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John Harle|Harle: Terror and Magnificence

Harle: Terror and Magnificence

Sarah Leonard

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John Harle, a saxophonist with Michael Nyman's band, composed Terror & Magnificence as his first serious venture into classical music. The album straddles the lines between jazz and classical, relying more on chamber music than be-bop. Harle enlisted the Balanescu Quartet as his main backing band, asking saxophonist Andy Sheppard and soprano vocalist Sarah Leonard to play on the record as well. But Terror & Magnificence gained attention because of Elvis Costello, who sings three Shakespearean songs that Harle set to music. These may be more authentic music than The Juliet Letters, yet they aren't as graceful as Costello's collaboration with the Brodsky Quartet. However, the remainder of Terror & Magnificence is quite intriguing, and while Costello fans will find it only of marginal interest, adventurous listeners would do well to give it a try.

© TiVo

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Harle: Terror and Magnificence

John Harle

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Mistress Mine (John Harle)

1
1. Illyria
John Harle
00:03:38

William Shakespeare , Author - John Harle, Composer, Producer, Saxophone, MainArtist, AssociatedPerformer - Andrew Cornall, Producer - Steve Lodder, Keyboards, MainArtist, AssociatedPerformer

℗ 1996 Decca Music Group Limited

2
2. O Mistress Mine
Elvis Costello
00:04:02

William Shakespeare , Author - Mitch Dalton, Electric Guitar, MainArtist, AssociatedPerformer - John Harle, Composer, Producer, Saxophone, MainArtist, AssociatedPerformer - ELVIS COSTELLO, Vocalist, MainArtist, AssociatedPerformer - Andrew Cornall, Producer - Roy Babbington, Double Bass, MainArtist, AssociatedPerformer - Balanescu Quartet, Ensemble, MainArtist - John Harle Band, Ensemble, MainArtist - Steve Lodder, Keyboards, MainArtist, AssociatedPerformer

℗ 1996 Decca Music Group Limited

3
3. Come Away, Death
Elvis Costello
00:04:27

William Shakespeare , Author - Mitch Dalton, Electric Guitar, MainArtist, AssociatedPerformer - John Harle, Composer, Producer, Saxophone, MainArtist, AssociatedPerformer - ELVIS COSTELLO, Vocalist, MainArtist, AssociatedPerformer - Andrew Cornall, Producer - Roy Babbington, Double Bass, MainArtist, AssociatedPerformer - Balanescu Quartet, Ensemble, MainArtist - John Harle Band, Ensemble, MainArtist - Steve Lodder, Keyboards, MainArtist, AssociatedPerformer

℗ 1996 Decca Music Group Limited

4
4. When That I Was and a Little Tiny Boy
Elvis Costello
00:05:10

William Shakespeare , Author - Mitch Dalton, Electric Guitar, MainArtist, AssociatedPerformer - John Harle, Composer, Producer, Saxophone, MainArtist, AssociatedPerformer - ELVIS COSTELLO, Vocalist, MainArtist, AssociatedPerformer - Andrew Cornall, Producer - Roy Babbington, Double Bass, MainArtist, AssociatedPerformer - Balanescu Quartet, Ensemble, MainArtist - John Harle Band, Ensemble, MainArtist - Steve Lodder, Keyboards, MainArtist, AssociatedPerformer

℗ 1996 Decca Music Group Limited

5
Terror and Magnificence
John Harle
00:20:10

London Voices, Choir, MainArtist - John Harle, Composer, Producer, Saxophone, MainArtist, AssociatedPerformer - Andrew Cornall, Producer - Paul Clarvis, Percussion, MainArtist, AssociatedPerformer - Guillaume de Machaut, Author - Sarah Leonard, Soprano, MainArtist, AssociatedPerformer - John Harle Band, Ensemble, MainArtist - Steve Lodder, Keyboards, MainArtist, AssociatedPerformer - Alexander Balanescu, Violin, MainArtist, AssociatedPerformer - Chris Wells, Percussion, MainArtist, AssociatedPerformer - Andy Sheppard, Saxophone, MainArtist, AssociatedPerformer - Thomas Russell, Narrator, MainArtist

℗ 1996 Decca Music Group Limited

The Three Ravens (John Harle)

6
1. Since First I Saw Your Face
John Harle
00:03:50

Anonymous, Author - John Harle, Composer, Producer, Saxophone, MainArtist, AssociatedPerformer - Andrew Cornall, Producer - Sarah Leonard, Soprano, MainArtist, AssociatedPerformer - John Harle Band, Ensemble, MainArtist - Alexander Balanescu, Violin, MainArtist, AssociatedPerformer

℗ 1996 Decca Music Group Limited

7
2. The Three Ravens
Sarah Leonard
00:05:37

Anonymous, Author - John Harle, Composer, Producer, Saxophone, MainArtist, AssociatedPerformer - Andrew Cornall, Producer - Sarah Leonard, Soprano, MainArtist, AssociatedPerformer - John Harle Band, Ensemble, MainArtist - Alexander Balanescu, Violin, MainArtist, AssociatedPerformer

℗ 1996 Decca Music Group Limited

8
3. How Should I My True Love Know?
John Harle
00:04:52

Anonymous, Author - John Harle, Composer, Producer, Saxophone, MainArtist, AssociatedPerformer - Andrew Cornall, Producer - Sarah Leonard, Soprano, MainArtist, AssociatedPerformer - John Harle Band, Ensemble, MainArtist - Alexander Balanescu, Violin, MainArtist, AssociatedPerformer

℗ 1996 Decca Music Group Limited

9
Hunting the Hare
John Harle
00:07:28

John Harle, Composer, Producer, Saxophone, MainArtist, AssociatedPerformer - Andrew Cornall, Producer - Steve Lodder, Keyboards, MainArtist, AssociatedPerformer - Andy Sheppard, Saxophone, MainArtist, AssociatedPerformer

℗ 1996 Decca Music Group Limited

10
Rosie Blood (Sederunt)
William Purefoy
00:13:31

London Voices, Choir, MainArtist - John Harle, Composer, Producer, Saxophone, MainArtist, AssociatedPerformer - Andrew Cornall, Producer - Paul Clarvis, Percussion, MainArtist, AssociatedPerformer - William Purefoy, Alto, MainArtist, AssociatedPerformer

℗ 1996 Decca Music Group Limited

Album review

John Harle, a saxophonist with Michael Nyman's band, composed Terror & Magnificence as his first serious venture into classical music. The album straddles the lines between jazz and classical, relying more on chamber music than be-bop. Harle enlisted the Balanescu Quartet as his main backing band, asking saxophonist Andy Sheppard and soprano vocalist Sarah Leonard to play on the record as well. But Terror & Magnificence gained attention because of Elvis Costello, who sings three Shakespearean songs that Harle set to music. These may be more authentic music than The Juliet Letters, yet they aren't as graceful as Costello's collaboration with the Brodsky Quartet. However, the remainder of Terror & Magnificence is quite intriguing, and while Costello fans will find it only of marginal interest, adventurous listeners would do well to give it a try.

© TiVo

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