - The Replacements, MainArtist - CHRIS MARS, Producer, Drums, Writer - TOMMY STINSON, Producer, Bass Guitar, Writer - Paul Stark, Producer - Bob Stinson, Producer, Guitar, Writer - Peter Jesperson, Producer

© 2008 Rhino Entertainment Company, a Warner Music Group Company. ℗ 1983 Rykodisc, Inc.

7
Within Your Reach (Album Version)
00:04:24

Howie Weinberg, MasteringEngineer - PAUL WESTERBERG, Producer, Drums, Guitar, Bass Guitar, Vocals, Writer - The Replacements, MainArtist - STEVE FJELSTAD, Engineer - CHRIS MARS, Producer, Performance - TOMMY STINSON, Producer, Performance - Paul Stark, Producer - Bob Stinson, Producer, Performance - Peter Jesperson, Producer

© 2008 Rhino Entertainment Company, a Warner Music Group Company. ℗ 1983 Rykodisc, Inc.

8
Buck Hill (Album Version)
00:02:10

Howie Weinberg, MasteringEngineer - PAUL WESTERBERG, Producer, Guitar, Vocals, Writer - The Replacements, MainArtist - CHRIS MARS, Producer, Drums, Writer - TOMMY STINSON, Producer, Bass Guitar, Writer - Paul Stark, Producer - Bob Stinson, Producer, Guitar - Peter Jesperson, Producer

© 2008 Rhino Entertainment Company, a Warner Music Group Company. ℗ 1983 Rykodisc, Inc.

9
Lovelines (Album Version)
00:02:01

Howie Weinberg, MasteringEngineer - PAUL WESTERBERG, Producer, Guitar, Vocals, Writer - The Replacements, MainArtist - CHRIS MARS, Producer, Drums, Writer - TOMMY STINSON, Producer, Bass Guitar, Writer - Paul Stark, Producer - Bob Stinson, Producer, Guitar, Writer - Peter Jesperson, Producer - C.P. Readers, Writer

© 2008 Rhino Entertainment Company, a Warner Music Group Company. ℗ 1983 Rykodisc, Inc.

10
You Lose (Album Version)
00:01:42

Howie Weinberg, MasteringEngineer - PAUL WESTERBERG, Producer, Guitar, Vocals, Writer - The Replacements, MainArtist - CHRIS MARS, Producer, Drums, Writer - TOMMY STINSON, Producer, Bass Guitar, Writer - Paul Stark, Producer - Bob Stinson, Producer, Guitar, Writer - Peter Jesperson, Producer

© 2008 Rhino Entertainment Company, a Warner Music Group Company. ℗ 1983 Rykodisc, Inc.

11
Hayday (Album Version)
00:02:07

Howie Weinberg, MasteringEngineer - PAUL WESTERBERG, Producer, Guitar, Vocals, Writer - The Replacements, MainArtist - CHRIS MARS, Producer, Drums - TOMMY STINSON, Producer, Bass Guitar - Paul Stark, Producer - Bob Stinson, Producer, Guitar - Peter Jesperson, Producer

© 2008 Rhino Entertainment Company, a Warner Music Group Company. ℗ 1983 Rykodisc, Inc.

12
Treatment Bound (Album Version) Explicit
00:03:13

Howie Weinberg, MasteringEngineer - PAUL WESTERBERG, Producer, Guitar, Vocals, Writer - The Replacements, MainArtist - CHRIS MARS, Producer, Drums - TOMMY STINSON, Producer, Bass Guitar - Paul Stark, Producer - Bob Stinson, Producer, Guitar - Peter Jesperson, Producer

© 2008 Rhino Entertainment Company, a Warner Music Group Company. ℗ 1983 Rykodisc, Inc.

13
Lookin' for Ya (Outtake)
00:01:57

PAUL WESTERBERG, Vocals, Writer, Rhythm Guitar - The Replacements, MainArtist - CHRIS MARS, Drums - TOMMY STINSON, Bass Guitar - Dave Schultz, Remastering Engineer - Bob Stinson, Lead Guitar - Peter Jesperson, Producer

© 2008 Rhino Entertainment Company, a Warner Music Group Company. 1981 ℗ 1982 Rykodisc, Inc.

