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Patti Austin is well qualified to record an album in the style of Ella Fitzgerald, having spent her career shadowing the paths taken by Fitzgerald and her contemporaries. Although she has worked in R&B-oriented adult pop much of the time, she is clearly in the tradition of Fitzgerald, and in 1988 she even recorded an album of standards that she tellingly titled The Real Me. For Ella easily could be the sequel to that collection. Austin traveled to Köln, Germany, to record a program of songs associated with Fitzgerald with the WDR Big Band conducted by Patrick Williams. Many of the songs, of course, are just ones Fitzgerald happened to sing but that have broader associations as well, such as George & Ira Gershwin's "Our Love Is Here to Stay" and "The Man I Love," though others, such as "A Tisket a Tasket," inevitably evoke Fitzgerald. Austin does not, for the most part, attempt to sing in Fitzgerald's style, giving listeners her own interpretations that, in Williams' neo-swing arrangements, nevertheless hark back to the 1950s. That's fine for the most part, though the version of "Miss Otis Regrets," which treats it as a gospel performance in the manner of Mahalia Jackson, without the slightest touch of humor, is a misstep. On two occasions, Austin does copy Fitzgerald, re-creating the scat sections of "You'll Have to Swing It (Mr. Paganini)" and "How High the Moon." That obviates the problem of having to compete with Fitzgerald on her greatest improvisational triumphs, but it's a technical achievement of an odd sort. Austin is better off putting her own stamp on the songs; that she does very well.
© William Ruhlmann /TiVo
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Patti Austin, MainArtist - GEORGE DAVID WEISS, ComposerLyricist - Jerry Bock, ComposerLyricist - Larry Holofcener, ComposerLyricist
℗ 2002 Concord Records, Inc.
Patti Austin, MainArtist - Andy Razaf, ComposerLyricist - Fats Waller, ComposerLyricist
℗ 2002 Concord Records, Inc.
Patti Austin, MainArtist - Sam Coslow, ComposerLyricist
℗ 2002 Concord Records, Inc.
Patti Austin, MainArtist - George Gershwin, ComposerLyricist - Ira Gershwin, ComposerLyricist
℗ 2002 Concord Records, Inc.
Patti Austin, MainArtist - Ella Fitzgerald, ComposerLyricist - Van Alexander, ComposerLyricist
℗ 2002 Concord Records, Inc.
Patti Austin, MainArtist - Cole Porter, ComposerLyricist
℗ 2002 Concord Records, Inc.
Patti Austin, MainArtist - Milton Ager, ComposerLyricist - Jack Yellen, ComposerLyricist - Charles Bates, ComposerLyricist - Robert Wilcox Bigelow, ComposerLyricist
℗ 2002 Concord Records, Inc.
Patti Austin, MainArtist - George Gershwin, Composer - Ira Gershwin, Author
℗ 2002 Concord Records, Inc.
Patti Austin, MainArtist - Duke Ellington, ComposerLyricist - Billy Strayhorn, ComposerLyricist
℗ 2002 Concord Records, Inc.
Patti Austin, MainArtist - George Gershwin, ComposerLyricist - Ira Gershwin, ComposerLyricist
℗ 2002 Concord Records, Inc.
Patti Austin, MainArtist - PATRICK WILLIAMS, ComposerLyricist - Arthur Hamilton, ComposerLyricist
℗ 2002 Concord Records, Inc.
William M. Lewis, Jr., ComposerLyricist - Patti Austin, MainArtist - Nancy Hamilton, ComposerLyricist - Morgan Lewis, ComposerLyricist
℗ 2002 Concord Records, Inc.
Album review
Patti Austin is well qualified to record an album in the style of Ella Fitzgerald, having spent her career shadowing the paths taken by Fitzgerald and her contemporaries. Although she has worked in R&B-oriented adult pop much of the time, she is clearly in the tradition of Fitzgerald, and in 1988 she even recorded an album of standards that she tellingly titled The Real Me. For Ella easily could be the sequel to that collection. Austin traveled to Köln, Germany, to record a program of songs associated with Fitzgerald with the WDR Big Band conducted by Patrick Williams. Many of the songs, of course, are just ones Fitzgerald happened to sing but that have broader associations as well, such as George & Ira Gershwin's "Our Love Is Here to Stay" and "The Man I Love," though others, such as "A Tisket a Tasket," inevitably evoke Fitzgerald. Austin does not, for the most part, attempt to sing in Fitzgerald's style, giving listeners her own interpretations that, in Williams' neo-swing arrangements, nevertheless hark back to the 1950s. That's fine for the most part, though the version of "Miss Otis Regrets," which treats it as a gospel performance in the manner of Mahalia Jackson, without the slightest touch of humor, is a misstep. On two occasions, Austin does copy Fitzgerald, re-creating the scat sections of "You'll Have to Swing It (Mr. Paganini)" and "How High the Moon." That obviates the problem of having to compete with Fitzgerald on her greatest improvisational triumphs, but it's a technical achievement of an odd sort. Austin is better off putting her own stamp on the songs; that she does very well.
© William Ruhlmann /TiVo
About the album
- 1 disc(s) - 12 track(s)
- Total length: 00:45:55
- Main artists: Patti Austin
- Composer: Various Composers
- Label: Concord Records
- Genre: Jazz
© 2002 Concord Records, Inc. ℗ 2002 Concord Records, Inc.
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