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Voces Suaves|Giovanni Croce : Motetti & Sacrae Cantiones

Giovanni Croce : Motetti & Sacrae Cantiones

Voces Suaves, Concerto Scirocco, Giulia Genini

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Less famous—at least these days—than his colleague, “rival” and almost contemporary Giovanni Gabrieli, Giovanni Croce also worked in Venice, but wrote less in the sacred polychoral style and more in madrigals for four or five voices (often profane, carefree and happy) than Gabrieli. That being said, here’s some of his works for eight voices—often polychoral then—released in Venice in 1596 for the motets, and in 1605 for the Sacrae Cantiones, testimonies of his consummate art of melody and harmony. By comparison, the ensembles Voces Suaves—vocal— and Concerto Scirocco—instrumental—have chosen to include some works from the two Gabrielis, Andrea and his nephew Giovanni, and also from Guami and Merulo, all tight contemporaries going from the middle of the XVIth century to the start of the next one. Cornets, sackbuts, viols, dulcians and organs (the one built in 1565 in the Church of Mantua, in which the album is recorded, for that matter) answer to the voices in the very rich and yet intimate acoustics of the place. © SM/Qobuz

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Giovanni Croce : Motetti & Sacrae Cantiones

Voces Suaves

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1
Omnes gentes
Voces Suaves
00:02:57

Voces Suaves, Performer - Francesco Saverio Pedrini, Performer - Concerto Scirocco, Performer - Giulia Genini, Performer - Giovanni Croce, Composer

2017 Outhere Music France 2017 Concerto Scirocco, under exclusive licence to Outhere Music France

2
Canzon Decimaquarta
Concerto Scirocco
00:03:45

Concerto Scirocco, Performer - Giulia Genini, Performer - Giovanni Picchi, Composer

2017 Outhere Music France 2017 Concerto Scirocco, under exclusive licence to Outhere Music France

3
Anima mea liquefacta est
Voces Suaves
00:03:00

Voces Suaves, Performer - Francesco Saverio Pedrini, Performer - Giovanni Croce, Composer

2017 Outhere Music France 2017 Concerto Scirocco, under exclusive licence to Outhere Music France

4
Percussit Saul mille
Voces Suaves
00:02:11

Voces Suaves, Performer - Francesco Saverio Pedrini, Performer - Concerto Scirocco, Performer - Giulia Genini, Performer - Giovanni Croce, Composer

2017 Outhere Music France 2017 Concerto Scirocco, under exclusive licence to Outhere Music France

5
Toccata
Francesco Saverio Pedrini
00:03:24

Francesco Saverio Pedrini, Performer - Vincenzo Bell'Haver, Composer

2017 Outhere Music France 2017 Concerto Scirocco, under exclusive licence to Outhere Music France

6
Egredimini et videte
Voces Suaves
00:02:41

Voces Suaves, Performer - Francesco Saverio Pedrini, Performer - Concerto Scirocco, Performer - Giulia Genini, Performer - Giovanni Croce, Composer

2017 Outhere Music France 2017 Concerto Scirocco, under exclusive licence to Outhere Music France

7
Canzon III a 4, Ch. 188
Concerto Scirocco
00:01:57

Concerto Scirocco, Performer - Giulia Genini, Performer - Giovanni Gabrieli, Composer

2017 Outhere Music France 2017 Concerto Scirocco, under exclusive licence to Outhere Music France

8
Ornaverunt faciem templi
Voces Suaves
00:02:47

Voces Suaves, Performer - Francesco Saverio Pedrini, Performer - Concerto Scirocco, Performer - Giulia Genini, Performer - Giovanni Croce, Composer

2017 Outhere Music France 2017 Concerto Scirocco, under exclusive licence to Outhere Music France

9
Canzon ariosa
Francesco Saverio Pedrini
00:03:00

Francesco Saverio Pedrini, Performer - Andrea Gabrieli, Composer

2017 Outhere Music France 2017 Concerto Scirocco, under exclusive licence to Outhere Music France

10
Ave virgo
Voces Suaves
00:02:48

Voces Suaves, Performer - Francesco Saverio Pedrini, Performer - Concerto Scirocco, Performer - Giulia Genini, Performer - Giovanni Croce, Composer

2017 Outhere Music France 2017 Concerto Scirocco, under exclusive licence to Outhere Music France

11
Canzon Terza
Concerto Scirocco
00:02:50

Concerto Scirocco, Performer - Giulia Genini, Performer - Giovanni Gabrieli, Composer

2017 Outhere Music France 2017 Concerto Scirocco, under exclusive licence to Outhere Music France

12
Virgo decus nemorum
Voces Suaves
00:03:15

Voces Suaves, Performer - Francesco Saverio Pedrini, Performer - Concerto Scirocco, Performer - Giulia Genini, Performer - Giovanni Croce, Composer

2017 Outhere Music France 2017 Concerto Scirocco, under exclusive licence to Outhere Music France

13
Canzon Settimadecima
Concerto Scirocco
00:02:46

Concerto Scirocco, Performer - Giulia Genini, Performer - Gioseffo Guami, Composer

2017 Outhere Music France 2017 Concerto Scirocco, under exclusive licence to Outhere Music France

14
Hodie completi sunt
Voces Suaves
00:02:35

Voces Suaves, Performer - Francesco Saverio Pedrini, Performer - Concerto Scirocco, Performer - Giulia Genini, Performer - Giovanni Croce, Composer

2017 Outhere Music France 2017 Concerto Scirocco, under exclusive licence to Outhere Music France

15
Toccata Terza
Francesco Saverio Pedrini
00:04:52

Francesco Saverio Pedrini, Performer - Claudio Merulo, Composer

2017 Outhere Music France 2017 Concerto Scirocco, under exclusive licence to Outhere Music France

16
Quaeramus cum pastoribus
Voces Suaves
00:07:27

Voces Suaves, Performer - Francesco Saverio Pedrini, Performer - Concerto Scirocco, Performer - Giulia Genini, Performer - Giovanni Croce, Composer

2017 Outhere Music France 2017 Concerto Scirocco, under exclusive licence to Outhere Music France

Album review

Less famous—at least these days—than his colleague, “rival” and almost contemporary Giovanni Gabrieli, Giovanni Croce also worked in Venice, but wrote less in the sacred polychoral style and more in madrigals for four or five voices (often profane, carefree and happy) than Gabrieli. That being said, here’s some of his works for eight voices—often polychoral then—released in Venice in 1596 for the motets, and in 1605 for the Sacrae Cantiones, testimonies of his consummate art of melody and harmony. By comparison, the ensembles Voces Suaves—vocal— and Concerto Scirocco—instrumental—have chosen to include some works from the two Gabrielis, Andrea and his nephew Giovanni, and also from Guami and Merulo, all tight contemporaries going from the middle of the XVIth century to the start of the next one. Cornets, sackbuts, viols, dulcians and organs (the one built in 1565 in the Church of Mantua, in which the album is recorded, for that matter) answer to the voices in the very rich and yet intimate acoustics of the place. © SM/Qobuz

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