14
Junior's Got a Gun (Outtake - Rough Mix)
00:02:08

PAUL WESTERBERG, Vocals, Writer, Rhythm Guitar - The Replacements, MainArtist - CHRIS MARS, Drums - TOMMY STINSON, Bass Guitar - Dave Schultz, Remastering Engineer - Bob Stinson, Lead Guitar - Peter Jesperson, Producer

© 2008 Rhino Entertainment Company, a Warner Music Group Company. 1981 ℗ 2008 Rykodisc, Inc

15
Ain't No Crime (Outtake)
00:01:15

PAUL WESTERBERG, Vocals, Writer, Rhythm Guitar - The Replacements, MainArtist - CHRIS MARS, Drums - TOMMY STINSON, Mixer, Bass Guitar - Phillip Broussard, Mixer - Dave Schultz, Remastering Engineer - Bob Stinson, Lead Guitar - Peter Jesperson, Producer

© 2008 Rhino Entertainment Company, a Warner Music Group Company. 1981 ℗ 2008 Rykodisc, Inc

16
Johnny Fast (Outtake - Rough Mix)
00:02:28

PAUL WESTERBERG, Vocals, Writer, Rhythm Guitar - The Replacements, MainArtist - CHRIS MARS, Drums - TOMMY STINSON, Bass Guitar - Dave Schultz, Remastering Engineer - Bob Stinson, Lead Guitar - Peter Jesperson, Producer

© 2008 Rhino Entertainment Company, a Warner Music Group Company. 1981 ℗ 2008 Rykodisc, Inc

17
Treatment Bound (Alternate Version) Explicit
00:03:15

PAUL WESTERBERG, Writer - The Replacements, MainArtist

© 2008 Rhino Entertainment Company, a Warner Music Group Company. 1983 ℗ 2008 Rykodisc, Inc

18
Lovelines (Alternate Vocal)
00:02:05

PAUL WESTERBERG, Writer - The Replacements, MainArtist - CHRIS MARS, Writer - TOMMY STINSON, Writer - Bob Stinson, Writer - C.P. Readers, Writer

© 2008 Rhino Entertainment Company, a Warner Music Group Company. 1983 ℗ 2008 Rykodisc, Inc

19
Bad Worker (Solo Home Demo)
00:03:57

PAUL WESTERBERG, Engineer, Vocals, Writer, Rhythm Guitar - The Replacements, MainArtist - Justin Perkins, Masterer - Jason Jones, ReissueProducer - Peter Jesperson, ReissueProducer - Bob Mehr, ReissueProducer

© 2008 Rhino Entertainment Company, a Warner Music Group Company. 1981 ℗ 2008 Rykodisc, Inc

Album review

Hootenanny is the place where the Replacements began to branch out from the breakneck punk that characterized their first two records -- which isn't quite the same thing as growing up, however. The brilliant thing about Hootenanny is that it teeters at the brink of maturity but never makes the dive into that deep pool. Paul Westerberg nevertheless dips a toe into those murky waters with "Color Me Impressed," as good an angst-ridden rocker as he would ever write, and the heartbroken "Within Your Reach," which presented a break from the Replacements' past in its slower tempo, driven by a stiff yet sad drum loop, and its vulnerability. Not long after this, Westerberg's vulnerability would become central to the 'Mats, although here he's keeping it way in check, but Hootenanny has something better to offer than a collection of soul-searching ballads: it offers the manic, reckless spirit so key to the Replacements' legend. All the myths of the Replacements at their peak speak to how it seemed like anything could happen at one of their shows, how Bob Stinson could blow out his amplifiers, how Westerberg would stumble through impromptu kitsch covers, how it could seem like the band would never make it to the end of the show. Well, Hootenanny is the only record of theirs where it seems like they may not make it to the end of the album, so ragged and reckless it is. It lurches to life with the folk piss-take "Hootenanny" before spinning out of control with "Run It," a piece of faux-core harder and funnier than anything on Stink. Hootenanny continues to bounce from extreme to extreme, stopping for a Beatles parody on "Mr. Whirly" and the instrumental "Buck Hill" before Westerberg reads out personal ads on "Lovelines." Almost all of the album's 12 songs could be seen as slight on their own merits, but the whole is greater than its individual parts, not just in how it is a breathless good time, but how this album offers a messy break from American punk traditions, ushering in an era of irony and self-deprecation that came to define much of American underground rock in the next decade. Nowhere is the Replacements' influence clearer than on Hootenanny, and although they made better records, no other one captures what the band was all about better than this.

© Stephen Thomas Erlewine /TiVo

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